|
CD 1
|
1 |
Missa a 4 voci da capella, SV 190: I. Kyrie
|
4:17
|
2 |
Missa a 4 voci da capella, SV 190: II. Gloria
|
4:24
|
3 |
Missa a 4 voci da capella, SV 190: III. Credo
|
5:53
|
4 |
Missa a 4 voci da capella, SV 190: IV. Sanctus
|
2:38
|
5 |
Missa a 4 voci da capella, SV 190: V. Benedictus
|
1:35
|
6 |
Missa a 4 voci da capella, SV 190: VI. Agnus Dei
|
3:03
|
7 |
Tenebrae factae sunt, motet
|
4:34
|
8 |
Three Lamentations of Jeremiah: De Lamentatione Jeremiae
|
3:08
|
9 |
Three Responses for the Matins of Holy Saturday: Sicut ovis
|
2:43
|
10 |
Three Lamentations of Jeremiah: Aleph. Quomodo obscuratum est aurum
|
3:03
|
11 |
Three Responses for the Matins of Holy Saturday: Jerusalem surge
|
2:55
|
12 |
Three Lamentatione of Jeremiah: Incipit lamentatio Jeremiae
|
5:08
|
13 |
Three Responses for the Matins of Holy Saturday: Plange quasivirgo
|
2:42
|
|
CD 2
|
1 |
Intellige clamorem meum
|
4:05
|
2 |
Salvum fac populum tuum
|
3:34
|
3 |
Exaltabo te Domine quoniam
|
4:42
|
4 |
Domine vivifica me
|
2:17
|
5 |
Ad te Domine levavi
|
3:35
|
6 |
Exsultate Deo adjutori
|
2:43
|
7 |
Missa ad usum Capellae Pontificiae: I. Kyrie
|
5:13
|
8 |
Missa ad usum Capellae Pontificiae: II. Gloria
|
7:11
|
9 |
Missa ad usum Capellae Pontificiae: III. Credo
|
8:59
|
10 |
Missa ad usum Capellae Pontificiae: IV. Sanctus
|
2:01
|
11 |
Missa ad usum Capellae Pontificiae: V. Benedictus
|
1:43
|
12 |
Missa ad usum Capellae Pontificiae: VI. Agnus Dei
|
5:14
|
|
CD 3
|
1 |
Vespro della Beata Vergine, SV 206: I. Domine ad adjuvandum me (sex vocibus et sex instrumentis)
|
2:09
|
2 |
Vespro della Beata Vergine, SV 206: II. Dixit Dominus (Psalm 109) (sex vocibus et sex instrumentis)
|
9:54
|
3 |
Vespro della Beata Vergine, SV 206: III. Nigra sum (motetto ad una voce)
|
4:40
|
4 |
Vespro della Beata Vergine, SV 206: IV. Laudate pueri Dominum (Psalm 112) (octo vocibus)
|
7:47
|
5 |
Vespro della Beata Vergine, SV 206: V. Pulchra es (a due voci)
|
4:24
|
6 |
Vespro della Beata Vergine, SV 206: VI. Laetatus sum (Psalm 121) (a sei voci)
|
8:08
|
7 |
Vespro della Beata Vergine, SV 206: VII. Duo Seraphim (a tre voci)
|
6:51
|
8 |
Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus (Psalm 126) (a dieci voci)
|
5:38
|
9 |
Vespro della Beata Vergine, SV 206: IX. Audi Coelum (sex vocibus)
|
10:16
|
10 |
Vespro della Beata Vergine, SV 206: X. Lauda, Jerusalem (Psalm 147) (septem vocibus)
|
6:08
|
|
CD 4
|
1 |
Vespro della Beata Vergine, SV 206: XII. Sonata sopra Santa Maria pro nobis (a 8)
|
7:03
|
2 |
Vespro della Beata Vergine, SV 206: XIII. Ave maris stella Hymnis (octo vocibus)
|
10:50
|
3 |
Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XIV. Magnificat
|
0:52
|
4 |
Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XV. Anima mea Dominum (a 2 voci)
|
0:50
|
5 |
Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVI. Et exultavit (a 3 voci)
|
1:42
|
6 |
Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVII. Quia respexit (ad una voce sola)
|
1:24
|
7 |
Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVIII. Quia fecit (a 6 voci in dialogo)
|
2:30
|
8 |
Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XIX. Et misericordia (a 3 voci)
|
1:31
|
9 |
Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XX. Fecit potentiam (a 3 voci)
|
0:59
|
10 |
Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXI. Deposuit, et cantano doi (soprani in echo)
|
2:28
|
11 |
Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXII. Esurientes (a 2 voci)
|
2:55
|
12 |
Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXIII. Suscepit Israel (a 2 voci)
|
2:34
|
13 |
Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXIV. Sicut locutus est (a 5 voci in dialogo)
|
1:23
|
14 |
Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXV. Gloria Patri (a 6 voci)
|
2:02
|
15 |
Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXVI. Sicut erat in principio
|
2:04
|
16 |
Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXVII. Magnificat
|
0:33
|
17 |
Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXVIII. Anima mea Dominum (ad una voce sola)
|
0:17
|
18 |
Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXIX. Et exultavit (a 3 voci)
|
1:39
|
19 |
Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXX. Quia respexit (ad una voce et sei instrumenti)
|
2:18
|
20 |
Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXI. Quia fecit (a 3 voici et doi instrumenti)
|
1:24
|
21 |
Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXII. Et misericordia (a 6 voci sole in dialogo)
|
2:45
|
22 |
Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIII. Fecit potentiam (ad una voce et tre instrumenti)
|
1:13
|
23 |
Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIV. Deposuit potentes (ad una voce et tre instrumenti)
|
1:07
|
24 |
Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXV. Et exultavit (ad una voce et tre instrumenti)
|
1:23
|
25 |
Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVI. Esurientes (a 2 voici et quattro instrumenti)
|
2:22
|
26 |
Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVII. Suscepit Israel (a 3 voci)
|
1:27
|
27 |
Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVIII. Sicut locutus est (ad una voce et sei instrumenti)
|
1:06
|
28 |
Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIX. Gloria Patri (a 3 voci due de le quali cantano in echo)
|
3:24
|
29 |
Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XL. Sicut erat in principio (tutti gli instrumenti et voci)
|
3:06
|
|
CD 5
|
1 |
Laetatus sum, SV 198 (a 5 strumenti e 6 voci)
|
7:53
|
2 |
Nisi Dominus, SV 200 (a 3 voci e due violini, B.C. - alto, baritono, basso)
|
7:16
|
3 |
Laudate pueri Dominum, SV 196 (a 5 voci e B.C.)
|
7:26
|
4 |
Laetaniae della Beata Virgine, SV 204 (a 5 voci e B.C. - soprano, alto)
|
13:29
|
5 |
Currite populi, SV 297 (a voce sola e B.C. - baritono)
|
5:03
|
6 |
O beatae viae, SV 312 (a 2 voci e B.C. - soprano, alto)
|
5:27
|
7 |
Gloria, SV 258 (a 7 voci concertate con strumenti)
|
14:51
|
8 |
Salve Regina, SV 284 (a 2 voci e B.C. - 2 soprani)
|
5:36
|
|
CD 6
|
1 |
Laudate Dominum jomnes gentes, SV 272a (a 5 voci concerto con 2 violini e B.C.)
|
5:24
|
2 |
Confitebor, SV 266 (a 3 voci concerto con 2 violini e B.C. - soprano, tenore, basso)
|
6:57
|
3 |
Magnificat, SV 282 (a 4 voci in genere da capella)
|
15:08
|
4 |
Dixit Dominus, SV 264 (a 8 voci, coro, soli e orchestra)
|
8:02
|
5 |
O ciechi il tanto affaticar, SV 252 (coro e orchestra)
|
3:52
|
6 |
Voi ch'ascoltate, SV 253 (soli e orchestra)
|
4:44
|
7 |
E questa vita un lampo, SV 254 (coro e 5 voci)
|
2:21
|
8 |
Et iterum, SV 261 (2 tenori e baritono)
|
1:42
|
9 |
Deus tuorum militum, SV 280 (3 voci e 2 violini - alto, tenore, basso)
|
2:01
|
10 |
Laudate Dominum omnes gentes, SV 272 (voce sola)
|
4:46
|
11 |
Magnificat, SV 281 (a 8 voci, coro, soili e orchestra)
|
12:51
|
|
CD 7
|
1 |
Fuge, fuge, anima mea, SV 305 (2 voci e violino)
|
5:05
|
2 |
Adoramus, SV 289 (coro a 6 voci)
|
2:41
|
3 |
Ego dormio, SV 300 (tenor e basso)
|
3:16
|
4 |
Venite, venite silientes, SV 335 (soprano e alto)
|
3:55
|
5 |
Confitebor, SV 267 (coro e soprano)
|
6:43
|
6 |
Spontava il di, SV 255 (alto, tenore, baritono)
|
6:44
|
7 |
Chi vol che m'innamori, SV 256 (alto, tenore, baritono e 2 violini)
|
3:01
|
8 |
Sanctorum meritis, SV 277 (voce sola e 2 violini)
|
2:47
|
9 |
Beatus vir, SV 269 (coro a 5 voci)
|
5:40
|
10 |
Laudate pueri Dominum, SV 271 (coro a 5 voci e 2 tenori)
|
8:06
|
11 |
Jubilet tota civitas, SV 286 (soprano)
|
4:24
|
12 |
Memento, SV 276 (coro a 8 voci)
|
6:54
|
13 |
Ab aeterno, SV 262 (basso)
|
7:33
|
|
CD 8
|
1 |
Nisi Dominus, SV 201 (coro a 6)
|
8:32
|
2 |
Confitebor, SV 296 (soprano e orchestra)
|
8:04
|
3 |
Dixit Dominus, SV 192 (doppio coro)
|
7:12
|
4 |
Laudate Dominum, SV 197 (voce sola)
|
3:22
|
5 |
Cantate Domino, SV 292 (a 2 voci)
|
6:26
|
6 |
Christe adoramus te, SV 294 (coro a 5 voci)
|
2:35
|
7 |
Salve Regina, SV 327 (voce sola)
|
5:13
|
8 |
Domine, ne in furore, SV 298 (coro a 6 voci)
|
2:43
|
9 |
Sancta Maria, SV 328 (soprano e alto)
|
2:53
|
10 |
Lauda Jerusalem, SV 203 (coro a 5 voci)
|
6:35
|
11 |
Dixit Dominus, SV 263 (a 8 voci, coro, soli e orchestra)
|
10:40
|
12 |
Salve Regina, SV 285 (alto, tenore e basso)
|
6:00
|
|
CD 9
|
1 |
Iste confessor, SV 279 (a 2 soprani e 2 violini)
|
3:34
|
2 |
Beatus vir, SV 268 (coro e orchestra)
|
7:44
|
3 |
Confitebor, SV 265 (contro-tenore, tenore, basso, coro)
|
9:29
|
4 |
Salve Regina, SV 283 (2 tenori e 2 violini)
|
11:25
|
5 |
Laudate Dominum, SV 273 (a 8 voci, coro e orchestra)
|
3:43
|
6 |
Et resurrexit, SV 260 (2 soprani e 2 violini)
|
1:40
|
7 |
Beatus vir, SV 195 (a 7 voci, coro, soli e orchestra)
|
9:43
|
8 |
Salve Regina, SV 326 (voce sola - soprano)
|
5:45
|
9 |
Confitebor, SV 194 (2 voci e orchestra - soprano, tenor)
|
8:45
|
10 |
Dixit Dominus, SV 191 (a 8 voci, coro e soli)
|
9:16
|
|
CD 10
|
1 |
O bone Jesu, SV 313 (a 2 voci - soprano, alto)
|
3:21
|
2 |
O quam pulchra, SV 317 (voce sola - tenore)
|
5:31
|
3 |
En gratulemur hodie, SV 302 (1 voce e 2 violini - tenore)
|
2:07
|
4 |
Laetatus sum, SV 199 (coro a 5 voci)
|
8:04
|
5 |
Laudate pueri Dominum, SV 270 (a 5 voci, coro, basso solo e orchestra)
|
8:03
|
6 |
Pianto della Madonna sopra il Lamento dell'Ariana, SV 288 (voce sola - alto)
|
9:19
|
7 |
Crucifixus, SV 259 (coro a 4 voci)
|
2:48
|
8 |
Sanctorum meritis, SV 278 (1 voce e 2 violini - tenore)
|
2:40
|
9 |
Laudate Dominum, SV 274 (a 8, coro e soli - 2 soprani)
|
5:23
|
10 |
Cantate Domino, SV 293 (coro a 6 voci)
|
2:12
|
11 |
Lauda Jerusalem, SV 202 (contro-tenore, baritono e basso)
|
8:56
|
12 |
Ecce sacrum paratum, SV 299 (voce sola - tenore)
|
5:48
|
13 |
Ego flos campi, SV 301 (voce sola - alto)
|
3:45
|
14 |
Credidi procter, SV 275 (doppio coro)
|
4:52
|
|
CD 11
|
1 |
Orfeo: Toccata
|
1:40
|
2 |
Orfeo: Prologo: Ritornello (La Musica)
|
6:08
|
3 |
Orfeo: Atto Primo. “In questo lieto e fortunato giorno”
|
1:51
|
4 |
Orfeo: Atto Primo. “Vieni Imeneo”
|
1:03
|
5 |
Orfeo: Atto Primo. “Muse, onor di Parnaso, amor del cielo” (Shepherd 1, Nymph, Chorus of Nymphs and Shepherds)
|
1:01
|
6 |
Orfeo: Atto Primo. “Lasciate i monti”
|
2:12
|
7 |
Orfeo: Atto Primo. “Ma tu, gentil cantor” - “Rosa del ciel, vita del mondo” / “Io non dirò qual sia” (Chorus of Nymphs and Shepherds, Shepherd 3, Orfeo, Euridice)
|
4:49
|
8 |
Orfeo: Atto Primo. “Vieni Imeneo, deh, vieni” (Chorus of Nymphs and Shepherds)
|
1:02
|
9 |
Orfeo: Atto Primo. “Ma s'il nostro gioir…” - Ritornello
|
1:45
|
10 |
Orfeo: Atto Primo. “Alcun non sia…” - Ritornello - “Chè, poichè nembo…” - Ritornello - “E dopo l'aspro…” - “Ecco Orfeo cui…” (Nymph, Shepherds, Chorus of Nymphs and Shepherds)
|
4:38
|
11 |
Orfeo: Atto Secondo. “Ecco pur ch'a voi ritorno” - “Mira ch'a sè n'alletta”
|
1:33
|
12 |
Orfeo: Atto Secondo. “In questo prato adorno” (Orfeo, Shepherd 1, Shepherd 2, Chorus of Nymphs and Shepherds)
|
2:03
|
13 |
Orfeo: Atto Secondo. “Vi ricorda, o bosch' ombrosi” (Orfeo)
|
2:45
|
14 |
Orfeo: Atto Secondo. “Mira, deh mira” - “Ahi caso acerbol ahi fat' empio e crudele!” - “Tu se' morta, mia vita, ed io respiro?” (Messenger, Orfeo, Shepherds)
|
11:05
|
15 |
Orfeo: Atto Secondo. “Ahi caso acerbo, ahi fat'empio e crudele!”
