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The Broadway Project's Compassion was one of the great records of 2001; akin to a 2 am session with your vinyl junkie mate playing his or her favourite cosmic jazz, prog rock and psychedelic obscurities on 3 sets of turntables simultaneously, it was ...
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Cass McCombs' worldview can be nailed by his pithy response to being asked what he'd like on his tombstone: "Home at last." The comment, worthy of Tony Hancock or Spike Milligan (who, when asked the same question, chose "I told you I was ill!") has e...
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Craig Finn describes himself as the kind of writer who sits in the back seat of the car driven by his characters, taking notes. For the sake of his sanity and general health, this is doubtless a good thing. On Lord, I'm Discouraged, a song from The H...
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Après 6 ans d'existence et 4 démos autoproduites, Mr Bungle profite du succès de Faith No More, groupe dans lequel officie leur chanteur Mike Patton, pour enfin décrocher un contrat avec une maison de disque et enregistrer ce premier album avec le sa...
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With its diverse range of styles, Grace/Wastelands appears at first to be a slightly disjointed and incoherent album. However, it soon becomes apparent that there is one thing linking all the tracks – an honest and genuine outpouring of Doherty's sou...
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"Making noise" was UK duo Milo Cordell and Robbie Furze's initial remit, with Furze's former alliance with Berlin techno-punk 'terrorist' Alec Empire hinting at a possible template. So The Big Pink's wall-of-sound pop classicism over synchronised, st...
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