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Nathan Williams has never been one for welcoming listeners into his world with open arms. In fact he's made things decidedly difficult since the first few Wavves tracks spread like wildfire around the web in 2008. Two hastily thrown together records ...
Released just four months after Today! in July 1965, The Beach Boys' ninth album was at first deemed by some to be a regression. Its predecessor had, on its second side, revealed the now studio-locked, pot-guzzling Brian Wilson's knack for melancholy...
New Zealand's Flight of the Conchords are seriously funny – Grammy nominated and single-handedly (can a duo be single handed?) keeping the Christmas stocking filler market afloat, they've been well and truly welcomed to the collective bosom of the co...
Doll Creature is Max Eastley and David Toop's first recording since 1994's Buried Dreams and only their third since 1975's New and Rediscovered Musical Instruments. Both are criminally long out of print. Buried Dreams in particular was a brilliantly ...
This latest collection commemorates the 50th anniversary of the day that Charles Hardin Holley (sic) climbed aboard his last plane ride. Who, you wonder, really needs to hear the story one more time: of how the geeky boy from Lubbock Texas heard Elvi...
Gallon Drunk's James Johnston is a busy boy. A member of Nick Cave's Bad Seeds since 1994, he's also spent part of this year touring with Faust, while bandmate Ian White has been working with Lydia Lunch. Saxophonist Terry Edwards too has done the ro...