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CritiqueBrainz is a repository for Creative Commons licensed music reviews. Here you can read what other people have written about an album or event and write your own review!

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Kirjeldus	Number
Number of Reviews	9 435
Number of Users	1 390

Populaarsed arvustused

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It Takes a Nation of Millions to Hold Us Back by Public Enemy

Arvustus kasutajalt Chris Jones

PE: The last great political act of our times? This album certainly seems to back the theory up. A year after the polemic of Chuck D, the sneer of Flavor Flav and the post-modern noise concrete of the Bomb Squad burst onto the public consciousness wi...

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Sound Is by Rob Mazurek Quintet

Arvustus kasutajalt Chris Jones

Rob Mazurek may now be residing in South America, but he still has strong ties to his native Chicago. This new album by his quintet is unmistakably the product of the Windy City, containing as it does healthy doses of avant jazz, hard bop and, of cou...

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Songs for Endless Cities by Brackles

Arvustus kasutajalt Noel Gardner

London producer Brackles' first release was less than two years ago, and he was still effectively a brand new face in the record racks when enlisted to remix Kid Cudi's Day 'n' Nite - the original, blog-friendly 2008 release, rather than the one from...

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Humor Risk by Cass McCombs

Arvustus kasutajalt Martin Aston

Cass McCombs' worldview can be nailed by his pithy response to being asked what he'd like on his tombstone: "Home at last." The comment, worthy of Tony Hancock or Spike Milligan (who, when asked the same question, chose "I told you I was ill!") has e...

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Grace/Wastelands by Peter Doherty

Arvustus kasutajalt Lizzie Ennever

With its diverse range of styles, Grace/Wastelands appears at first to be a slightly disjointed and incoherent album. However, it soon becomes apparent that there is one thing linking all the tracks – an honest and genuine outpouring of Doherty's sou...

Release Group

Messa da Requiem by Giuseppe Verdi; Chicago Symphony Orchestra, Riccardo Muti

Arvustus kasutajalt Daniel Ross

Verdi's Requiem is a work of undeniably epic proportions, but more often than not (and thanks to the ubiquity of the Dies Irae in television and film) the public hear only snippets of it. Consequently, audiences can see it as something of a marathon ...