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Popular reviews
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In his previous groups, Henry Threadgill has demonstrated a penchant for unusual instrumental combinations -- tubas, accordion, harmonium, harpsichord, cellos, etc. -- but in this newest version of Make a Move, he opts for a relatively conventional l...
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Verdi's Requiem is a work of undeniably epic proportions, but more often than not (and thanks to the ubiquity of the Dies Irae in television and film) the public hear only snippets of it. Consequently, audiences can see it as something of a marathon ...
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With its diverse range of styles, Grace/Wastelands appears at first to be a slightly disjointed and incoherent album. However, it soon becomes apparent that there is one thing linking all the tracks – an honest and genuine outpouring of Doherty's sou...
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Cass McCombs' worldview can be nailed by his pithy response to being asked what he'd like on his tombstone: "Home at last." The comment, worthy of Tony Hancock or Spike Milligan (who, when asked the same question, chose "I told you I was ill!") has e...
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Anyone who enjoys a chipper ditty, a milkman-friendly whistle-along of a song, will find a lot to like in this album. Olly is a very confident fellow, with a winning smile and a spring in his step, and this is spread thickly across his debut like mar...
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It takes a certain kind of chutzpah to make an anti-social racket with style, Anno Domini Twenty Twelve.
No matter how many times their doom is prophesised, planks of wood plugged into monolithic speaker cabinets are in no more danger of slipping out...
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