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CD 1
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| 1 |
Le marteau sans maître: I. Avant l'Artisanat furieux
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1:49
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| 2 |
Le marteau sans maître: II. Commentaire I de Bourreaux de solitude
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4:07
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| 3 |
Le marteau sans maître: III. L'Artisanat furieux
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2:30
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| 4 |
Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude
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4:37
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| 5 |
Le marteau sans maître: V. Bel édifice et les pressentiments I
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3:55
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| 6 |
Le marteau sans maître: VI. Bourreaux de solitude
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4:15
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| 7 |
Le marteau sans maître: VII. Après l'Artisanat furieux
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1:05
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| 8 |
Le Marteau sans Maître: VIII. Commentaire III de Bourreaux de solitude
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5:48
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| 9 |
Le marteau sans maître: IX. Bel édifice et les pressentiments II
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8:05
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| 10 |
Livre pour cordes: 1a Variation
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6:37
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| 11 |
Livre pour cordes: 1b Mouvement
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4:01
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CD 2
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| 1 |
Asterism for Piano and Orchestra
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11:45
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| 2 |
Requiem for String Orchestra
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7:46
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| 3 |
Green for Orchestra
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5:41
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| 4 |
The Dorian Horizon for 17 Strings
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9:03
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CD 3
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| 1 |
Agon
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20:36
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| 2 |
7 Studies on Themes of Paul Klee for Orchestra: Antique Harmonies
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2:22
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| 3 |
7 Studies on Themes of Paul Klee for Orchestra: Abstract Trio
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1:39
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| 4 |
7 Studies on Themes of Paul Klee for Orchestra: Little Blue Devil
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3:03
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| 5 |
7 Studies on Themes of Paul Klee for Orchestra: The Twittering Machine
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2:07
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| 6 |
7 Studies on Themes of Paul Klee for Orchestra: 5. Arab Village
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6:51
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| 7 |
7 Studies on Themes of Paul Klee for Orchestra: An Eerie Moment
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2:03
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| 8 |
7 Studies on Themes of Paul Klee for Orchestra: Pastorale
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2:55
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CD 4
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| 1 |
Piano Sonata no. 2 "Concord, Mass., 1840-60": I. Emerson
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13:36
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| 2 |
Piano Sonata no. 2 "Concord, Mass., 1840-60": II. Hawthorne
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10:06
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| 3 |
Piano Sonata no. 2 "Concord, Mass., 1840-60": III. The Alcotts
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4:41
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| 4 |
Piano Sonata no. 2 "Concord, Mass., 1840-60": IV. Thoreau
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9:43
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| 5 |
Emerson (end of exposition)
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2:01
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| 6 |
Emerson (most of recapitulation)
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4:00
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| 7 |
May 11, 1938 - Sonata No.2 for Piano: Concord, Mass., 'Hawthorne' (excerpt)
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0:13
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| 8 |
April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'The Alcotts'
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4:53
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| 9 |
Emerson Transcription No. 1 with Interpolated Improvisations
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5:19
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| 10 |
Emerson Transcription No. 3 with Interpolated Improvisations
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2:33
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CD 5
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| 1 |
Voice of the Whale (Vox Balaenae) for Three Masked Players
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20:18
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| 2 |
Night of the Four Moons: I. La luna está muerta, muerta
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2:38
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| 3 |
Night of the Four Moons: II. Cuando sale la luna
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3:36
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| 4 |
Night of the Four Moons: III. Otro Adán oscuro está soñando
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2:53
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| 5 |
Night of the Four Moons: IV. ¡Huye luna, luna, luna !
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8:26
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| 6 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, I. Morning Music (Genesis II)
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2:32
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| 7 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, II. The Mystic Chord
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2:26
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| 8 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, III. Rain-Death Variations
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1:34
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| 9 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, IV. Twin Suns (Doppelgänger aus der Ewigkeit)
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3:32
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| 10 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, V. Ghost Nocturne for the Druids of Stonehenge (Night-Spell II)
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3:04
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| 11 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, VI. Gargoyles
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1:10
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| 12 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, VII. Tora! Tora! Tora! (Cadenza Apocalittica)
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1:33
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| 13 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, VIII. A Prophecy of Nostradamus
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2:29
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| 14 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, IX. Cosmic Wind
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2:20
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| 15 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, X. Voices from "Corona Borealis"
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3:23
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| 16 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, XI. Litany of the Galactic Bells
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2:34
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| 17 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, XII. Agnus Dei
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4:05
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CD 6
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| 1 |
Daphne of the Dunes
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17:28
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| 2 |
Barstow - Eight Hitchhiker Inscriptions from a Highway Railing at Barstow, California
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9:20
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| 3 |
Castor & Pollux - A Dance for the Twin Rhythms of Gemini from Plectra & Percussion Dances:
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16:19
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| 4 |
Partch in Prologue, Adapted Viola
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3:55
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| 5 |
Chromelodeon I
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2:29
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| 6 |
Kithara I
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1:08
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| 7 |
Castor & Pollux (Harmonic Canon II)
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0:48
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| 8 |
Diamond Marimba
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1:28
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| 9 |
Bass Marimba
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1:21
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| 10 |
Cloud-Chamber Bowls
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1:50
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| 11 |
Spoils of War
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1:57
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| 12 |
Surrogate Kithara
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1:24
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| 13 |
Kithara II
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1:20
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| 14 |
Boo
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1:55
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| 15 |
Harmonic Canon I
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1:15
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| 16 |
Zymo-Xyl
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1:43
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| 17 |
Mazda Marimba
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1:35
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| 18 |
Gourd Tree & Cone Gong
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1:49
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| 19 |
Hand Instruments, Partch in Epilogue
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3:04
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CD 7
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| 1 |
Sound Patterns
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4:00
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| 2 |
North American Time Capsule 1967
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10:16
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| 3 |
Solo for Voice 2
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12:49
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| 4 |
She Was a Visitor
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5:50
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| 5 |
Extended Voices
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11:04
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| 6 |
Chorus and Instruments II
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5:05
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| 7 |
Christian Wolff in Cambridge
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3:48
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CD 8
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| 1 |
Akrata
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11:59
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| 2 |
Syzygy
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24:18
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| 3 |
Zyklus
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11:36
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| 4 |
Fontana Mix / Feed
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10:14
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| 5 |
Lux Aeterna for 5 Masked Musicians
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13:25
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CD 9
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| 1 |
Stereo Electronic Music No. 1
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10:30
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| 2 |
Leiyla and the Poet
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5:18
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| 3 |
Prologue: Enuma Elish (from 3 scenes from The Creation)
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8:13
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| 4 |
Composition for Synthesizer
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10:36
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| 5 |
Electronic Study No. 1
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5:50
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| 6 |
Gargoyles
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9:22
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| 7 |
Ensembles for Synthesizer
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10:41
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CD 10
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| 1 |
Sonatine for Flute and Piano
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13:03
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| 2 |
Interpolation: Mobile for Flute (1, 2 and 3)
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4:53
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| 3 |
Concerto no. 1 for Oboe and Chamber Orchestra
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18:52
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| 4 |
Y Su Sangre Ya Viene Cantando
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16:22
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| 5 |
Serenade I for Flute and 14 Instruments
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10:42
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