|
1:27
|
16 |
Orfeo: Atto Secondo. “Maio ch'in questa lingua” (Messenger, Chorus of Nymphs and Shepherds)
|
3:07
|
17 |
Orfeo: Atto Secondo. “Chi ne consola, ahi lassi?” - “Ahi caso acerbo…” - “Ma dove, ah, dove or sono” - “Ahi caso acerbo…” - Ritornello (Shepherd 1, Shepherd 2, Chorus of Nymphs and Shepherds)
|
7:15
|
|
CD 12
|
1 |
Orfeo: Sinfonia - “Scorto da te, mio Nume” (Orfeo)
|
2:21
|
2 |
Orfeo: Atto Terzo. “Ecco l'astra palude, ecco il nocchiero” - “Dove, ah, dove te 'n vai” (La Speranza, Orfeo)
|
4:10
|
3 |
Orfeo: Atto Terzo. “O tu ch'innanzi mort' a queste rive” - Sinfonia (Caronte)
|
3:04
|
4 |
Orfeo: Atto Terzo. “Possente spirto e formidabil Nume” (Orfeo)
|
7:45
|
5 |
Orfeo: Atto Terzo. “Sol tu, nobile dio, puoi darmi aita” (Caronte, Orfeo)
|
4:00
|
6 |
Orfeo: Atto Terzo. “Ei dorme, e la mia cetra” (Orfeo)
|
2:37
|
7 |
Orfeo: Atto Terzo. Sinfonia - “Nulla impresa per uom si tenta invano” (Chorus of Infernal Spirits)
|
4:13
|
8 |
Orfeo: Atto Quarto. “Signor, quell'infelice” (Proserpina)
|
2:27
|
9 |
Orfeo: Atto Quarto. “Benchè severo ed”
|
2:15
|
10 |
Orfeo: Atto Quarto. “O degli abitator… Pietade oggi e Amore” (Plutone, Spirits, Proserpina, Chorus of Infernal Spirits)
|
3:42
|
11 |
Orfeo: Atto Quarto. “Qual onor di te fia degno” (Orfeo)
|
3:46
|
12 |
Orfeo: Atto Quarto. “Ahi, vista troppo dolce e troppo amara!” - “Torn'a l'ombre di morte” (Euridice, Spirit 1, Orfeo, Chorus of Infernal Spirits)
|
3:22
|
13 |
Orfeo: Atto Quarto. “E' la virtute un raggio” - Sinfonia (Chorus of Infernal Spirits)
|
3:12
|
14 |
Orfeo: Atto Quinto. Ritornello
|
1:31
|
15 |
Orfeo: Atto Quinto. “Questi i campi di Tracia…” - Sinfonia (Orfeo, Eco)
|
7:27
|
16 |
Orfeo: Atto Quinto. “Perch'a lo sdegno ed al dolor in preda” (Apollo, Orfeo)
|
3:55
|
17 |
Orfeo: Atto Quinto. “Saliam cantand' al cielo” (Apollo, Orfeo)
|
1:26
|
18 |
Orfeo: Atto Quinto. Ritornello - “Vanne, Orfeo, felice appieno” - Moresca (Chorus)
|
2:40
|
|
CD 13
|
1 |
Il estoit une fillette: Chanson à quatre (1540)
|
1:11
|
2 |
Il estoit une fillette: Ronde (1551)
|
1:01
|
3 |
Il estoit une fillette: Chanson accompagnée
|
1:17
|
4 |
Mari je songeois l'aultre jour: Chanson à quatre (1532)
|
0:54
|
5 |
Mari je songeois l'aultre jour: Branle gay (1547)
|
0:48
|
6 |
Mari je songeois l'aultre jour: Branle gay (1564)
|
0:54
|
7 |
Pourquoi donc ne fringuerons-nous: Chanson à quatre (1533)
|
1:35
|
8 |
Pourquoi donc ne fringuerons-nous: Rondo (1551)
|
1:18
|
9 |
C'est grand plaisir: Chanson à trois (1529)
|
1:19
|
10 |
C'est grand plaisir: Chanson transcrite pour clavier (1531)
|
1:27
|
11 |
C'est grand plaisir: Tourdion (1547)
|
1:00
|
12 |
Mille regretz: Chanson à quatre (1520)
|
1:48
|
13 |
Mille regretz: Pavane (1551)
|
1:42
|
14 |
C'est à grand tort: Chanson à quatre (1520)
|
1:18
|
15 |
C'est à grand tort: Chanson transcrite pour clavier (1531)
|
1:13
|
16 |
C'est à grand tort: Chanson transcrite pour deux instruments (1552)
|
1:15
|
17 |
La Volonté: Basse danse (1547)
|
1:32
|
18 |
La Volonté: Chanson à quatre (1543)
|
2:25
|
19 |
Celle qui m'a le nom d'amy donné: Chanson à quatre (1543)
|
2:01
|
20 |
Celle qui m'a le nom d'amy donné: Basse danse (1547)
|
1:34
|
21 |
Ramonez-moi ma cheminée: Chanson à quatre (1539)
|
1:23
|
22 |
Jectez-moi sur l'herbette: Chanson à quatre (1533)
|
1:18
|
23 |
Suite de danseries, tirée du « Second livre » (1547): Pavane 47
|
1:54
|
24 |
Suite de danseries, tirée du « Second livre » (1547): Gaillarde 49
|
0:35
|
25 |
Suite de danseries, tirée du « Second livre » (1547): Gaillarde 50 (à cinq, sur La Romanesca)
|
0:38
|
26 |
Suite de danseries, tirée du « Second livre » (1547): Basse danse 19
|
1:12
|
27 |
Suite de danseries, tirée du « Second livre » (1547): Branle simple 21
|
0:47
|
28 |
Suite de danseries, tirée du « Second livre » (1547): Branle simple 35
|
1:11
|
29 |
Suite de danseries, tirée du « Second livre » (1547): Tourdion 9
|
0:43
|
30 |
Suite de danseries, tirée du « Second livre » (1547): Tourdion 10
|
0:44
|
31 |
Suite de danseries, tirée du « Second livre » (1547): Branle gay 36 “Que je chatouille ta fossette”
|
1:06
|
32 |
Suite de danseries, tirée du « Second livre » (1547): Branle gay 23
|
0:54
|
33 |
J'ay le rebours: Chanson à quatre (1562)
|
1:30
|
34 |
J'ay le rebours: Pavane (1571)
|
1:45
|
35 |
J'ay le rebours: Gaillarde (1571)
|
1:15
|
36 |
Dont viens cela: Chanson à quatre (1530)
|
2:14
|
37 |
Dont viens cela: Basse danse (1551)
|
1:08
|
38 |
Auprès de vous: Chanson à quatre (1530)
|
2:12
|
39 |
Auprès de vous: Basse danse (1547)
|
1:35
|
40 |
Auprès de vous: Chanson transcrite pour clavier (1531)
|
2:01
|
41 |
Fricassée: Chanson à quatre, accompagnée (1531)
|
1:32
|
|
CD 14
|
1 |
La Chère Maison
|
2:49
|
2 |
Les Bonnes Dames de Saint‐Gervais
|
2:17
|
3 |
J’ai descendu au verger
|
1:37
|
4 |
Heureux celui qui revoit sa patrie
|
2:35
|
5 |
Oh ! que la vie est douce chose
|
1:47
|
6 |
La Jardinière du roy
|
1:55
|
7 |
La Moisson
|
1:55
|
8 |
Nous n’avons chez nous
|
1:47
|
9 |
Nouthra Dona di Maortsé
|
2:12
|
10 |
Trois jeunes tambours
|
2:19
|
11 |
C’est le joly mois de may
|
1:28
|
12 |
Gentil coqu’licot
|
1:09
|
13 |
Mon père tôt m’a mariée
|
2:02
|
14 |
La Marion
|
1:52
|
15 |
J’ai vu le loup, le renard, le lièvre
|
1:04
|
16 |
Rossignolet du bois
|
1:41
|
17 |
Le Vira do minho
|
1:22
|
18 |
Les Yeux de la Marianita
|
1:30
|
19 |
Berceuse polonaise
|
2:21
|
20 |
Le jour est là
|
1:26
|
21 |
Chanson dans le vent “Pisnicka”
|
1:04
|
|
CD 15
|
1 |
“Or sus tous humains”
|
6:29
|
2 |
“Que Dieu se montre seulement”
|
2:40
|
3 |
“Laisse-moi désormais”
|
1:37
|
4 |
“Mon cœur rempli”
|
2:36
|
5 |
“O Seigneur”
|
1:20
|
6 |
“Du fond de ma pensée”
|
2:11
|
7 |
Mass “La Bien que j'ay”: I. Introit
|
3:40
|
8 |
Mass “La Bien que j'ay”: II. Kyrie
|
1:59
|
9 |
Mass “La Bien que j'ay”: III. Gloria
|
3:02
|
10 |
Mass “La Bien que j'ay”: IV. Alleluia
|
4:35
|
11 |
Mass “La Bien que j'ay”: V. Credo
|
5:24
|
12 |
Mass “La Bien que j'ay”: VI. Offertoire
|
1:23
|
13 |
Mass “La Bien que j'ay”: VII. Sanctus
|
2:28
|
14 |
Mass “La Bien que j'ay”: VIII. Benedictus
|
2:47
|
15 |
Mass “La Bien que j'ay”: IX. Communion
|
1:22
|
16 |
Mass “La Bien que j'ay”: X. Agnus Dei
|
4:21
|
|
CD 16
|
1 |
De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: I. Symphonie - Récit et chœur: “De profundis clamavi”
|
8:43
|
2 |
De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: II. Quator: “Fiant aures tuae”
|
1:42
|
3 |
De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: III. Récit: “Si iniquitates observaveris Domine”
|
2:40
|
4 |
De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: IV. Trio: “Quia apud te apropriatio est”
|
2:11
|
5 |
De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: V. Récit: “Sistinuit anima”
|
3:26
|
6 |
De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VI. Trio: “Sistinuit anima” - Récit: “A Custodia matutina”
|
2:49
|
7 |
De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VII. Due et chœur: “A Custodia matutina”
|
2:21
|
8 |
De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VIII. Récit: “Quia apud Dominum misericordia”
|
3:22
|
9 |
De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: IX. Chœur: “Et ipse redimet Israel”
|
3:11
|
10 |
De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: X. Chœur: “Requiem aeternam”
|
5:39
|
11 |
De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: XI. Chœur: “Et lux perpetua”
|
1:22
|
12 |
Regina coeli, pour soli, chœur et orchestre, S. 53: I. Duo et chœur: “Regina coeli laetare”
|
3:30
|
13 |
Regina coeli, pour soli, chœur et orchestre, S. 53: II. Récit: “Quia quem meruisit” - Trio: “Resurrexit”
|
2:45
|
14 |
Regina coeli, pour soli, chœur et orchestre, S. 53: III. Chœur: “Ora pro nobis, Deum, Alleluia”
|
3:52
|
|
CD 17
|
1 |
Ricercare per sonar (in 8 parts: brass instruments)
|
3:33
|
2 |
Risonanza di echo (8 solo voices)
|
3:19
|
3 |
L'Olica, canzon per sonar (in 4 parts: violas)
|
2:59
|
4 |
Non dispregiate i miserelli amanti (3 solo voices and violas da gamba)
|
2:43
|
5 |
Padre del ciel (in 5 parts: organ)
|
3:17
|
6 |
Boscareccia pastorale (12 voices triple chorus)
|
3:28
|
7 |
Hor che nel suo bel seno (8 voices double chorus)
|
3:06
|
8 |
Canone a l'unissono (in 8 parts: brass instruments and organ)
|
3:12
|
9 |
Lieti fieri e felici, e ben nate erbe (in 5 parts: mezzo-soprano and violas)
|
4:30
|
10 |
Sparve e ogni stella in cielo (in 6 parts: 2 trumpets and violas)
|
1:55
|
11 |
Pasce la pecorella (in 5 parts: soprano, tenor, violas and harpsichord)
|
2:47
|
12 |
Canzone prima: “La Spiratata” (in 4 parts: brass instruments, violas and continuo)
|
3:15
|
13 |
Io mi sento morire (in 8 parts: brass instruments)
|
3:41
|
|
CD 18
|
1 |
Canzon fa-sol-la-ré (in 8 parts: double chorus, brass instruments, vioas da gamba and organ)
|
3:36
|
2 |
Niuna sconsolata (soprano and violas da gamba)
|
3:56
|
3 |
Canzon seconda (in 4 parts: organ)
|
3:27
|
4 |
Poi ch'il mio largo pianto (5 solo voices)
|
2:32
|
5 |
Tratto fuora del Mare (in 6 parts: recorder, violas da gamba and harpsichord)
|
1:37
|
6 |
Echo Vinegia bella (12 voices chorus)
|
3:19
|
7 |
Canzon per sonar (in 4 parts: brass instruments)
|
2:08
|
8 |
Battaglia (8 voices, first and second part)
|
4:00
|
9 |
Gravi pene in amor (in 5 parts: brass instruments)
|
1:22
|
10 |
Amor è gratiosa e dolce voglia (5 solo voices)
|
3:06
|
11 |
Canzon per sonar (in 4 parts: violas)
|
3:12
|
12 |
Non rumor di tamburi (7 solo voices)
|
1:29
|
13 |
Canzone (in 5 parts: recorder, violas da gamba and harpsichord)
|
2:59
|
14 |
A le guancie di rose (8 solo voices dialog)
|
2:20
|
15 |
Canzone quarta (in 4 parts: organ)
|
2:58
|
|
CD 19
|
1 |
Plaudite omnis terra
|
3:16
|
2 |
Miserere mei, Deus
|
5:38
|
3 |
Domine exaudi orationem meam
|
2:31
|
4 |
Cantate Domino
|
2:25
|
5 |
Canzon noni toni
|
2:58
|
6 |
Diligam te Domine
|
3:11
|
7 |
Jubilate Deo
|
3:51
|
8 |
Missa: Kyrie
|
4:42
|
9 |
Missa: Gloria
|
3:48
|
10 |
Missa: Sanctus
|
2:46
|
11 |
Canzon primi toni
|
4:15
|
12 |
Ego rogabo patrem
|
1:45
|
13 |
Virtute magna
|
3:52
|
14 |
Magnificat
|
4:19
|
|
CD 20
|
1 |
Magnificat
|
5:40
|
2 |
O Domine Jesu Christe
|
3:47
|
3 |
Hodie Christus natus est
|
3:39
|
4 |
Hoc tegitur
|
3:39
|
5 |
Sancta et immaculata Virginatas
|
2:56
|
6 |
Angelus Domini descendit
|
2:57
|
7 |
Nunc dimittis
|
3:37
|
8 |
Jam non dicam vos servos
|
2:40
|
9 |
Misericordias Domini
|
3:24
|
10 |
Jubilate Deo
|
3:54
|
11 |
O Jesu mi dulcissime
|
4:14
|
12 |
Regina coeli
|
1:59
|
13 |
Ego sum qui sum
|
2:50
|
|
CD 21
|
1 |
Magnificat in D major, BWV 243: I. Magnificat (chorus)
|
3:07
|
2 |
Magnificat in D major, BWV 243: II. Et exultavit spiritus meus (soprano II)
|
2:24
|
3 |
Magnificat in D major, BWV 243: III. Quia respexit humilitatem (soprano I)
|
3:15
|
4 |
Magnificat in D major, BWV 243: IV. Omnes generationes (chorus)
|
1:24
|
5 |
Magnificat in D major, BWV 243: V. Quia fecit mihi magna (bass)
|
2:16
|
6 |
Magnificat in D major, BWV 243: VI. Et misericordia (alto, tenor)
|
3:19
|
7 |
Magnificat in D major, BWV 243: VII. Fecit potentiam (chorus)
|
1:55
|
8 |
Magnificat in D major, BWV 243: VIII. Deposuit potentes (chorus)
|
2:04
|
9 |
Magnificat in D major, BWV 243: IX. Esurientes implevit bonis (alto)
|
2:52
|
10 |
Magnificat in D major, BWV 243: X. Suscepit Israel (soprano I & II, alto)
|
2:20
|
11 |
Magnificat in D major, BWV 243: XI. Sicut locutus est (chorus)
|
2:08
|
12 |
Magnificat in D major, BWV 243: XII. Gloria Patri (chorus)
|
2:11
|
13 |
Cantata “Es wartet alles auf dich”, BWV 187: I. Chorus: “Es wartet alles auf dich”
|
5:18
|
14 |
Cantata “Es wartet alles auf dich”, BWV 187: II. Recitative: “Was Kreaturen häit, das große Rund der Welt” (bass)
|
1:20
|
15 |
Cantata “Es wartet alles auf dich”, BWV 187: III. Aria: “Du, Herr, du krönst allein das Jahr” (alto)
|
4:39
|
16 |
Cantata “Es wartet alles auf dich”, BWV 187: IV. Aria: “Darum sollt ihr nicht sorgen” (bass)
|
3:40
|
17 |
Cantata “Es wartet alles auf dich”, BWV 187: V. Aria: “Gott versorget alles Leben” (soprano)
|
4:47
|
18 |
Cantata “Es wartet alles auf dich”, BWV 187: VI. Recitative: “Halt ich nur fest an ihm” (soprano)
|
1:09
|
19 |
Cantata “Es wartet alles auf dich”, BWV 187: VII. Choral: “Gott hat die Erde zugericht” (chorus)
|
2:40
|
|
CD 22
|
1 |
Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)
|
11:47
|
2 |
Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano, mezzo-soprano)
|
5:16
|
3 |
Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)
|
4:24
|
4 |
Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis (chorus)
|
1:54
|
5 |
Mass in B minor, BWV 232: Gloria. V. Et in terra pax (chorus)
|
4:49
|
6 |
Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano)
|
4:57
|
7 |
Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)
|
3:30
|
8 |
Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano, tenor)
|
5:30
|
9 |
Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)
|
3:47
|
10 |
Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)
|
5:10
|
11 |
Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)
|
5:36
|
12 |
Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)
|
4:08
|
|
CD 23
|
1 |
Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus)
|
1:51
|
2 |
Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)
|
2:11
|
3 |
Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano, mezzo-soprano)
|
5:01
|
4 |
Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus)
|
3:47
|
5 |
Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)
|
4:32
|
6 |
Mass in B minor, BWV 232: Credo. XVII. Et resurrexit (chorus)
|
4:15
|
7 |
Mass in B minor, BWV 232: Credo. XVIII. Et in Spiritum Sanctum Dominum (baritone)
|
6:17
|
8 |
Mass in B minor, BWV 232: Credo. XIX. Confiteor
|
5:14
|
9 |
Mass in B minor, BWV 232: Credo. XX. Et expecto (chorus)
|
2:26
|
10 |
Mass in B minor, BWV 232: Sanctus. XXI. Sanctus (chorus)
|
4:43
|
11 |
Mass in B minor, BWV 232: Sanctus. XXII. Osanna in excelsis (chorus)
|
2:54
|
12 |
Mass in B minor, BWV 232: Sanctus. XXIII. Benedictus (tenor)
|
4:52
|
13 |
Mass in B minor, BWV 232: Sanctus. XXIV. Osanna repetirur (chorus)
|
2:57
|
14 |
Mass in B minor, BWV 232: Sanctus. XXV. Agnus Dei (mezzo-soprano)
|
5:23
|
15 |
Mass in B minor, BWV 232: Sanctus. XXVI. Dona nobis pacem (chorus)
|
3:37
|
|
CD 24
|
1 |
Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vocasset in proelium” (Historicus, Jephte, chorus)
|
3:27
|
2 |
Historia di Jephte, oratorio for soli, chorus and orchestra: “Et percussit Jephte” (Historicus)
|
1:18
|
3 |
Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum autem victor Jephte” (Historicus, Filia, chorus)
|
2:22
|
4 |
Historia di Jephte, oratorio for soli, chorus and orchestra: “Cantate mecum Domino” (Filia, chorus)
|
2:02
|
5 |
Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vidisset Jephte” (Historicus, Jephte)
|
3:42
|
6 |
Historia di Jephte, oratorio for soli, chorus and orchestra: “Pater mi, si voviste votum Domino” (Filia, Jephte)
|
2:11
|
7 |
Historia di Jephte, oratorio for soli, chorus and orchestra: “Vade filia mea” (Jephte, Historicus a 4)
|
1:11
|
8 |
Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate colles” (Filia, Eccho)
|
5:52
|
9 |
Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate filii Israel” (chorus)
|
3:53
|
10 |
Motet “O qual pulchra es”, for soprano, strings and continuo
|
12:53
|
11 |
Motet “O vulnera dolorim”, for bass and organ
|
5:54
|
12 |
Motet “Salve, salve puellule”, for tenor, strings and continuo
|
8:06
|
|
CD 25
|
1 |
Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Aegrotante Ezechia” (Angeli, Dominus)
|
2:03
|
2 |
Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Ezechia, hoc tibi dicit Dominus” (Isaias, Ezechias, Angeli)
|
1:46
|
3 |
Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Obsecro, Domine” (Ezechias)
|
7:18
|
4 |
Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Misertus est autem Dominus Ezechia et ait” (Angeli, Dominus, Ezechias)
|
4:41
|
5 |
Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Narrabimus omnes opera Domini” (chorus)
|
3:33
|
6 |
Tolle Sponsa for soprano, bass, chorus and continuo
|
7:42
|
7 |
Messa a otto voci, IGC 27: Kyrie
|
1:56
|
8 |
Messa a otto voci, IGC 27: Gloria
|
3:47
|
9 |
Messa a otto voci, IGC 27: Credo
|
6:26
|
10 |
Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Tentavit Deus Abraham” (Historicus, Deus)
|
2:12
|
11 |
Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Pater mi, ecce ignis” (Isaac, Historicus, Abraham)
|
3:35
|
12 |
Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Non extendas manum tuam super Isaac” (Angelus, Abraham, Isaac)
|
2:41
|
13 |
Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Vocavit et iterum Angelus Domini” (Historicus, Angelus, chorus)
|
3:35
|
14 |
Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Qui misit Angelum” (Abraham, chorus)
|
2:54
|
|
CD 26
|
1 |
Messe pour les trépassés, H. 2: Symphonie - Kyrie
|
8:18
|
2 |
Messe pour les trépassés, H. 2: Dies irae (H. 12)
|
5:56
|
3 |
Messe pour les trépassés, H. 2: Liber scriptus
|
8:22
|
4 |
Messe pour les trépassés, H. 2: Juste judex
|
5:52
|
5 |
Messe pour les trépassés, H. 2: Oro supplex
|
9:06
|
6 |
Motet pour les trépassés, H. 311: Symphonie - Miseremini mei
|
4:00
|
7 |
Motet pour les trépassés, H. 311: Hei, hei mihi, Domine
|
4:10
|
8 |
Motet pour les trépassés, H. 311: Ritournelle - Ah, ah poenis crucior nimis asperis
|
2:52
|
|
CD 27
|
1 |
Motet pour les trépassés, H. 311: Symphonie - Miseremini mei
|
4:09
|
2 |
Messe pour les trépassés, H. 2: Symphonie - Sanctus
|
2:48
|
3 |
Messe pour les trépassés, H. 2: Pie Jesu
|
2:19
|
4 |
Messe pour les trépassés, H. 2: Benedictus
|
1:13
|
5 |
Messe pour les trépassés, H. 2: Symphonie - Agnus Dei
|
5:28
|
6 |
Miserere des Jésuites, H. 193: Prélude
|
1:39
|
7 |
Miserere des Jésuites, H. 193: Miserere mei Deus (bass, chorus)
|
5:50
|
8 |
Miserere des Jésuites, H. 193: Amplius lava me (soli)
|
3:46
|
9 |
Miserere des Jésuites, H. 193: Ecce enim (soli, chorus)
|
2:31
|
10 |
Miserere des Jésuites, H. 193: Asperges me hysopo (tenor)
|
1:56
|
11 |
Miserere des Jésuites, H. 193: Auditui meo dabis gaudium (soli)
|
1:36
|
12 |
Miserere des Jésuites, H. 193: Averte faciem tuam a peccatis meis (soli, chorus)
|
2:21
|
13 |
Miserere des Jésuites, H. 193: Ne projicias me a facie tua (soprano, alto)
|
2:40
|
14 |
Miserere des Jésuites, H. 193: Docedo iniquos vias tuas (chorus)
|
2:20
|
15 |
Miserere des Jésuites, H. 193: Libera me de sanguinibus Deus (bass, tenor, chorus)
|
3:14
|
16 |
Miserere des Jésuites, H. 193: Sacrificium Deo spiritus contribulatus (soprano)
|
1:42
|
17 |
Miserere des Jésuites, H. 193: Benigne fac Domine (soprani)
|
1:07
|
18 |
Miserere des Jésuites, H. 193: Tunc acceptabilis sacrificium iusititiae oblationes (chorus)
|
2:28
|
|
CD 28
|
1 |
Mass in F major, BWV 233: I. Kyrie
|
4:47
|
2 |
Mass in F major, BWV 233: II. Gloria
|
6:16
|
3 |
Mass in F major, BWV 233: III. Domine Deus
|
3:53
|
4 |
Mass in F major, BWV 233: IV. Qui tollis
|
5:43
|
5 |
Mass in F major, BWV 233: V. Quoniam
|
5:25
|
6 |
Mass in F major, BWV 233: VI. Cum sancto Spiritu
|
2:56
|
7 |
Mass in A major, BWV 234: I. Kyrie
|
7:39
|
8 |
Mass in A major, BWV 234: II. Gloria
|
5:42
|
9 |
Mass in A major, BWV 234: III. Domine Deus
|
7:27
|
10 |
Mass in A major, BWV 234: IV. Qui tollis
|
6:24
|
11 |
Mass in A major, BWV 234: V. Quoniam
|
4:03
|
12 |
Mass in A major, BWV 234: VI. Cum Sancto Spiritu
|
4:36
|
13 |
Sanctus in D minor (after an unknown work), BWV 239
|
1:48
|
14 |
Sanctus in G major (doubtful), BWV 240
|
2:48
|
15 |
Sanctus in D major after Kerll, BWV 241
|
2:11
|
|
CD 29
|
1 |
Mass in G major, BWV 236: I. Kyrie
|
4:24
|
2 |
Mass in G major, BWV 236: II. Gloria
|
5:02
|
3 |
Mass in G major, BWV 236: III. Gratias agimus tibi
|
5:38
|
4 |
Mass in G major, BWV 236: IV. Domine Deus
|
4:48
|
5 |
Mass in G major, BWV 236: V. Quoniam
|
6:07
|
6 |
Mass in G major, BWV 236: VI. Cum Sancto Spiritu
|
3:48
|
7 |
Mass in G minor, BWV 235: I. Kyrie
|
7:41
|
8 |
Mass in G minor, BWV 235: II. Gloria
|
4:02
|
9 |
Mass in G minor, BWV 235: III. Gratias agimus tib
|
4:54
|
10 |
Mass in G minor, BWV 235: IV. Domine Fili
|
5:58
|
11 |
Mass in G minor, BWV 235: V. Qui tollis
|
4:59
|
12 |
Mass in G minor, BWV 235: VI. Cum Sancto Spiritu
|
4:59
|
13 |
Sanctus in D major (after an unknown work), BWV 238
|
3:25
|
14 |
Christe eleison in G minor, BWV 242
|
2:15
|
15 |
Sanctus in C major, BWV 237
|
1:44
|
|
CD 30
|
1 |
Un gay bergier: Vocal version
|
1:46
|
2 |
Un gay bergier: Instrumental version
|
2:44
|
3 |
Anchor che co'l partire: Lute version
|
3:14
|
4 |
Anchor che co'l partire: Vocal version
|
3:30
|
5 |
Anchor che co'l partire: Instrumental version
|
2:59
|
6 |
Ver'inferno: Vocal version
|
3:00
|
7 |
Ver'inferno: Lute version
|
3:47
|
8 |
Susanne un jour: Vocal version
|
2:18
|
9 |
Susanne un jour: Instrumental version
|
3:51
|
10 |
Frais et gaillart: Vocal version
|
2:08
|
11 |
Frais et gaillart: Instrumental version
|
3:29
|
12 |
Fantasia senza canto, for lute
|
4:10
|
13 |
Tirsi morir volea, vocal version
|
7:37
|
|
CD 31
|
1 |
Salmo quarantesimosecondo “Judica me Deus” (Psalm 42), for bass and string orchestra
|
14:15
|
2 |
Salmo quarto “Cum invocarem exaudivit” (Psalm 4), for alto, soprano, women's chorus and continuo
|
12:01
|
3 |
Salmo vigesimonono “Exaltabo Te Domine” (Psalm 29), for tenor, baritone, chorus and orchestra
|
18:33
|
4 |
Salmo quarantesimosesto “Omnes gentes plaudite manibus” (Psalm 46), for soprano and continuo
|
8:06
|
|
CD 32
|
1 |
Salmo decimo “In Domino confido” (Psalm 10), for soli, chorus, and orchestra
|
11:02
|
2 |
Salmo undecimo “Salvum me fac Domine” (Psalm 11), for two altos, chorus and continuo
|
15:44
|
3 |
Salmo trigesimosesto “Moli aemulari in malignantibus” (Psalm 36), for soli, chorus and continuo
|
20:43
|
|
CD 33
|
1 |
Lamento della ninfa, SV 163 (Book VIII, Canti amorosi)
|
7:05
|
2 |
Ohimè ch'io cado, SV 316
|
5:21
|
3 |
Si ch'io vorrei morire, SV 89 (Book IV)
|
3:40
|
4 |
Bei pastor, SV 168 (Book IX)
|
4:59
|
5 |
Eccomi pronta ai baci, SV 135 (Book VII)
|
2:32
|
6 |
Ecco mormorar l'onde, SV 51 (Book II)
|
3:11
|
7 |
Hor che'l ciel e la terra, SV 147 (Book VIII, Canti guerrieri)
|
12:13
|
8 |
La mia turca, SV 310
|
2:59
|
9 |
Perchè fuggi tra salci, SV 128 (Book VII)
|
3:31
|
10 |
Presso un fiume tranquillo, SV 116 (Book VI)
|
6:28
|
|
CD 34
|
1 |
Si dolce è il tormento, SV 332
|
2:50
|
2 |
Sfogava con le stelle, SV 78 (Book IV)
|
4:11
|
3 |
Di far sempre gioire, SV 89 (Book IV)
|
2:26
|
4 |
Maladetta sia l'aspetto, SV 246 (Scherzi musicali II)
|
1:34
|
5 |
Non è di gentil core, SV 118 (Book VII)
|
4:00
|
6 |
Io mi son giovinetta, SV 86 (Book IV)
|
3:04
|
7 |
Questi vaghi concenti, SV 106 (Book V)
|
8:57
|
8 |
Tirsi e Clori, SV 145 (Book VII)
|
14:13
|
9 |
Ardo e scoprir, SV 158 (Book VIII, Canti amorosi)
|
4:19
|
10 |
Vorei baciarti o Filli, SV 123 (Book VII)
|
4:20
|
11 |
Lasciatemi morire, from Lamento d'Arianna a 5, SV 107 (Book VI)
|
2:30
|
|
CD 35
|
1 |
Concerto in D minor BWV 1052: I. Allegro
|
8:04
|
2 |
Concerto in D minor BWV 1052: II. Adagio
|
9:12
|
3 |
Concerto in D minor BWV 1052: III. Allegro
|
8:17
|
4 |
Concerto in A major, BWV 1055: I. Allegro
|
4:46
|
5 |
Concerto in A major, BWV 1055: II. Larghetto
|
5:07
|
6 |
Concerto in A major, BWV 1055: III. Allegro ma non tanto
|
4:36
|
7 |
Concerto in F minor, BWV 1056: I. Allegro
|
3:49
|
8 |
Concerto for Harpsichord in F minor, BWV 1056: II. Largo-Arioso
|
3:13
|
9 |
Concerto in F minor, BWV 1056: III. Presto
|
3:43
|
|
CD 36
|
1 |
Gloria D-Dur, RV 598: I. Gloria in excelsis
|
2:24
|
2 |
Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: II. Et in terra pax (chorus)
|
6:08
|
3 |
Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: III. Laudamus te (2 sopranos)
|
2:17
|
4 |
Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: IV. Gratias agimus tibi (chorus)
|
0:28
|
5 |
Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: V. Procter magnam gloriam (chorus)
|
0:54
|
6 |
Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VI. Domine Deus (soprano)
|
4:30
|
7 |
Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VII. Domine Fili unigenite (chorus)
|
2:24
|
8 |
Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VIII. Domine Deus, Agnus Dei (alto, chorus)
|
5:22
|
9 |
Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: IX. Qui tollis peccata mundi (chorus)
|
1:19
|
10 |
Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: X. Qui sedes ad dexteram Patris (alto)
|
2:32
|
11 |
Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: XI. Quoniam tu solus sanctus (chorus)
|
0:48
|
12 |
Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: XII. Cum Sancto Spiritu (chorus)
|
2:44
|
13 |
Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: I. Kyrie eleison (double chorus)
|
4:41
|
14 |
Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: II. Christe eleison (2 sopranos, 2 altos)
|
2:40
|
15 |
Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: III. Kyrie eleison (double chorus)
|
2:39
|
16 |
Credo in E minor, RV 591, for chorus and string orchestra: I. Credo in unum Deum
|
2:21
|
17 |
Credo in E minor, RV 591, for chorus and string orchestra: II. Et in terra pax (chorus)
|
2:08
|
18 |
Credo in E minor, RV 591, for chorus and string orchestra: III. Laudamus te (2 sopranos)
|
3:53
|
19 |
Credo in E minor, RV 591, for chorus and string orchestra: IV. Gratias agimus tibi (chorus)
|
3:14
|
|
CD 37
|
1 |
Altri canti d'amore, SV 146 (Book VIII, Canti guerrieri)
|
11:47
|
2 |
Io son pur vezzosetta pastorella, SV 121 (Book VII)
|
3:46
|
3 |
Gira il nemico insidioso amore, SV 148 (Book VIII, Canti guerrieri)
|
7:18
|
4 |
Qual si può, SV 1 (Canzonette)
|
1:37
|
5 |
Tempro la cetra, SV 117 (Book VII)
|
11:58
|
6 |
Soave libertate, SV 130 (Book VII)
|
3:21
|
7 |
Su, su, su, pastorelli vezzosi, SV 166 (Book VII, Canti amorosi)
|
2:06
|
8 |
La fiera vista, SV 3 (Canzonette)
|
2:49
|
9 |
O come sei gentile, SV 120 (Book VII)
|
4:31
|
10 |
Ardo avvampo mi struggo, SV 152 (Book VII, Canti guerrieri)
|
5:32
|
11 |
Non giacinti o narcisi, SV 43 (Book II)
|
2:16
|
12 |
Tornate, i cari baci, SV 129 (Book VII)
|
3:09
|
13 |
Zefiro torna, SV 108 (Book VI)
|
4:57
|
14 |
S'andasse amor a caccia, SV 49 (Book II)
