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AR Rahman has produced a perfect accompaniment to Rakeysh Omprakash Mehra's, long-awaited Delhi-6: trippy beats, romantic melodies and even devotional sounds mirror Delhi's old city.
Masakali (implying freedom or liberation) mixes tempos and is both ...
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With its diverse range of styles, Grace/Wastelands appears at first to be a slightly disjointed and incoherent album. However, it soon becomes apparent that there is one thing linking all the tracks – an honest and genuine outpouring of Doherty's sou...
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Après 6 ans d'existence et 4 démos autoproduites, Mr Bungle profite du succès de Faith No More, groupe dans lequel officie leur chanteur Mike Patton, pour enfin décrocher un contrat avec une maison de disque et enregistrer ce premier album avec le sa...
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It takes a certain kind of chutzpah to make an anti-social racket with style, Anno Domini Twenty Twelve.
No matter how many times their doom is prophesised, planks of wood plugged into monolithic speaker cabinets are in no more danger of slipping out...
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Craig Finn describes himself as the kind of writer who sits in the back seat of the car driven by his characters, taking notes. For the sake of his sanity and general health, this is doubtless a good thing. On Lord, I'm Discouraged, a song from The H...
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Listening to Sutekh's Collected Remixes prompts a number of questions such as 'Does the world need another remix album?' And 'How many remixes are in anyone's top 20 desert island discs?'. The first disc of this double CD release collects Sutekh's mo...
