It's long been my conviction that writing about music is one of the most widespread follies of modern times.
Each month, hundreds of thousands of words about music are written by people wearing converse trainers. What does it mean? Why bother descri...
Perhaps surprisingly to some, Bass Generation marks ten years in the career of Swedish producer Jonas Altberg, whose arduous brand of house under the Basshunter moniker has only fallen on mainstream UK ears since early 2008. Yet he's risen through th...
Doll Creature is Max Eastley and David Toop's first recording since 1994's Buried Dreams and only their third since 1975's New and Rediscovered Musical Instruments. Both are criminally long out of print. Buried Dreams in particular was a brilliantly ...
Let me get this off my chest first of all, Tim Westwood is a twat.
Tim Westwood, or just Westwood, was BBC's "main man" for the world of hip-hop and reggae in the early 2000s; it wouldn't be until 2002 that they would properly embrace this side of mu...
Whereas 1984's Purple Rain had seen Prince merge the on-screen and on-record perfectly, remaining a classic to this day, Parade can't quite claim to be as essential. Again a soundtrack to one of the Purple One's excursions into cinema, it supports th...
Gallon Drunk's James Johnston is a busy boy. A member of Nick Cave's Bad Seeds since 1994, he's also spent part of this year touring with Faust, while bandmate Ian White has been working with Lydia Lunch. Saxophonist Terry Edwards too has done the ro...