|
2:00
|
15 |
Eri già tutta mia, SV 248 (Scherzi musicali II)
|
3:34
|
16 |
Quel sguardo sdegnosetto, SV 247 (Scherzi musicali II)
|
2:35
|
|
CD 38
|
1 |
Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Incenerite spoglie, avara tomba
|
3:27
|
2 |
Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Ditelo, o fiume e voi ch'udiste
|
2:57
|
3 |
Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Darà la notte il sol
|
3:15
|
4 |
Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Ma te raccoglie, o ninfa
|
3:39
|
5 |
Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): O chiome d'or, neve gentil de seno
|
3:30
|
6 |
Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Dunque amate reliquie
|
5:09
|
7 |
Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Ninfa che scalza il piede
|
1:33
|
8 |
Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Qui deh meco t'arresta
|
1:39
|
9 |
Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Dell'usate mie corde
|
2:35
|
10 |
Dolcissimo uscignolo, SV 161 (Book VIII, Canti amorosi)
|
3:55
|
11 |
Interrotte sepranze, SV 132 (Book VII)
|
3:47
|
12 |
Non sono in queste rive, SV 45 (Book II)
|
2:12
|
13 |
O viva fiamma, SV 122 (Book VII)
|
3:16
|
14 |
Alcun non mi consigli, SV 169 (Book IX)
|
3:51
|
15 |
Al lume delle stelle, SV 138 (Book VII)
|
4:54
|
16 |
Ohimè dovè il mio ben (Romanesca), SV 140 (Book VII)
|
6:50
|
17 |
S'el vostro cor madonna, SV 131 (Book VII)
|
5:09
|
18 |
Raggi dov'è il mio bene?, SV 4 (Canzonette)
|
4:15
|
19 |
Il mio martir, SV 6 (Canzonette)
|
3:52
|
20 |
Son questi i crespi crini, SV 7 (Canzonette)
|
3:30
|
|
CD 39
|
1 |
Keyboard Concerto in C major, op. 7 no. 1: I. Allegretto
|
6:24
|
2 |
Keyboard Concerto in C major, op. 7 no. 1: II. Menuetto
|
4:36
|
3 |
Keyboard Concerto in F major, op. 7 no. 2: I. (Allegro)
|
5:38
|
4 |
Keyboard Concerto in F major, op. 7 no. 2: II. Tempo di menuetto
|
4:53
|
5 |
Keyboard Concerto in B-flat major, op. 7 no. 4: I. Allegro giusto
|
6:23
|
6 |
Keyboard Concerto in B-flat major, op. 7 no. 4: II. Allegro di molto
|
3:29
|
7 |
Keyboard Concerto in D major, op. 7 no. 3: I. Allegro con spirito
|
6:42
|
8 |
Keyboard Concerto in D major, op. 7 no. 3: II. Rondo: Allegretto
|
5:23
|
|
CD 40
|
1 |
Beatus vir, RV 597, pour soli, double choeur et orchestre: Beatus vir
|
2:24
|
2 |
Beatus vir, RV 597, pour soli, double choeur et orchestre: Potens in terra
|
2:33
|
3 |
Beatus vir, RV 597, pour soli, double choeur et orchestre: Gloria et divitiae
|
3:02
|
4 |
Beatus vir, RV 597, pour soli, double choeur et orchestre: Exortum est
|
2:33
|
5 |
Beatus vir, RV 597, pour soli, double choeur et orchestre: Jucuntus homo
|
2:47
|
6 |
Beatus vir, RV 597, pour soli, double choeur et orchestre: In memoria aeterna
|
4:36
|
7 |
Beatus vir, RV 597, pour soli, double choeur et orchestre: Paratum coe ejus
|
1:52
|
8 |
Beatus vir, RV 597, pour soli, double choeur et orchestre: Pecator videbit
|
3:50
|
9 |
Beatus vir, RV 597, pour soli, double choeur et orchestre: Gloria Patri
|
2:33
|
10 |
Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: I. Nulla in mundo pax sincera
|
6:51
|
11 |
Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: II. Recitativo: Blanco colore oculos mundus decepit
|
1:17
|
12 |
Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: III. Spirat anguis
|
3:42
|
13 |
Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: IV. Alleluia
|
2:16
|
14 |
Lauda Jerusalem, RV 609
|
7:24
|
|
CD 41
|
1 |
Magnificat RV 610 pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Magnificat (choeur)
|
1:13
|
2 |
Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Et exultavit
|
1:51
|
3 |
Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Et misericordia (choeur)
|
5:03
|
4 |
Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Fecit potentiam (choeur)
|
0:33
|
5 |
Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Deposuit potentes (choeur)
|
1:03
|
6 |
Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Esurientes
|
2:05
|
7 |
Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Suscepit Israel (choeur)
|
1:14
|
8 |
Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Sicut locutus est (choeur)
|
1:35
|
9 |
Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Gloria (choeur)
|
2:25
|
10 |
Canta in prato, RV 623, motet for soprano, string orchestra and continuo: I. Canta in prato
|
3:50
|
11 |
Canta in prato, RV 623, motet for soprano, string orchestra and continuo: II. Recitativo: Saeva fulgescit nobis
|
1:05
|
12 |
Canta in prato, RV 623, motet for soprano, string orchestra and continuo: III. Avenae rusticae
|
2:21
|
13 |
Canta in prato, RV 623, motet for soprano, string orchestra and continuo: IV. Alleluia
|
1:17
|
14 |
"In furore giustissimae irae", Motete en Do menor para Voz solista, Cuerdas y Continuo, RV 626, I. In furore giustissimae irae
|
5:26
|
15 |
"In furore giustissimae irae", Motete en Do menor para Voz solista, Cuerdas y Continuo, RV 626, II. Miserationum Pater piissime
|
0:34
|
16 |
"In furore giustissimae irae", Motete en Do menor para Voz solista, Cuerdas y Continuo, RV 626, III. Tinc meus fletus
|
6:46
|
17 |
"In furore giustissimae irae", Motete en Do menor para Voz solista, Cuerdas y Continuo, RV 626, IV. Alleluia
|
1:44
|
18 |
Beatus vir, RV 598, for 2 sopranos, chorus, string orchestra and continuo
|
7:15
|
|
CD 42
|
1 |
Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: I. Dixit Dominus (chorus)
|
2:22
|
2 |
Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: II. Donec ponam inimicos tuos (chorus)
|
5:06
|
3 |
Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: III. Virgam virtutis tuae (soprano)
|
2:30
|
4 |
Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: IV. Tecum principium (soprano, alto)
|
2:20
|
5 |
Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: V. Juravit Dominus (chorus)
|
2:43
|
6 |
Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VI. Dominus e dextris tuis (soprano)
|
1:55
|
7 |
Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VII. Judicabit (alto, chorus)
|
3:53
|
8 |
Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VIII. De torrente (alto)
|
4:30
|
9 |
Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: IX. Gloria Patri / X. Sicut erat in principio (alto, tenor, bass, chorus)
|
2:32
|
10 |
Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: XI. Et in saecula saeculorum
|
3:32
|
11 |
"O qui coeli terraeque serenitas", Motete en Mi bemol Mayor para Voz solista, Cuerdas y Continuo, RV 631, I. O qui coeli terraeque
|
5:27
|
12 |
"O qui coeli terraeque serenitas", Motete en Mi bemol Mayor para Voz solista, Cuerdas y Continuo, RV 631, II. Fac ut sordescat tellus
|
0:46
|
13 |
"O qui coeli terraeque serenitas", Motete en Mi bemol Mayor para Voz solista, Cuerdas y Continuo, RV 631, III. Rosa quae moritur
|
5:41
|
14 |
"O qui coeli terraeque serenitas", Motete en Mi bemol Mayor para Voz solista, Cuerdas y Continuo, RV 631, IV. Alleluia
|
1:40
|
|
CD 43
|
1 |
Te Deum, H. 146, for soli, chorus, and orchestra: I. Prélude: Rondeau
|
2:01
|
2 |
Te Deum, H. 146, for soli, chorus, and orchestra: II. Te Deum laudamus (bass)
|
1:49
|
3 |
Te Deum, H. 146, for soli, chorus, and orchestra: III. Te aeternum Patrem (soprano I/II, altus, tenor, chorus)
|
5:46
|
4 |
Te Deum, H. 146, for soli, chorus, and orchestra: IV. Te per orbem terrarum (altus, tenor, bass)
|
3:45
|
5 |
Te Deum, H. 146, for soli, chorus, and orchestra: V. Tu devicto mortis aculeo (bass, chorus)
|
2:08
|
6 |
Te Deum, H. 146, for soli, chorus, and orchestra: VI. Te ergo quaesumus (soprano I)
|
2:43
|
7 |
Te Deum, H. 146, for soli, chorus, and orchestra: VII. Aeterna fac cum sanctus tuis (soprano II, altus, tenor, bass, chorus)
|
3:16
|
8 |
Te Deum, H. 146, for soli, chorus, and orchestra: VIII. Dignare, Domine, die isto (soprano I/II, bass)
|
1:58
|
9 |
Te Deum, H. 146, for soli, chorus, and orchestra: IX. Fiat misericordia tua, Domine, super nos (soprano I, bass)
|
1:41
|
10 |
Te Deum, H. 146, for soli, chorus, and orchestra: X. In te, Domine, speravi (altus, tenor, bass, chorus)
|
3:17
|
11 |
Salve Regina pour 3 chœurs et orchestre
|
8:35
|
12 |
Tenebrae factae sunt pour basse et orchestre
|
7:07
|
13 |
In nativitatem Domini canticum, H. 416: III. Nuit (Orchestral interlude)
|
5:40
|
14 |
Seniores populi, H. 117, for altus and orchestra
|
3:18
|
|
CD 44
|
1 |
Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: I. Dixit Dominus (chorus)
|
2:17
|
2 |
Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: II. Donec ponam inimicos tuos (chorus)
|
2:39
|
3 |
Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: III. Virgam virtutis tuae (sopranos)
|
2:28
|
4 |
Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: IV. Tecum principium (alto)
|
2:26
|
5 |
Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: V. Juravit Dominus (chorus)
|
3:22
|
6 |
Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VI. Dominus a dextris tuis (tenor, bass)
|
2:05
|
7 |
Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VII. Judicabit in nationibus (chorus)
|
4:15
|
8 |
Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VIII. De torrente (soprano, chorus)
|
3:47
|
9 |
Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: IX. Gloria Patri (chorus)
|
1:24
|
10 |
Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: X. Sicut erat in principio (chorus)
|
3:45
|
11 |
"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, I. Stabat Mater
|
3:31
|
12 |
"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, II. Cujus animam
|
1:34
|
13 |
"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, III. O quam tristis
|
2:33
|
14 |
"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, IV. Quis est homo
|
2:47
|
15 |
"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, V. Quis non posset
|
1:31
|
16 |
"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, VI. Pro peccatis
|
2:25
|
17 |
"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, VII. Eja mater
|
3:30
|
18 |
"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, VIII. Fac ut ardeat
|
1:46
|
19 |
"Stabat Mater" Himno en Fa menor para Voz, Cuerdas y Continuo, RV 621, IX. Amen
|
1:31
|
|
CD 45
|
1 |
“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. I. Chorus: “Lass, Fürstin, lass noch einen Strahl”
|
8:08
|
2 |
“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. II. Recitative (soprano): “Dein Sachsen, dein bestürzes Meissen”
|
1:52
|
3 |
“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. III. Aria (soprano): “Verstummt, verstummt, ihr holden Saiten!”
|
5:56
|
4 |
“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. IV. Recitative (alto): “Der Glocken bebendes Getön”
|
1:02
|
5 |
“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. V. Aria (alto): “Wie starb die Heldin so vergnügt!”
|
6:17
|
6 |
“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VI. Recitative (tenor): “Ihr Leben liess die Kunst zu Sterben”
|
1:11
|
7 |
“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VII. Chorus: “An Dir, du Fürbild grosser Frauen”
|
2:21
|
8 |
“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. VIII. Aria (tenor): “Der Ewigkeit saphirnes Haus”
|
3:11
|
9 |
“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. IX. Recitative - Arioso - Recitative (bass): “Was Wunder ist's?”
|
2:41
|
10 |
“Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. X. Chorus: “Doch, Königin! du stirbest nicht”
|
6:25
|
11 |
“Ach Gott, wie manches Herzeleid”, BWV 58: Choral & Aria (soprano, bass): “Ach Gott, wie manches Herzeleid”
|
4:14
|
12 |
“Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (bass): “Verfolgt dich gleich die arge Welt”
|
1:38
|
13 |
“Ach Gott, wie manches Herzeleid”, BWV 58: Aria (soprano): “Ich bin vergnügt in meinem Leiden”
|
4:55
|
14 |
“Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (soprano): “Kann es die Welt nicht lassen”
|
1:16
|
15 |
“Ach Gott, wie manches Herzeleid”, BWV 58: Aria & Chorale (soprano, bass): “Ich hab' vor mir ein' schwere Reis”
|
2:29
|
|
CD 46
|
1 |
“Jesu, der du meine Seele”, BWV 78: I. Chorus: “Jesu, der du meine Seele”
|
6:28
|
2 |
“Jesu, der du meine Seele”, BWV 78: II. Aria duetto (soprano, alto): “Wir eilen mit schwachen, doch emsigen Schritten”
|
5:22
|
3 |
“Jesu, der du meine Seele”, BWV 78: III. Recitative (tenor): “Ach! Ich bin eine Kind der Sünden”
|
2:23
|
4 |
“Jesu, der du meine Seele”, BWV 78: IV. Aria (tenor): “Das Blut, so meine Schuld durchstreicht”
|
3:30
|
5 |
“Jesu, der du meine Seele”, BWV 78: V. Recitative (bass): “Die Wunden, Nägen, Kron und Grab”
|
3:41
|
6 |
“Jesu, der du meine Seele”, BWV 78: VI. Aria (bass): “Nun du wirst mein Gewissen stillen”
|
3:18
|
7 |
“Jesu, der du meine Seele”, BWV 78: VII. Chorale: “Herr, ich glaube, hilf mir Schwachen”
|
1:20
|
8 |
“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. I. Chorus: “Lobet Gott in seinen Reichen”
|
4:56
|
9 |
“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. II. Recitative (tenor): “Der Herr Jesus hub seine Hände auf”
|
0:36
|
10 |
“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. III. Recitative (bass): “Ach, Jesu, ist dein Abschied schon so nah?”
