Released just four months after Today! in July 1965, The Beach Boys' ninth album was at first deemed by some to be a regression. Its predecessor had, on its second side, revealed the now studio-locked, pot-guzzling Brian Wilson's knack for melancholy...
Revealing a finely attuned sense of proportion and balance, the six pieces which make up the album never fall short of their initial promise.
There's also several surprisingly dramatic moments such as on the eight minute Telescope, in which cascadin...
Nathan Williams has never been one for welcoming listeners into his world with open arms. In fact he's made things decidedly difficult since the first few Wavves tracks spread like wildfire around the web in 2008. Two hastily thrown together records ...
Now known more for his fearsome reputation as a curmudgeonly r&b shouter in a hat, at one point in the dim and distant past, Van Morrison was, well... a happy curmudgeon. In the early '70s his magnificent voice and mystic vision were wedded to an idy...
Doll Creature is Max Eastley and David Toop's first recording since 1994's Buried Dreams and only their third since 1975's New and Rediscovered Musical Instruments. Both are criminally long out of print. Buried Dreams in particular was a brilliantly ...
New Zealand's Flight of the Conchords are seriously funny – Grammy nominated and single-handedly (can a duo be single handed?) keeping the Christmas stocking filler market afloat, they've been well and truly welcomed to the collective bosom of the co...