CritiqueBrainz

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CritiqueBrainz is a repository for Creative Commons licensed music and book reviews. Here you can read what other people have written about an album or event and write your own review!

CritiqueBrainz is based on data from MusicBrainz - open music encyclopedia and BookBrainz - open book encyclopedia.
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Number of Reviews	12,374
Number of Users	4,971

Popular reviews

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Tupelo Honey by Van Morrison

Review by Chris Jones

Now known more for his fearsome reputation as a curmudgeonly r&b; shouter in a hat, at one point in the dim and distant past, Van Morrison was, well... a happy curmudgeon. In the early '70s his magnificent voice and mystic vision were wedded to an id...

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Doll Creature by David Toop & Max Eastley

Review by Colin Buttimer

Doll Creature is Max Eastley and David Toop's first recording since 1994's Buried Dreams and only their third since 1975's New and Rediscovered Musical Instruments. Both are criminally long out of print. Buried Dreams in particular was a brilliantly ...

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Karthik Calling Karthik by Shankar-Ehsaan-Loy

Review by Jaspreet Pandohar

There's no stopping the music machine that is Shankar Mahadevan, Ehsaan Noorani and Loy Mendosa. Having started 2010 on a high with the soundtrack to My Name is Khan, the trio hit the rights notes once again with Karthik Calling Karthik. Fresh and fu...

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King of the Beach by Wavves

Review by Camilla Pia

Nathan Williams has never been one for welcoming listeners into his world with open arms. In fact he's made things decidedly difficult since the first few Wavves tracks spread like wildfire around the web in 2008. Two hastily thrown together records ...

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Parade by Prince and The Revolution

Review by Mike Diver

Whereas 1984's Purple Rain had seen Prince merge the on-screen and on-record perfectly, remaining a classic to this day, Parade can't quite claim to be as essential. Again a soundtrack to one of the Purple One's excursions into cinema, it supports th...

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Summer Days (and Summer Nights!!) by The Beach Boys

Review by Chris Roberts

Released just four months after Today! in July 1965, The Beach Boys' ninth album was at first deemed by some to be a regression. Its predecessor had, on its second side, revealed the now studio-locked, pot-guzzling Brian Wilson's knack for melancholy...