|
1:00
|
11 |
“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. IV. Aria (alto): “Ach, bleibe doch, Mein liebstes Leben”
|
7:18
|
12 |
“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. V. Recitative (tenor): “Und ward aufgehoben zusehends”
|
0:30
|
13 |
“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. VI. Chorale: “Nun lieget alles unter dir”
|
1:23
|
14 |
“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIa. Recitative (tenor, bass): “Und da sie ihm nachsahen gen Himmel fahren”
|
1:12
|
15 |
“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIb. Recitative (alto): “Ach ja! So komme bald zurück”
|
0:35
|
16 |
“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIc. Recitative (tenor): “Sie aber beteten ihn an”
|
0:47
|
17 |
“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIII. Aria (soprano): “Jesu, deine Gnadenblicke”
|
6:25
|
18 |
“Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. IX. Chorale: “Wenn soll es doch geschehen”
|
4:36
|
|
CD 47
|
1 |
Johannes-Passion, BWV 245: No. 1. Chorus. “Herr, unser Herrscher” (chorus)
|
10:56
|
2 |
Johannes-Passion, BWV 245: No. 2a. Recitative. “Jesus ging mit seinen Jüngern” (Evangelist, Jesus)
|
1:02
|
3 |
Johannes-Passion, BWV 245: No. 2b. Chorus. “Jesum von Nazareth” (chorus)
|
0:12
|
4 |
Johannes-Passion, BWV 245: No. 2c. Recitative. “Jesus spricht zu ihnen” (Evangelist, Jesus)
|
0:37
|
5 |
Johannes-Passion, BWV 245: No. 2d. Chorus. “Jesus von Nazareth” (chorus)
|
0:12
|
6 |
Johannes-Passion, BWV 245: No. 2e. Recitative. “Jesus antwortete” (Evangelist, Jesus)
|
0:25
|
7 |
Johannes-Passion, BWV 245: No. 3. Chorale. “O große Lieb” (chorus)
|
0:53
|
8 |
Johannes-Passion, BWV 245: No. 4. Recitative. “Auf daß das Wort erfüllet würde” (Evangelist, Jesus)
|
1:10
|
9 |
Johannes-Passion, BWV 245: No. 5. Chorale. “Dein Will' gescheh” (chorus)
|
0:52
|
10 |
Johannes-Passion, BWV 245: No. 6. Recitative. “Die Schar aber und der Oberhauptmann” (Evangelist)
|
0:44
|
11 |
Johannes-Passion, BWV 245: No. 7. Aria. “Von den Stricken” (alto, 2 oboes and continuo)
|
5:45
|
12 |
Johannes-Passion, BWV 245: No. 8. Recitative. “Simon Petrus aber folgete Jesu nach” (Evangelist)
|
0:12
|
13 |
Johannes-Passion, BWV 245: No. 9. Aria. “Ich folge dir gleichfalls” (soprano, flute)
|
4:13
|
14 |
Johannes-Passion, BWV 245: No. 10. Recitative. “Derselbige Jünger war dem Hohenpriester bekannt” (Evangelist, Petrus, Jesus)
|
3:27
|
15 |
Johannes-Passion, BWV 245: No. 11. Chorale. “Wer hat dich so geschlagen” (chorus)
|
1:41
|
16 |
Johannes-Passion, BWV 245: No. 12a. Recitative. “Und Hannas sandte ihn gebunden” (Evangelist)
|
0:16
|
17 |
Johannes-Passion, BWV 245: No. 12b. Chorus. “Bist du nicht seiner Jünger einer” (chorus)
|
0:23
|
18 |
Johannes-Passion, BWV 245: No. 12c. Recitative. “Er leugnete aber und sprach” (Evangelist, Petrus)
|
1:34
|
19 |
Johannes-Passion, BWV 245: No. 13. Aria. “Ach, mein Sinn” (tenor)
|
3:05
|
20 |
Johannes-Passion, BWV 245: No. 14. Chorale. “Petrus, der nicht denkt zurück” (chorus)
|
1:18
|
21 |
Johannes-Passion, BWV 245: No. 15. Chorale. “Christus, der uns selig macht” (chorus)
|
0:59
|
22 |
Johannes-Passion, BWV 245: No. 16a. Recitative. “Da führeten sie Jesum” (Evangelist, Pilatus)
|
0:36
|
23 |
Johannes-Passion, BWV 245: No. 16b. Chorus. “Wäre dieser nicht ein Übeltäter” (chorus)
|
1:06
|
24 |
Johannes-Passion, BWV 245: No. 16c. Recitative. “Da sprach Pilatus zu ihnen” (Evangelist, Pilatus)
|
0:12
|
25 |
Johannes-Passion, BWV 245: No. 16d. Chorus. “Wir dürfen niemand töten” (chorus)
|
0:43
|
26 |
Johannes-Passion, BWV 245: No. 16e. Recitative. “Auf daß erfüllet würde das Wort” (Evangelist, Pilatus, Jesus)
|
1:41
|
27 |
Johannes-Passion, BWV 245: No. 17. Chorale. “Ach großer König” (chorus)
|
1:31
|
28 |
Johannes-Passion, BWV 245: No. 18a. Recitative. “Da sprach Pilatus zu ihm” (Evangelist, Pilatus, Jesus)
|
1:24
|
29 |
Johannes-Passion, BWV 245: No. 18b. Chorus. “Nicht diesen, sondern Barrabam” (chorus)
|
0:12
|
30 |
Johannes-Passion, BWV 245: No. 18c. Recitative. “Barrabas aber war ein Mörder” (Evangelist)
|
0:28
|
31 |
Johannes-Passion, BWV 245: No. 19. Arioso. “Betrachte, meine Seel', mit ängstlichem Vergnügen” (bass, 2 viole d'amore, lute)
|
2:36
|
32 |
Johannes-Passion, BWV 245: No. 20. Aria. “Erwäge, wie sien blutgefärbter Rücken” (tenor, 2 viole d'amore)
|
8:21
|
|
CD 48
|
1 |
Johannes-Passion, BWV 245: No. 21a. Recitative. “Und die Kriegsknechte flochten eine Krone” (Evangelist)
|
0:17
|
2 |
Johannes-Passion, BWV 245: No. 21b. Chorus. “Sei gegrüsset, lieber Judenkönig” (chorus)
|
0:31
|
3 |
Johannes-Passion, BWV 245: No. 21c. Recitative. “Und gaben ihm Backenstreiche” (Evangelist, Pilatus)
|
0:57
|
4 |
Johannes-Passion, BWV 245: No. 21d. Chorus. “Kreuzige, Kreuzige” (chorus)
|
0:55
|
5 |
Johannes-Passion, BWV 245: No. 21e. Recitative. “Pilatus sprach zu ihnen” (Evangelist, Pilatus)
|
0:16
|
6 |
Johannes-Passion, BWV 245: No. 21f. Chorus. “Wir haben ein Gesetz” (chorus)
|
1:16
|
7 |
Johannes-Passion, BWV 245: No. 21g. Recitative: “Da Pilatus das Wort hörete” (Evangelist, Pilatus, Jesus)
|
1:26
|
8 |
Johannes-Passion, BWV 245: No. 22. Chorale. “Durch dein Gefängnis, Gottes Sohn” (chorus)
|
1:06
|
9 |
Johannes-Passion, BWV 245: No. 23a. Recitative. “Die Juden aber schrieen” (Evangelist)
|
0:04
|
10 |
Johannes-Passion, BWV 245: No. 23b. Chorus. “Lässest du diesen los” (chorus)
|
1:14
|
11 |
Johannes-Passion, BWV 245: No. 23c. Recitative. “Da Pilatus das Wort hörete” (Evangelist, Pilatus)
|
0:41
|
12 |
Johannes-Passion, BWV 245: No. 23d. Chorus. “Weg, weg mit dem, Kreuzige ihn!” (chorus)
|
1:02
|
13 |
Johannes-Passion, BWV 245: No. 23e. Recitative. “Spricht Pilatus zu ihnen” (Evangelist, Pilatus)
|
0:14
|
14 |
Johannes-Passion, BWV 245: No. 23f. Chorus. “Wir haben keiner König denn den Kaiser” (chorus)
|
0:11
|
15 |
Johannes-Passion, BWV 245: No. 23g. Recitative. “Da überantworte er ihn” (Evangelist)
|
0:52
|
16 |
Johannes-Passion, BWV 245: No. 24. Aria & Chorus. “Eilt, ihr angefocht'nen Seelen” (bass, chorus)
|
4:38
|
17 |
Johannes-Passion, BWV 245: No. 25a. Recitative. “Allda kreuzigten sie ihn” (Evangelist)
|
1:19
|
18 |
Johannes-Passion, BWV 245: No. 25b. Chorus. “Schreibe nicht” (chorus)
|
0:33
|
19 |
Johannes-Passion, BWV 245: No. 25c. Recitative. “Pilatus antwortet” (Evangelist, Pilatus)
|
0:20
|
20 |
Johannes-Passion, BWV 245: No. 26. Chorale. “In meines Herzens Grune” (chorus)
|
1:09
|
21 |
Johannes-Passion, BWV 245: No. 27a. Recitative. “Die Kriegsknechte aber” (Evangelist)
|
0:33
|
22 |
Johannes-Passion, BWV 245: No. 27b. Chorus. “Lasset uns den nicht zerteilen” (chorus)
|
1:42
|
23 |
Johannes-Passion, BWV 245: No. 27c. Recitative. “Auf daß erfüllet würde die Schrift” (Evangelist, Jesus)
|
1:47
|
24 |
Johannes-Passion, BWV 245: No. 28. Chorale. “Er nahm alles wohl in acht” (chorus)
|
1:17
|
25 |
Johannes-Passion, BWV 245: No. 29. Recitative. “Und von Stund an nahm sie der Jünger” (Evangelist, Jesus)
|
1:25
|
26 |
Johannes-Passion, BWV 245: No. 30. Aria. “Es ist vollbracht” (alto, viola da gamba)
|
6:29
|
27 |
Johannes-Passion, BWV 245: No. 31. Recitative. “Und neigt das Haupt und verschied” (Evangelist)
|
0:34
|
28 |
Johannes-Passion, BWV 245: No. 32. Aria & Chorus. “Mein teurer Heiland” (bass, chorus)
|
4:41
|
29 |
Johannes-Passion, BWV 245: No. 33. Recitative. “Und siehe da, der Vorhang im Tempel zerriß” (Evangelist)
|
0:33
|
30 |
Johannes-Passion, BWV 245: No. 34. Arioso. “Mein Herz, in dem die ganze Welt” (tenor, flute, 2 oboes)
|
1:02
|
31 |
Johannes-Passion, BWV 245: No. 35. Aria. “Zerfließe, mein Herze” (soprano, flute, cor anglais)
|
6:47
|
32 |
Johannes-Passion, BWV 245: No. 36. Recitative. “Die Juden aber dieweil es der Rüsttag war” (Evangelist)
|
2:33
|
33 |
Johannes-Passion, BWV 245: No. 37. Chorale. “O hilf, Christe, Gottes Sohn” (chorus)
|
1:09
|
34 |
Johannes-Passion, BWV 245: No. 38. Recitative. “Darnach bat Pilatum Joseph von Arimathia” (Evangelist)
|
2:00
|
35 |
Johannes-Passion, BWV 245: No. 39. Chorus. “Ruht wohl, ihr heiligen Gebeine” (chorus)
|
8:45
|
36 |
Johannes-Passion, BWV 245: No. 40. Chorale. “Ach Herr, laß dein lieb Engelein” (chorus)
|
2:24
|
|
CD 49
|
1 |
Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: I. Gloria in excelsis (chorus)
|
2:34
|
2 |
Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: II. Et in terra pax (chorus)
|
5:04
|
3 |
Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: III. Laudamus te (2 sopranos)
|
2:28
|
4 |
Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: IV. Gratias agimus tibi (chorus)
|
0:56
|
5 |
Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: V. Domine Deus (tenor)
|
2:12
|
6 |
Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VI. Domine Fili unigenite (chorus)
|
1:21
|
7 |
Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VII. Domine Deus, Agnus Dei (soprano)
|
2:09
|
8 |
Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VIII. Qui tollis peccata mundi (chorus)
|
1:30
|
9 |
Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: IX. Qui sedes ad dexteram Patris (alto)
|
3:10
|
10 |
Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: X. Quoniam tu solus sanctus (soprano)
|
1:41
|
11 |
Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: XI. Cum Sancto Spriritu (chorus)
|
2:57
|
12 |
"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, I. Nisi Dominus
|
3:14
|
13 |
"Nisi Dominus" (Salmo 127), En Sol Menor Para Voz, Viola De Amor, Cuerdas Y Continuo, RV 608, II. Vanum Est Vobis
|
1:05
|
14 |
"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, III. Surgite
|
1:35
|
15 |
"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, IV. Cum dederit
|
4:52
|
16 |
"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, V. Sicut sagittae
|
1:52
|
17 |
"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, VI. Beatus Vir
|
0:59
|
18 |
"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, VII. Gloria Patri
|
4:05
|
19 |
"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, VIII. Sicut erat in principio
|
1:22
|
20 |
"Nisi Dominus" (Salmo 127), en Sol menor para Voz, Viola de Amor, Cuerdas y Continuo, RV 608, IX. Amen
|
2:15
|
|
CD 50
|
1 |
Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: I. Récit de Dieu: “Audit coeli quae loquor” (bass)
|
3:11
|
2 |
Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: II. Chorus hominum: “O pavor, o tremor, o portentum” (soli, chorus)
|
3:10
|
3 |
Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: III. Bruit de trompettes
|
0:27
|
4 |
Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: IV. Duo des Anges: “Adeste omnes gentes” (countertenor, alto)
|
0:43
|
5 |
Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: V. Bruit de trompettes
|
0:29
|
6 |
Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VI. Chorus hominum: “Et factus est subito sonus” (chorus)
|
1:28
|
7 |
Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VII. Récit de Dieu (Part I): “Venite benedicti” (bass)
|
3:07
|
8 |
Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VIII. Récit de Dieu (Part II): “Et vos maledicti” (bass)
|
1:58
|
9 |
Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: IX. Chœur des damnés: “O justa punitio” (soli, chorus)
|
3:08
|
10 |
Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: X. Les Anges: “Vos autem electi” (countertenor, alto)
|
1:26
|
11 |
Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: XI. Chœur des élus: “Hymnum docamus Domine nostro” (soli, chorus)
|
4:40
|
12 |
Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: I. instrumental prelude
|
1:45
|
13 |
Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: II. Beatus vir (bass)
|
1:18
|
14 |
Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: III. Potens in terra (chorus)
|
2:22
|
15 |
Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: IV. Exortum est in tenebris (soprano I, countertenor, tenor, bass)
|
2:44
|
16 |
Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: V. In memoria aeterna (chorus)
|
2:21
|
17 |
Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VI. Dispersit, dedit pauperibus (bass)
|
1:52
|
18 |
Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VII. Peccator videbit (chorus)
|
1:21
|
19 |
Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VIII. Gloria Patri (2 sopranos, chorus)
|
3:51
|
|
CD 51
|
1 |
Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Tancredi, que Clorinda homo stima
|
2:59
|
2 |
Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Notte, che nei profondo oscuro seno
|
9:44
|
3 |
Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Torna l'ira nei cori
|
3:32
|
4 |
Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Amico, hai vinto
|
5:54
|
5 |
Chiome d'oro, bel tesoro, SV 143 (Book VII)
|
2:48
|
6 |
Altri canti di Marte, SV 155 (Book VIII, Canti amorosi): Altri canti di Marte e di sua schiera (Part I)
|
5:28
|
7 |
Altri canti di Marte, SV 155 (Book VIII, Canti amorosi): Due belli occhi (Part II)
|
4:10
|
8 |
Et è pur dunque verò, SV 250 (Scherzi musicali II)
|
7:14
|
9 |
Batto qui pianse Ergasto, SV 115 (Book VI)
|
4:13
|
10 |
Amorosa pupiletta, SV 238 (Scherzi musicali II)
|
5:41
|
11 |
Lamento d'Arianna, SV 22
|
9:30
|
12 |
Vago augelleto, SV 156 (Book VIII, Canti amorosi)
|
4:35
|
13 |
Ecco di dolci raggi, SV 249 (Scherzi musicali II)
|
0:55
|
14 |
Io che armato sin hor, SV 249a (Scherzi musicali II)
|
1:28
|
15 |
Fugge il verno dei dolori, SV 232 (Scherzi musicali I)
|
3:11
|
16 |
A dio Florida bella, SV 110 (Book VI)
|
4:27
|
17 |
Misero alceo, SV 114 (Book VI)
|
5:48
|
|
CD 52
|
1 |
Il ballo (per l'imperatore Ferdinando), SV 154 (Book VIII, Canti guerrieri)
|
10:45
|
2 |
Miei lettera amorosa (Se i languidi), SV 141 (Book VII)
|
8:20
|
3 |
Lidia spina del mio core, SV 244 (Scherzi musicali I)
|
6:12
|
4 |
Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Sinfonia
|
1:30
|
5 |
Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): De l'implacabil Dio
|
4:35
|
6 |
Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Bella madre d'amor
|
4:47
|
7 |
Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): S'invan su l'arco tendi
|
3:03
|
8 |
Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Udite, udite
|
2:58
|
9 |
Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Ecco ver noi l'adolorate squadre
|
2:23
|
10 |
Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Entrata - Ballo
|
3:57
|
11 |
Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Dal tenebroso orror del mio gran regno
|
9:41
|
12 |
Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Ahi troppo è duro
|
5:41
|
13 |
Partenza amorosa (Se pur destina e vole), SV 142 (Book VII)
|
9:41
|
14 |
Dolci miei sospiri, SV 242 (Scherzi musicali I)
|
5:07
|
15 |
Damigella tutta bella, SV 235 (Scherzi musicali I)
|
2:23
|
|
CD 53
|
1 |
Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)
|
11:01
|
2 |
Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano II, mezzo-soprano)
|
5:15
|
3 |
Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)
|
4:17
|
4 |
Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis / V. Et in terra pax (chorus)
|
6:40
|
5 |
Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano I)
|
4:52
|
6 |
Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)
|
3:27
|
7 |
Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano I, tenor)
|
5:50
|
8 |
Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)
|
4:06
|
9 |
Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)
|
5:38
|
10 |
Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)
|
5:55
|
11 |
Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)
|
4:09
|
12 |
Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus)
|
2:09
|
13 |
Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)
|
2:22
|
14 |
Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano I, mezzo-soprano)
|
5:05
|
15 |
Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus)
|
4:05
|
16 |
Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)
|
4:45
|
|
CD 54
|
1 |
Mass in B minor, BWV 232: Credo. XVII. Et resurrexit (chorus)
|
4:20
|
2 |
Mass in B minor, BWV 232: Credo. XVIII. Et in Spiritum Sanctum Dominum (baritone)
|
6:10
|
3 |
Mass in B minor, BWV 232: Credo. XIX. Confiteor (chorus)
|
4:55
|
4 |
Mass in B minor, BWV 232: Credo. XX. Et expecto (chorus)
|
2:26
|
5 |
Mass in B minor, BWV 232: Sanctus. XXI. Sanctus (chorus)
|
4:48
|
6 |
Mass in B minor, BWV 232: Sanctus. XXII. Osanna in excelsis (chorus)
|
3:06
|
7 |
Mass in B minor, BWV 232: Sanctus. XXIII. Benedictus (tenor)
|
5:44
|
8 |
Mass in B minor, BWV 232: Sanctus. XXIV. Osanna repetirur (chorus)
|
3:07
|
9 |
Mass in B minor, BWV 232: Sanctus. XXV. Agnus Dei (mezzo-soprano)
|
6:10
|
10 |
Mass in B minor, BWV 232: Sanctus. XXVI. Dona nobis pacem (chorus)
|
3:55
|
11 |
Magnificat in D major, BWV 243: I. Magnificat (chorus)
|
3:09
|
12 |
Magnificat in D major, BWV 243: II. Et exultavit spiritus meus (soprano II)
|
2:30
|
13 |
Magnificat in D major, BWV 243: III. Quia respexit humilitatem (soprano I)
|
3:22
|
14 |
Magnificat in D major, BWV 243: IV. Omnes generationes (chorus)
|
1:22
|
15 |
Magnificat in D major, BWV 243: V. Quia fecit mihi magna (bass)
|
2:26
|
16 |
Magnificat in D major, BWV 243: VI. Et misericorida (alto, tenor)
|
4:00
|
17 |
Magnificat in D major, BWV 243: VII. Fecit potentiam (chorus)
|
2:00
|
18 |
Magnificat in D major, BWV 243: VIII. Deposuit potentes (tenor)
|
2:09
|
19 |
Magnificat in D major, BWV 243: IX. Esurientes implevit bonis (alto)
|
2:54
|
20 |
Magnificat in D major, BWV 243: X. Suscepit Israel (soprano I & II, alto)
|
2:26
|
21 |
Magnificat in D major, BWV 243: XI. Sicut locutus est (chorus)
|
2:16
|
22 |
Magnificat in D major, BWV 243: XII. Gloria Patri (chorus)
|
2:00
|
|
CD 55
|
1 |
Ercole amante: Prologo. Sinfonia
|
2:04
|
2 |
Ercole amante: Prologo. “Qual concorso indonivo” (Coro di Fiumi)
|
0:45
|
3 |
Ercole amante: Prologo. “Ah ! che mentre la terra” (Il Tevere)
|
0:58
|
4 |
Ercole amante: Prologo. “Ai di lei veri accenti” (Coro di Fiumi)
|
0:31
|
5 |
Ercole amante: Prologo. Sinfonia
|
0:12
|
6 |
Ercole amante: Prologo. “Ed ecco, o Gallia invita” (Cinthia)
|
2:03
|
7 |
Ercole amante: Prologo. “Doppo belliche noie” (Coro di Fiumi)
|
1:18
|
8 |
Ercole amante: Prologo. “E poiche quai doppo guerrieri onori” (Cinthia)
|
1:54
|
9 |
Ercole amante: Prologo. “E veda ogn'un” (Coro di Fiumi)
|
1:21
|
10 |
Ercole amante: Prologo. “O Gallia fortunata” (Coro di Fiumi)
|
1:50
|
11 |
Ercole amante: Atto I. Sinfonia
|
1:05
|
12 |
Ercole amante: Atto I, Scene 1. “Come si beffa amor” (Ercole)
|
4:40
|
13 |
Ercole amante: Atto I, Scene 2. “Se Ninfa ai pianti” (Venere, le tre grazie)
|
1:11
|
14 |
Ercole amante: Atto I, Scene 2. “Ogn'impero ha ribelli” (Venere)
|
2:56
|
15 |
Ercole amante: Atto I, Scene 2. “Fugano a vo” (Ercole, Venere, le tre grazie)
|
0:37
|
16 |
Ercole amante: Atto I, Scene 2. “Infelice e disperato” (Giunone)
|
1:03
|
17 |
Ercole amante: Atto I, Scene 3. “E vuol dunque Ciprigna” (Giunone)
|
4:11
|
18 |
Ercole amante: Atto II. Sinfonia
|
1:38
|
19 |
Ercole amante: Atto II, Scene 1. “Amor ardo piu rari” (Hyllo, Jole)
|
1:15
|
20 |
Ercole amante: Atto II, Scene 1. “Pure alfine il rispetto di figlio” (Hole, Hyllo, Il Paggio)
|
2:24
|
21 |
Ercole amante: Atto II, Scene 2. “D'amore il foco” (Jole, Hyllo)
|
0:59
|
22 |
Ercole amante: Atto II, Scene 3. “E che cos' è quest'Amore” (Il Paggio)
|
0:59
|
23 |
Ercole amante: Atto II, Scene 4. “Buon di, gentil fanciullo” (Licco, il Paggio)
|
3:57
|
24 |
Ercole amante: Atto II, Scene 5. “Misera, ohime ch'ascolto” (Dejanira)
|
6:00
|
25 |
Ercole amante: Atto II, Scene 5. “Ah ! fu sempre in Amor” (Licco, Dejanira)
|
1:19
|
26 |
Ercole amante: Atto II, Scene 5. “Ah, Dejanira ! Dunque tu temi” (Dejanira, Licco)
|
0:57
|
27 |
Ercole amante: Atto II, Scene 6. “Mormorate, fiumicelli” (Pasitea)
|
0:56
|
28 |
Ercole amante: Atto II, Scene 6. Coro
|
2:13
|
29 |
Ercole amante: Atto II, Scene 7. “Sublime Dea” (Pasitea)
|
1:34
|
30 |
Ercole amante: Atto II, Scene 7. “Zelo dell' onor mio a cui” (Giunone, Pasitea)
|
0:58
|
31 |
Ercole amante: Atto II, Scene 7. “Le rugiade piu preziose” (Tutti)
|
0:41
|
32 |
Ercole amante: Atto II, Scene 7. “Vanne e fa breve dimora” (Pasitea, tutti)
|
1:53
|
|
CD 56
|
1 |
Ercole amante: Atto III. Sinfonia
|
0:42
|
2 |
Ercole amante: Atto III, Scene 1. “Sol s'inarca gl'Emisferi per stupor” (Venere)
|
1:09
|
3 |
Ercole amante: Atto III, Scene 1. “E pe mi cangi o Dei” (Ercole, Venere)
|
4:40
|
4 |
Ercole amante: Atto III, Scene 2. “Amor, contar ben puoi” (Ercole)
|
1:31
|
5 |
Ercole amante: Atto III, Scene 2. “Sara com'hai disposo” (Il Paggio, Ercole)
|
0:44
|
6 |
Ercole amante: Atto III, Scene 3. “Bella Jole e quando” (Ercole, Jole)
|
3:49
|
7 |
Ercole amante: Atto III, Scene 3. “Ohime, che ascolto” (Hyllo, Ercole)
|
1:53
|
8 |
Ercole amante: Atto III, Scene 4. “A che pensi Jole” (Ercole, Jole)
|
1:24
|
9 |
Ercole amante: Atto III, Scene 5. “Sonno potente Nume” (Giunone)
|
1:23
|
10 |
Ercole amante: Atto III, Scene 5. “O qual sonno produgioso” (Jole, Giunone)
|
4:12
|
11 |
Ercole amante: Atto III, Scene 6. “D'Eutyro anima grande” (Jole, Hyllo)
|
1:17
|
12 |
Ercole amante: Atto III, Scene 7. “Svegliati, Alcide e mira” (Mercurio, Ercole, Jole)
|
1:37
|
13 |
Ercole amante: Atto III, Scene 8. “Piu di salvarlo tenti” (Ercole, Dejanira, Jole, Licco)
|
3:01
|
14 |
Ercole amante: Atto III, Scene 9. “Figlio, tu prigionero” (Dejanira, Hyllo)
|
4:28
|
15 |
Ercole amante: Atto III, Scene 10. “Addio paggio” (Licco, il Paggio)
|
2:32
|
16 |
Ercole amante: Atto IV. Sinfonia
|
0:25
|
17 |
Ercole amante: Atto IV, Scene 1. “Ahi che pena e gelosia” (Hyllo)
|
3:33
|
18 |
Ercole amante: Atto IV, Scene 2. “Zefri che gite” (Il Paggio)
|
1:07
|
19 |
Ercole amante: Atto IV, Scene 2. “Che novella m'arrechi” (Hyllo, Il Paggio)
|
2:15
|
20 |
Ercole amante: Atto IV, Scene 3. “E chi fia piu vieti” (Hyllo)
|
0:54
|
21 |
Ercole amante: Atto IV, Scene 4. “Salva, nettuno, ah! salva” (Giunone)
|
1:16
|
22 |
Ercole amante: Atto IV, Scene 4. “Eccoti o Dea contenta” (Nettuno, Hyllo, Giunone)
|
3:59
|
23 |
Ercole amante: Atto IV, Scene 5. “Congedo a gl'orridi” (Giunone)
|
1:07
|
24 |
Ercole amante: Atto IV, Scene 6. “Ed a che peggio” (Dejanira, Licco)
|
2:52
|
25 |
Ercole amante: Atto IV, Scene 6. “Ah Dejanira, io non son tanto accorto” (Licco)
|
1:16
|
|
CD 57
|
1 |
Ercole amante: Atto IV, Scene 7. “Gradisci, o Re” (Coro)
|
2:52
|
2 |
Ercole amante: Atto IV, Scene 7. “E se pur negl' estinti” (Jole)
|
1:15
|
3 |
Ercole amante: Atto IV, Scene 7. “Che prieghi ingiurioso” (Ombra d'Eutyro, Jole, Dejanira)
|
5:03
|
4 |
Ercole amante: Atto IV, Scene 7. “Hyllo il mio bene è morto” (Jole)
|
2:01
|
5 |
Ercole amante: Atto IV, Scene 7. “Ferma ti prego” (Liggo, Dejanira, Jole)
|
4:02
|
6 |
Ercole amante: Atto V. Sinfonia
|
1:06
|
7 |
Ercole amante: Atto V, Scene 1. “Come solo ad un grido” (Ombra d'Eutyro)
|
1:07
|
8 |
Ercole amante: Atto V, Scene 1. “Pera, mora il crudel” (Coro, Ombra di Clerica)
|
1:53
|
9 |
Ercole amante: Atto V, Scene 1. “Pera, mora, il perverso” (Laomedonte, Coro)
|
1:29
|
10 |
Ercole amante: Atto V, Scene 1. “Pera, more l'iniquio” (Ombra di Bussiride, Coro)
|
1:13
|
11 |
Ercole amante: Atto V, Scene 1. “Su su dunque” (Ombra d'Eutyro, Coro)
|
1:50
|
12 |
Ercole amante: Atto V, Scene 1. Sinfonia
|
2:38
|
13 |
Ercole amante: Atto V, Scene 2. “Alfine il Ciel d'amor” (Ercole, Licco, Jole)
|
2:22
|
14 |
Ercole amante: Atto V, Scene 2. “Pronuba e casta Dea” (Coro, Ercole, Jole)
|
4:35
|
15 |
Ercole amante: Atto V, Scene 2. “Ma qual pungente arsura” (Ercole)
|
4:16
|
16 |
Ercole amante: Atto V, Scene 2. “Che dici” (Licco, Jole)
|
1:39
|
17 |
Ercole amante: Atto V, Scene 3. “Ah, Nesso mi tradi” (Dejanira, Jole, Licco, Hyllo)
|
5:48
|
18 |
Ercole amante: Atto V, Scene 4. “Su, su allegrezza” (Giunone)
|
1:17
|
19 |
Ercole amante: Atto V, Scene 4. “Oh Dea come n'arrequi” (Jole, Dejanira, Hyllo, Licco, Giunone)
|
3:39
|
20 |
Ercole amante: Atto V, Scene 5. “Quel grande Eroe” (Coro)
|
1:52
|
21 |
Ercole amante: Atto V, Scene 5. “Così un giorno” (Belezza, Ercole)
|
1:07
|
22 |
Ercole amante: Atto V, Scene 5. “Virtu che soffre” (Coro)
|
1:18
|
|
CD 58
|
1 |
Muzio Scevola : Ouverture
|
3:37
|
2 |
Rodrigo : Ouverture
|
3:46
|
3 |
Rodrigo : Gigue
|
0:54
|
4 |
Rodrigo : Sarabande
|
2:13
|
5 |
Rodrigo : Matelot
|
1:11
|
6 |
Rodrigo : Menuet
|
1:51
|
7 |
Rodrigo : Bourrée
|
2:51
|
8 |
Rodrigo : Menuet
|
1:35
|
9 |
Rodrigo : Passacaille
|
4:31
|
10 |
Il pastor fido : Ouverture
|
3:50
|
11 |
Il pastor fido : Largo
|
2:56
|
12 |
Il pastor fido : Allegro
|
2:20
|
13 |
Il pastor fido : Menuet
|
2:18
|
14 |
Il pastor fido : Adagio
|
3:04
|
15 |
Il pastor fido : Allegro
|
3:16
|
16 |
Silla : Ouverture
|
5:29
|
|
CD 59
|
1 |
David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 1. “Où suis-je ? Qu'ai-je fait ?” (Saül)
|
5:40
|
2 |
David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 2. “Dois-je enfin épouver le secours de vos charmes ?” (Saül, La Pythonisse)
|
0:49
|
3 |
