With its diverse range of styles, Grace/Wastelands appears at first to be a slightly disjointed and incoherent album. However, it soon becomes apparent that there is one thing linking all the tracks – an honest and genuine outpouring of Doherty's sou...
Après 6 ans d'existence et 4 démos autoproduites, Mr Bungle profite du succès de Faith No More, groupe dans lequel officie leur chanteur Mike Patton, pour enfin décrocher un contrat avec une maison de disque et enregistrer ce premier album avec le sa...
The Broadway Project's Compassion was one of the great records of 2001; akin to a 2 am session with your vinyl junkie mate playing his or her favourite cosmic jazz, prog rock and psychedelic obscurities on 3 sets of turntables simultaneously, it was ...
A third offering from cover artists supreme, Nouvelle Vague, shifts away from Brazilian bossa nova and towards America's musical hinterlands to take its classy covers credo in new and nimbly delightful directions.
The formula – conjured up by produce...
It takes a certain kind of chutzpah to make an anti-social racket with style, Anno Domini Twenty Twelve.
No matter how many times their doom is prophesised, planks of wood plugged into monolithic speaker cabinets are in no more danger of slipping out...
PE: The last great political act of our times? This album certainly seems to back the theory up. A year after the polemic of Chuck D, the sneer of Flavor Flav and the post-modern noise concrete of the Bomb Squad burst onto the public consciousness wi...
