Released just four months after Today! in July 1965, The Beach Boys' ninth album was at first deemed by some to be a regression. Its predecessor had, on its second side, revealed the now studio-locked, pot-guzzling Brian Wilson's knack for melancholy...
One of the most unique shmup OST's for one of the most unique arcade shmups ever made, and arguably Tamayo Kawamoto's masterpiece. Not a single track here is forgettable or feels wasted.
The game starts with some fittingly energetic tunes ('Penetrati...
It's long been my conviction that writing about music is one of the most widespread follies of modern times.
Each month, hundreds of thousands of words about music are written by people wearing converse trainers. What does it mean? Why bother descri...
Let me get this off my chest first of all, Tim Westwood is a twat.
Tim Westwood, or just Westwood, was BBC's "main man" for the world of hip-hop and reggae in the early 2000s; it wouldn't be until 2002 that they would properly embrace this side of mu...
That Q-Tip spent his own money to purchase the rights to this previously-shelved album suggests how close it is to his heart. That it took the name he chose when converting to Islam in the mid-90s, Kamaal, as its title suggested that this follow-up t...
This latest collection commemorates the 50th anniversary of the day that Charles Hardin Holley (sic) climbed aboard his last plane ride. Who, you wonder, really needs to hear the story one more time: of how the geeky boy from Lubbock Texas heard Elvi...