David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 3. “Retirez-vous affreux tonnerre” (La Pythonisse)
|
6:38
|
4 |
David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 4. “Quelle importune voix vient troubler mon repos ?” (L'ombre de Samuel, Saül)
|
2:22
|
5 |
David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 5. “Est-ce assez ? Ai-je enfin épuisé ta colère ?” (Saül, La Pythonisse)
|
1:15
|
6 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 1. “Du plus grand des héros” (Un guerrier, Un du peuple, Bergers, Captifs, Chorus)
|
10:46
|
7 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 2. “Allez, le ciel vous attend” (David)
|
0:48
|
8 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 3. “Ciel ! Quel triste combat” (David)
|
6:45
|
9 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 4. “Le ciel enfin favourable à mes vœux” (Achis, David, Captifs, Chorus)
|
7:44
|
10 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 1. “Quel inutile soin” (Joabel, David, Chorus)
|
4:06
|
11 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 2. “Dépit jaloux, haine cruelle” (Joabel, Chorus)
|
6:02
|
12 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 3. “À vostre bras vanqueur” (Jonathas, David, Un de la suite de Jonathas, Chorus, Bergers)
|
8:52
|
|
CD 60
|
1 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 1. “Ah ! Je dois assurer et ma vie et l'empire ?” (Saül, Achis)
|
5:12
|
2 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 2. “Objet d'une implacable haine” (Saül)
|
5:24
|
3 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 3a. “David puet-il attendre un retour favorable ?” (Jonathas, Saül, David)
|
5:41
|
4 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 3b. “Achevons, mon bonheur passe mon espérance” (Joabel)
|
2:51
|
5 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 1. “Souverain juge des mortels” (David)
|
4:49
|
6 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 2. “Vous me fuyez !” (Jonathas, David)
|
4:19
|
7 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 3. “A-t-on jamais souffert une plus rude peine ?” (Jonathas, Chorus)
|
6:53
|
8 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 4. “Venez, Seigneur, venez” (Saül, Achis)
|
1:08
|
9 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 5. “Enfin vous m'écoutez, Seigneur” (Joabel, Achis, Chorus)
|
4:50
|
10 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 1. “Courez, Saül attend un secours nécessaire” (Jonathas)
|
2:00
|
11 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 2. “Que vois-je ? Que je perds et mon fils et l'empire” (Saül, Jonathas, Chorus)
|
7:32
|
12 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 3. “Victoire ! Victoire !” (Chorus)
|
0:26
|
13 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 4. “Qu'on sauve Jonathas” (David, Jonathas, Chorus)
|
8:11
|
14 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 5. “Voi traitre, et reconnoi ta nouvelle victime” (Saül, David)
|
1:40
|
15 |
David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 6. “Joignez à vos exploits l'honneur du diadème” (Achis, David, Chorus)
|
5:07
|
|
CD 61
|
1 |
Vespro della Beata Vergine, SV 206: I. Domine ad adjuvandum me (sex vocibus et sex instrumentis)
|
2:13
|
2 |
Vespro della Beata Vergine, SV 206: II. Antiphon: Emmissiones tuae paradisus - Dixit Dominus (Psalm 109) (sex vocibus et sex instrumentis)
|
8:45
|
3 |
Vespro della Beata Vergine, SV 206: III. Nigra sum (Motetto ad una voce)
|
4:39
|
4 |
Vespro della Beata Vergine, SV 206: IV. Antiphon: Quae est ista - Laudate pueri Dominum (Psalm 112) (octo vocibus)
|
7:23
|
5 |
Vespro della Beata Vergine, SV 206: V. Pulchra es (a due voci)
|
3:11
|
6 |
Vespro della Beata Vergine, SV 206: VI. Antiphon: Sicut lilium inter spinas - Laetatus sum (Psalm 121) (a sei voci)
|
7:30
|
7 |
Vespro della Beata Vergine, SV 206: VII. Duo Seraphim (a tre voci)
|
6:08
|
8 |
Vespro della Beata Vergine, SV 206: VIII. Antiphon: veniat dilectus meus in hortum suum - Nisi Dominus (Psalm 126) (a dieci voci)
|
5:31
|
9 |
Vespro della Beata Vergine, SV 206: IX. Audi Coelum (sex vocibus)
|
8:29
|
|
CD 62
|
1 |
Vespro della Beata Vergine, SV 206: X. Antiphon: Nigra sum - Lauda, Jerusalem (Psalm 147) (septem vocibus)
|
5:16
|
2 |
Vespro della Beata Vergine, SV 206: XI. Sonata sopra Santa Maria pro nobis (a 8)
|
6:45
|
3 |
Vespro della Beata Vergine, SV 206: XII. Ave maris stella Hymnis (octo vocibus)
|
8:29
|
4 |
Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIII. Antiphon: Virgo prudentissima
|
1:10
|
5 |
Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIII. Magnificat
|
0:27
|
6 |
Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIV. Anima mea Dominum (a 2 voci)
|
0:19
|
7 |
Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XV. Et exultavit (a 3 voci)
|
1:16
|
8 |
Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVI. Quia respexit (ad una voce sola)
|
1:57
|
9 |
Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVII. Quia fecit (a 6 voci in dialogo)
|
1:17
|
10 |
Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVIII. Et misericordia (a 3 voci)
|
2:20
|
11 |
Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIX. Fecit potentiam (a 3 voci)
|
0:58
|
12 |
Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XX. Deposuit, et cantano doi (tenore in echo)
|
2:16
|
13 |
Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXI. Esurientes (a 2 voci)
|
1:45
|
14 |
Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXII. Suscepit Israel (a 2 voci)
|
1:19
|
15 |
Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXIII. Sicut locutus est (a 5 voci in dialogo)
|
0:59
|
16 |
Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXIV. Gloria Patri (a 6 voci)
|
2:36
|
17 |
Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXV. Sicut erat in principio
|
2:20
|
|
CD 63
|
1 |
Matthäus-Passion, BWV 244: Part I. No. 1. Chorus. “Kommt, ihr Töchter helft mir klagen” (chorus I, II, soprano in ripieno)
|
6:53
|
2 |
Matthäus-Passion, BWV 244: Part I. No. 2. Recitative. “Da Jesus diese Rede vollendet hatte” (Evangelist, Jesus)
|
0:43
|
3 |
Matthäus-Passion, BWV 244: Part I. No. 3. Chorale. “Herzliebster Jesu, was hast du verbrochen” (chorus)
|
0:46
|
4 |
Matthäus-Passion, BWV 244: Part I. No. 4. Recitative & Chorus. “Da versammelten sich die Hohepriester” (Evangelist, Jesus, chorus I, II)
|
3:12
|
5 |
Matthäus-Passion, BWV 244: Part I. No. 5. Recitative. “Du lieber Heiland du” (alto)
|
1:01
|
6 |
Matthäus-Passion, BWV 244: Part I. No. 6. Aria. “Buß und Reu” (alto)
|
4:42
|
7 |
Matthäus-Passion, BWV 244: Part I. No. 7. Recitative. “Da ging hin der Zwölfen einer” (Evangelist, Judas)
|
0:35
|
8 |
Matthäus-Passion, BWV 244: Part I. No. 8. Aria. “Blute nur, du liebes Herz!” (soprano)
|
4:43
|
9 |
Matthäus-Passion, BWV 244: Part I. No. 9. Recitative & Chorus. “Aber am ersten Tage der süßen Brot” (Evangelist, Jesus, chorus I)
|
2:06
|
10 |
Matthäus-Passion, BWV 244: Part I. No. 10. Chorale. “Ich bin's, ich sollte büßen” (chorus)
|
0:48
|
11 |
Matthäus-Passion, BWV 244: Part I. No. 11. Recitative. “Er antwortete und sprach” (Evangelist, Jesus, Judas)
|
2:59
|
12 |
Matthäus-Passion, BWV 244: Part I. No. 12. Recitative. “Wiewohl mein Herz in Tränen schwimmt” (soprano)
|
1:38
|
13 |
Matthäus-Passion, BWV 244: Part I. No. 13. Aria. “Ich will dir mein Herz schenken” (soprano)
|
3:56
|
14 |
Matthäus-Passion, BWV 244: Part I. No. 14. Recitative. “Und da sie den Lobgesang gesprochen hatten” (Evangelist, Jesus)
|
1:07
|
15 |
Matthäus-Passion, BWV 244: Part I. No. 15. Chorale. “Erkenne mich, mein Hüter” (chorus)
|
1:08
|
16 |
Matthäus-Passion, BWV 244: Part I. No. 16. Recitative. “Petrus aber antwortete und sprach zu ihm” (Evangelist, Petrus, Jesus)
|
1:03
|
17 |
Matthäus-Passion, BWV 244: Part I. No. 17. Chorale. “Ich will hier bei dir stehen” (chorus)
|
1:01
|
18 |
Matthäus-Passion, BWV 244: Part I. No. 18. Recitative. “Da kam Jesus mit ihnen zu einem Hole” (Evangelist, Jesus)
|
1:44
|
19 |
Matthäus-Passion, BWV 244: Part I. No. 19. Recitative & Chorale. “O Schmerz! Hier zittert das gequälte Herz!” (tenor, chorus II)
|
2:09
|
20 |
Matthäus-Passion, BWV 244: Part I. No. 20. Aria & Chorus. “Ich will bei meinem Jesu wachen” (tenor, chorus II)
|
5:44
|
21 |
Matthäus-Passion, BWV 244: Part I. No. 21. Recitative. “Und ging hin ein wenig” (Evangelist, Jesus)
|
0:38
|
22 |
Matthäus-Passion, BWV 244: Part I. No. 22. Recitative. “Der Heiland fällt vor seinem Vater nieder” (bass)
|
1:03
|
23 |
Matthäus-Passion, BWV 244: Part I. No. 23. Aria. “Gerne will ich mich bequemen” (bass)
|
4:59
|
|
CD 64
|
1 |
Matthäus-Passion, BWV 244: Part I. No. 24. Recitative. “Und er kam zu seinem Jüngen” (Evangelist, Jesus)
|
1:09
|
2 |
Matthäus-Passion, BWV 244: Part I. No. 25. Chorale. “Was emin Gott will, das g'scheh allzeit” (chorus)
|
1:04
|
3 |
Matthäus-Passion, BWV 244: Part I. No. 26. Recitative. “Und er kam und fand sie aber schlafen” (Evangelist, Jesus, Judas)
|
2:29
|
4 |
Matthäus-Passion, BWV 244: Part I. No. 27. Aria (Duet) & Chorus. “So ist mein Jesus nun gefangen” (soprano, alto, chorus I, II)
|
4:07
|
5 |
Matthäus-Passion, BWV 244: Part I. No. 28. Recitative. “Und siehe, einer aus denen” (Evangelist, Jesus)
|
2:31
|
6 |
Matthäus-Passion, BWV 244: Part I. No. 29. Chorale. “O Mensch, bewein' dein' Sünde groß” (chorus)
|
5:50
|
7 |
Matthäus-Passion, BWV 244: Part II. No. 30. Aria & Chorus. “Ach, nun ist mein Jesus hin!” (alto, chorus II)
|
4:02
|
8 |
Matthäus-Passion, BWV 244: Part II. No. 31. Recitative. “Die aber Jesum gegriffen hatten” (Evangelist)
|
0:56
|
9 |
Matthäus-Passion, BWV 244: Part II. No. 32. Chorale. “Mir hat die Welt trüglich gericht” (chorus)
|
0:53
|
10 |
Matthäus-Passion, BWV 244: Part II. No. 33. Recitative. “Und wiewohl viel falsche” (Evangelist, Witnesses, High Priest)
|
1:13
|
11 |
Matthäus-Passion, BWV 244: Part II. No. 34. Recitative. “Mein Jesus schweigt zu falschen Lügen stille” (tenor)
|
1:29
|
12 |
Matthäus-Passion, BWV 244: Part II. No. 35. Aria. “Geduld!” (tenor)
|
3:46
|
13 |
Matthäus-Passion, BWV 244: Part II. No. 36. Recitative & Chorus. “Und der Hohepriester antwort” (Evangelist, High Priest, Jesus, chorus I, II)
|
2:08
|
14 |
Matthäus-Passion, BWV 244: Part II. No. 37. Chorale. “Wer hat dich so geschlagen” (chorus)
|
0:57
|
15 |
Matthäus-Passion, BWV 244: Part II. No. 38. Recitative & Chorus. “Petrus aber saß draußen im Palast” (Evangelist, Maids I/II, Petrus, chorus II)
|
2:31
|
16 |
Matthäus-Passion, BWV 244: Part II. No. 39. Aria. “Erbarme dich” (alto)
|
6:54
|
17 |
Matthäus-Passion, BWV 244: Part II. No. 40. Chorale. “Bin ich gleich von dir gewichen” (chorus)
|
1:15
|
18 |
Matthäus-Passion, BWV 244: Part II. No. 41. Recitative & Chorus. “Des Morgens aber hielten alle Hohepriester” (Evangelist, Judas, High Priest I, II)
|
1:50
|
19 |
Matthäus-Passion, BWV 244: Part II. No. 42. Aria. “Gebt mir meinen Jesum wieder” (bass)
|
2:56
|
20 |
Matthäus-Passion, BWV 244: Part II. No. 43. Recitative. “Sie hielten aber einen Rat” (Evangelist, Pilatus, Jesus)
|
2:06
|
21 |
Matthäus-Passion, BWV 244: Part II. No. 44. Chorale. “Befiehl du deine Wege” (chorus)
|
1:10
|
22 |
Matthäus-Passion, BWV 244: Part II. No. 45. Recitative & Chorus. “Auf das Fest aber hatte der Landpfleger” (Evangelist, Pilatus, Pilatus' wife, chorus I, II)
|
2:21
|
23 |
Matthäus-Passion, BWV 244: Part II. No. 46. Chorale. “Wie wunderbarlich ist doch diese Strafe” (chorus)
|
0:52
|
24 |
Matthäus-Passion, BWV 244: Part II. No. 47. Recitative. “Der Landpfleger sagte” (Evangelist, Pilatus)
|
0:17
|
25 |
Matthäus-Passion, BWV 244: Part II. No. 48. Recitative. “Er hat uns allen wohlgetan” (soprano)
|
1:20
|
26 |
Matthäus-Passion, BWV 244: Part II. No. 49. Aria. “Aus Liebe will mein Heiland sterben” (soprano)
|
4:39
|
|
CD 65
|
1 |
Matthäus-Passion, BWV 244: Part II. No. 50. Recitative & Chorus. “Sie schrien aber noch mehr” (Evangelist, Pilatus, chorus I, II)
|
1:58
|
2 |
Matthäus-Passion, BWV 244: Part II. No. 51. Recitative. “Erbarm' es Gott” (alto)
|
1:13
|
3 |
Matthäus-Passion, BWV 244: Part II. No. 52. Aria. “Können Tränen meinen Wangen” (alto)
|
6:02
|
4 |
Matthäus-Passion, BWV 244: Part II. No. 53. Recitative & Chorus. “Da nahmen die Kriegsknechte” (Evangelist, chorus I, II)
|
1:06
|
5 |
Matthäus-Passion, BWV 244: Part II. No. 54. Chorale. “O Haupt voll Blut und Wunden” (chorus)
|
2:14
|
6 |
Matthäus-Passion, BWV 244: Part II. No. 55. Recitative. “Und da sie ihn versottet hatten” (Evangelist)
|
0:50
|
7 |
