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Digital Media 1
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| 1 |
Siegfried Idyll
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18:26
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| 2 |
Kinderkatechismus
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2:28
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| 3 |
Of All Great Musical Compositions... (Examples 1-4)
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3:37
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| 4 |
The Fundamental Symbol... (Examples 5-11)
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4:46
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| 5 |
Returning Now to the Nature Motive... (Examples 6, 12-16)
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3:22
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| 6 |
A Number of Further Motives... (Examples 5, 17-21)
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3:17
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| 7 |
A Second, Much Smaller Family... (Examples 22-25)
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2:35
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| 8 |
So Much for Nature. (Examples 26-38)
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7:56
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| 9 |
The Cause of the Deterioration... (Examples 39-44)
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3:30
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| 10 |
The Other Transformation... (Examples 45-48)
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3:44
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| 11 |
Several Other Motives... (Examples 49-52)
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2:47
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| 12 |
Two Further Motives... (Examples 41, 53-61)
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7:12
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| 13 |
The Basic Motive Associated With the Spear... (Examples 62-68)
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5:17
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| 14 |
Along Another, More Complex Line... (Examples 69-72)
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2:12
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| 15 |
In Act Two of "Walküre"... (Examples 69, 73-75)
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2:21
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| 16 |
Returning Now to Act Two of "Walküre"... (Examples 76-79)
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3:54
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| 17 |
Love Is Another of the Central Symbols... (Examples 80-83)
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3:06
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| 18 |
Later in the Same Scene... (Examples 84-87)
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2:22
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| 19 |
Freia's Motive Has Two Independent Segments... (Examples 88-91)
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2:01
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| 20 |
The Label 'Flight'... (Example 92)
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0:56
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| 21 |
When Fasolt, in Scene Two of "Rhinegold"... (Examples 93-98)
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5:23
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| 22 |
A Little Later in This Interlude... (Examples 99-103)
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3:07
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| 23 |
The Other New Motive... (Examples 104-109)
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3:37
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| 24 |
There Are Several Independent Love-Motives... (Examples 110-114)
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2:56
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| 25 |
The Characters in Whose Lives... (Examples 115-120)
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5:28
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| 26 |
One Further Motive Belongs... (Example 121)
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1:25
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| 27 |
The Sword Motive Recurs... (Examples 122-130)
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4:28
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| 28 |
Ironically, This Phrase... (Examples 131-135)
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2:59
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| 29 |
Closely Associated With Gutrune's Motive... (Examples 136-140)
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2:27
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| 30 |
Here We Come to the End... (Examples 141-146)
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3:44
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| 31 |
Complementary to This Symbol... (Examples 147-149)
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2:14
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| 32 |
One Last Central Symbol... (Examples 150-157)
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4:54
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| 33 |
One Further Motive Connected... (Examples 158-161)
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2:53
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| 34 |
There Are One or Two Motives... (Examples 162-168)
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3:48
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| 35 |
These Motives of Alberich and Mime... (Examples 169-171)
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2:08
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| 36 |
Quite a Number of the Subsidiary Motives... (Examples 172-176)
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2:51
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| 37 |
Besides This Family of Motives... (Examples 177-180)
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2:32
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| 38 |
Our Final Example... (Examples 10, 181, 182)
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3:57
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| 39 |
In the Final Scene of Götterdämmerung... (Examples 181-183)
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2:45
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| 40 |
Even More Masterly... (Examples 184-188)
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4:32
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| 41 |
Now If We Return... (Examples 189-191)
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2:48
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| 42 |
This Masterly Way... (Examples 192, 193)
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4:53
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