Matthäus-Passion, BWV 244: Part II. No. 56. Recitative. “Ja freilich will in uns das Fleisch und Blut” (bass)
|
0:39
|
8 |
Matthäus-Passion, BWV 244: Part II. No. 57. Aria. “Komm, süßes Kreuz, so will ich sagen” (bass)
|
7:01
|
9 |
Matthäus-Passion, BWV 244: Part II. No. 58. Recitative & Chorus. “Und da sie an die Stätte kamen” (Evangelist, chorus I, II)
|
3:30
|
10 |
Matthäus-Passion, BWV 244: Part II. No. 59. Recitative. “Ach Golgotha” (alto)
|
2:00
|
11 |
Matthäus-Passion, BWV 244: Part II. No. 60. Aria & Chorus. “Sehet, Jesus hat die Hand” (alto, chorus II)
|
3:16
|
12 |
Matthäus-Passion, BWV 244: Part II. No. 61. Recitative & Chorus. “Und von der sechsten Stunde an” (Evangelist)
|
2:23
|
13 |
Matthäus-Passion, BWV 244: Part II. No. 62. Chorale. “Wenn ich einmal soll scheiden” (soprano, flute and continuo)
|
1:42
|
14 |
Matthäus-Passion, BWV 244: Part II. No. 63. Recitative & Chorus. “Und siehe da, der Vorhang im Tempel zerriß” (Evangelist, Jesus, chorus I, II)
|
2:35
|
15 |
Matthäus-Passion, BWV 244: Part II. No. 64. Recitative. “Am Abend, da es kühle war” (bass)
|
2:22
|
16 |
Matthäus-Passion, BWV 244: Part II. No. 65. Aria. “Mache dich, mein Herze, rein” (bass)
|
6:53
|
17 |
Matthäus-Passion, BWV 244: Part II. No. 66. Recitative & Chorus. “Und Joseph nahm den Leib” (Evangelist, Pilatus, chorus I, II)
|
2:34
|
18 |
Matthäus-Passion, BWV 244: Part II. No. 67. Recitative & Chorus. “Nun ist der Herr zur Ruh gebracht” (bass, tenor, alto, soprano, chorus II)
|
2:48
|
19 |
Matthäus-Passion, BWV 244: Part II. No. 68. Chorus. “Wir setzen uns mit Tränen nieder” (chorus I, II)
|
6:01
|
|
CD 66
|
1 |
Weihnachtsoratorium, BWV 248: Part I. No. 1. Chorus “Jauchzet, frohlocket, auf, preiset die Tage” (chorus)
|
8:14
|
2 |
Weihnachtsoratorium, BWV 248: Part I. No. 2. Recitative. “Es begab sich aber zu der Zeit” (Evangelist)
|
1:08
|
3 |
Weihnachtsoratorium, BWV 248: Part I. No. 3. Recitative. “Nun wird mein liebster Bräutigam” (alto)
|
0:52
|
4 |
Weihnachtsoratorium, BWV 248: Part I. No. 4. Aria. “Bereite dich, Zion, mit zärtlichen Trieben” (alto)
|
5:22
|
5 |
Weihnachtsoratorium, BWV 248: Part I. No. 5. Chorale. “Wie soll ich dich empfangen” (chorus)
|
1:32
|
6 |
Weihnachtsoratorium, BWV 248: Part I. No. 6. Recitative. “Und sie gebar ihren ersten Sohn” (Evangelist)
|
0:18
|
7 |
Weihnachtsoratorium, BWV 248: Part I. No. 7. Chorale. “Er ist auf Erden kommen arm” (chorus) - Recitative. “Wer will die Liebe” (bass)
|
2:57
|
8 |
Weihnachtsoratorium, BWV 248: Part I. No. 8. Aria. “Großer Herr, o starker König” (bass)
|
5:09
|
9 |
Weihnachtsoratorium, BWV 248: Part I. No. 9. Chorale. “Ach mein herzliebes Jesulein” (chorus)
|
1:19
|
10 |
Weihnachtsoratorium, BWV 248: Part II. No. 10. Sinfonia
|
5:15
|
11 |
Weihnachtsoratorium, BWV 248: Part II. No. 11. Recitative. “Und es waren Hirten in derselben Gegend” (Evangelist)
|
0:33
|
12 |
Weihnachtsoratorium, BWV 248: Part II. No. 12. Chorale. “Brich an, o schönes Morgenlicht” (chorus)
|
1:21
|
13 |
Weihnachtsoratorium, BWV 248: Part II. No. 13. Recitative. “Und der Engel sprach zu ihnen” (Evangelist, Angelus)
|
0:49
|
14 |
Weihnachtsoratorium, BWV 248: Part II. No. 14. Recitative. “Was Gott dem Abraham verheißen” (bass)
|
0:41
|
15 |
Weihnachtsoratorium, BWV 248: Part II. No. 15. Aria. “Frohe Hirten, eilt, ach eilet” (tenor)
|
3:38
|
16 |
Weihnachtsoratorium, BWV 248: Part II. No. 16. Recitative. “Und das habt zum Zeichen” (Evangelist)
|
0:17
|
17 |
Weihnachtsoratorium, BWV 248: Part II. No. 17. Chorale. “Schaut hin, dort liegt im finstern Stall” (chorus)
|
0:50
|
18 |
Weihnachtsoratorium, BWV 248: Part II. No. 18. Recitative. “So geht denn hin” (bass)
|
0:49
|
19 |
Weihnachtsoratorium, BWV 248: Part II. No. 19. Aria. “Schlafe, mein Liebster” (alto)
|
9:22
|
20 |
Weihnachtsoratorium, BWV 248: Part II. No. 20. Recitative. “Und alsobald war da bei dem Engel” (Evangelist)
|
0:11
|
21 |
Weihnachtsoratorium, BWV 248: Part II. No. 21. Chorus. “Ehre sei Gott in der Höhe” (chorus)
|
2:44
|
22 |
Weihnachtsoratorium, BWV 248: Part II. No. 22. Recitative. “So recht, ihr Engel” (bass)
|
0:26
|
23 |
Weihnachtsoratorium, BWV 248: Part II. No. 23. Chorale. “Wir singen dir in deinem Heer” (chorus)
|
1:20
|
24 |
Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus. “Herrscher des Himmels, erhöre das Lallen” (chorus)
|
2:09
|
25 |
Weihnachtsoratorium, BWV 248: Part III. No. 25. Recitative. “Und da die Engel von ihnen gen Himmel führen” (Evangelist)
|
0:08
|
26 |
Weihnachtsoratorium, BWV 248: Part III. Nos. 26-27. Chorus & Recitative. “Lasset uns nun gehen gen Bethlehem” / No. 28. Chorale. “Dies hat er alles uns getan” (chorus, bass)
|
2:22
|
27 |
Weihnachtsoratorium, BWV 248: Part III. No. 29. Duet. “Herr, dein Mitleid, dein Erbarmen” (soprano, bass)
|
7:33
|
28 |
Weihnachtsoratorium, BWV 248: Part III. No. 30. Recitative. “Und sie kamen eilend” (Evangelist)
|
1:08
|
29 |
Weihnachtsoratorium, BWV 248: Part III. No. 31. Aria. “Schließe, mein Herze, dies selige Wunder” (alto)
|
4:39
|
30 |
Weihnachtsoratorium, BWV 248: Part III. No. 32. Recitative. “Ja, ja, mein Herz” (alto)
|
0:27
|
31 |
Weihnachtsoratorium, BWV 248: Part III. No. 33. Chorale. “Ich will dich mit Fleiß bewahren” / No. 34. Recitative. “Und die Hirten kehrten wieder um” (chorus, Evangelist)
|
1:21
|
32 |
Weihnachtsoratorium, BWV 248: Part III. No. 35. Chorale. “Seid froh dieweil” (chorus)
|
0:54
|
33 |
Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus da capo. “Herrscher des Himmels, erhöre das Lallen” (chorus)
|
2:13
|
|
CD 67
|
1 |
Weihnachtsoratorium, BWV 248: Part IV. No. 36. Chorus. “Fallt mit Danken, fallt mit Loben” (chorus)
|
5:47
|
2 |
Weihnachtsoratorium, BWV 248: Part IV. No. 37. Recitative. “Und da acht Tage um waren” (Evangelist)
|
0:31
|
3 |
Weihnachtsoratorium, BWV 248: Part IV. No. 38. Recitative & Arioso-Chorale. “Immaneuel, o süßes Wort” (bass, soprano)
|
2:31
|
4 |
Weihnachtsoratorium, BWV 248: Part IV. No. 39. Aria. “Flößt, mein Heiland” (soprano, echo soprano)
|
5:21
|
5 |
Weihnachtsoratorium, BWV 248: Part IV. No. 40. Recitative & Arioso-Chorale. “Wohlan, dein Name soll allein” (bass, soprano)
|
1:36
|
6 |
Weihnachtsoratorium, BWV 248: Part IV. No. 41. Aria. “Ich will nur dir zu Ehren leben” (tenor)
|
5:24
|
7 |
Weihnachtsoratorium, BWV 248: Part IV. No. 42. Chorale. “Jesus richte mein Beginnen” (chorus)
|
1:59
|
8 |
Weihnachtsoratorium, BWV 248: Part V. No. 43. Chorus. “Ehre sei dir, Gott, gesungen” (chorus)
|
7:34
|
9 |
Weihnachtsoratorium, BWV 248: Part V. No. 44. Recitative. “Da Jesus geboren war zu Bethlehem” / No. 45. Chorus & Recitative. “Wo ist der neugeborne König der Juden” (Evangelist, alto, chorus)
|
2:22
|
10 |
Weihnachtsoratorium, BWV 248: Part V. No. 46. Chorale. “Dein Glanz all Finsternis verzehrt” (chorus)
|
0:55
|
11 |
Weihnachtsoratorium, BWV 248: Part V. No. 47. Aria. “Erleucht, auch meine finstre Sinnen” (bass)
|
4:13
|
12 |
Weihnachtsoratorium, BWV 248: Part V. No. 48. Recitative. “Da das der König” / No. 49. Recitative. “Warum wollt ihr erschrecken” / No. 50. Recitative. “Und ließ versammeln” (Evangelist, alto)
|
2:06
|
13 |
Weihnachtsoratorium, BWV 248: Part V. No. 51. Trio. “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor)
|
5:31
|
14 |
Weihnachtsoratorium, BWV 248: Part V. No. 52. Recitative. “Mein Liebster herrschet schon” (alto)
|
0:30
|
15 |
Weihnachtsoratorium, BWV 248: Part V. No. 53. Chorale. “Zwar ist solche Herzensstube” (chorus)
|
1:07
|
16 |
Weihnachtsoratorium, BWV 248: Part VI. No. 54. Chorus. “Herr, wenn die stolzen Feinde schnauben” (chorus)
|
5:05
|
17 |
Weihnachtsoratorium, BWV 248: Part VI. No. 55. Recitative. “Da bereif Herodes die Weisen heimlich” (Evangelist, bass)
|
0:47
|
18 |
Weihnachtsoratorium, BWV 248: Part VI. No. 56. Recitative. “Du Falscher, suche nur den Herrn zu fällen” (soprano)
|
0:53
|
19 |
Weihnachtsoratorium, BWV 248: Part VI. No. 57. Aria. “Nur ein Wink von seinen Händen” (soprano)
|
3:40
|
20 |
Weihnachtsoratorium, BWV 248: Part VI. No. 58. Recitative. “Als sie nun den König gehöret hatten” (Evangelist)
|
1:05
|
21 |
Weihnachtsoratorium, BWV 248: Part VI. No. 59. Chorale. “Ich steh an deiner Krippen hier” (chorus)
|
1:14
|
22 |
Weihnachtsoratorium, BWV 248: Part VI. No. 60. Recitative. “Und Gott befahl ihnen im Traum” (Evangelist)
|
0:21
|
23 |
Weihnachtsoratorium, BWV 248: Part VI. No. 61. Recitative. “So geht! Genug, mein Schatz geht nicht von hier” (tenor)
|
1:47
|
24 |
Weihnachtsoratorium, BWV 248: Part VI. No. 62. Aria. “Nun mögt ihr stolzen Feinde schrecken” (tenor)
|
4:24
|
25 |
Weihnachtsoratorium, BWV 248: Part VI. No. 63. Recitative. “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass)
|
0:42
|
26 |
Weihnachtsoratorium, BWV 248: Part VI. No. 64. Chorale. “Nun seid ihr wohl gerochen” (chorus)
|
3:14
|
|
CD 68
|
1 |
Orfeo, favola in musica: Toccata
|
1:40
|
2 |
Orfeo, favola in musica: Prologo: Ritornello (La Musica)
|
5:20
|
3 |
Orfeo, favola in musica: Atto Primo. “In questo lieto e fortunato giorno” - “Vieni Imeneo” - “Muse, onor di Parnaso, amor del cielo” (Shepherd 1, Nymph, chorus of Nymphs and Shepherds, Shepherd 3)
|
3:04
|
4 |
Orfeo, favola in musica: Atto Primo. “Lasciate i monti” - “Ma tu, gentil cantor” (chorus of Nymphs and Shepherds, Shepherd 3)
|
2:36
|
5 |
Orfeo, favola in musica: Atto Primo. “Rosa del ciel, vita del mondo” (Orfeo)
|
1:52
|
6 |
Orfeo, favola in musica: Atto Primo. “Io non dirò qual sia” (Euridice)
|
1:02
|
7 |
Orfeo, favola in musica: Atto Primo. “Lasciate i monti” - “Vieni Imeneo, deh, vieni” (chorus of Nymphs and Shepherds)
|
1:39
|
8 |
Orfeo, favola in musica: Atto Primo. “Ma s'il nostro…” - Ritornello - “Alcun non sia…” - Ritornello - “Chè, poichè nembo…” - Ritornello - “E dopo l'aspro…” - “Ecco Orfeo cui…” (Nymph, Shepherds, chorus of Nymphs and Shepherds)
|
5:03
|
9 |
Orfeo, favola in musica: Atto Secondo. “Ecco pur ch'a voi ritorno” - “Mira ch'a sè n'alletta” - “In questo prato adorno” - “Qui Pan, dio de' pastori” - “Dunque fa degni, Orfeo” (Orfeo, Shepherd 1, Shepherd 2, chorus of Nymphs and Shepherds)
|
3:59
|
10 |
Orfeo, favola in musica: Atto Secondo. “Vi ricorda, o bosch' ombrosi” (Orfeo)
|
2:33
|
11 |
Orfeo, favola in musica: Atto Secondo. “Mira, deh mira, Orfeo, che d'ohni intorno” (Shepherd 2)
|
0:31
|
12 |
Orfeo, favola in musica: Atto Secondo. “Ahi caso acerbo! ahi fat' empio e crudele!” (Messenger, Orfeo, Shepherds)
|
6:27
|
13 |
Orfeo, favola in musica: Atto Secondo. “Tu se' morta, mia vita, ed io respiro?” (Orfeo)
|
2:26
|
14 |
Orfeo, favola in musica: Atto Secondo. “Ahi caso acerbo, ahi fat' empio e crudele!” - “Ma io ch'in questa lingua” - Sinfonia (Messenger, chorus of Nymphs and Shepherds)
|
3:49
|
15 |
Orfeo, favola in musica: Atto Secondo. “Chi ne consola, ahi lassi?” - “Ahi caso acerbo…” - “Ma dove, ah, dove or sono” - “Ahi caso acerbo…” - Ritornello (Shepherd 1, Shepherd 2, chorus of Nymphs and Shepherds)
|
5:28
|
|
CD 69
|
1 |
Orfeo, favola in musica: Atto Terzo. Sinfonia - “Scorto da te, mio Nume” (Orfeo)
|
1:47
|
2 |
Orfeo, favola in musica: Atto Terzo. “Ecco l'astra palude, ecco il nocchiero” - “Dove, ah, dove te 'n vai” (La Speranza, Orfeo)
|
3:25
|
3 |
Orfeo, favola in musica: Atto Terzo. “O tu ch'innanzi mort' a queste rive” - Sinfonia (Caronte)
|
2:04
|
4 |
Orfeo, favola in musica: Atto Terzo. “Possente spirto e formidabil Nume” (Orfeo)
|
8:52
|
5 |
Orfeo, favola in musica: Atto Terzo. “Ben mi lusinga alquanto” - “Ahi, sventurato amante” - Sinfonia (Caronte, Orfeo)
|
2:28
|
6 |
Orfeo, favola in musica: Atto Terzo. “Ei dorme, e la mia cetra” (Orfeo)
|
1:45
|
7 |
Orfeo, favola in musica: Atto Terzo. Sinfonia - “Nulla impresa per uom si tenta invano” (chorus of Infernal Spirits)
|
3:20
|
8 |
Orfeo, favola in musica: Atto Quarto. “Signor, quell'infelice” (Proserpina)
|
2:24
|
9 |
Orfeo, favola in musica: Atto Quarto. “Benchè severo ed” - “O degli abitator… Pietade oggi e Amore” (Plutone, Spirits, Proserpina, chorus of Infernal Spirits)
|
4:29
|
10 |
Orfeo, favola in musica: Atto Quarto. “Ecco il gentil cantore” - “Qual onor di te fia degno” (Spirits, Orfeo)
|
3:23
|
11 |
Orfeo, favola in musica: Atto Quarto. “Ahi, vista troppo dolce e troppo amara!” - “Torn'a l'ombre di morte” (Euridice, Spirit 1, Orfeo, chorus of Infernal Spirits)
|
2:30
|
12 |
Orfeo, favola in musica: Atto Quarto. “E' la virtute un raggio” - Sinfonia (chorus of Infernal Spirits)
|
2:19
|
13 |
Orfeo, favola in musica: Atto Quinto. Ritornello - “Questi i campi di Tracia…” - Sinfonia (Orfeo, Eco)
|
8:22
|
14 |
Orfeo, favola in musica: Atto Quinto. “Perch'a lo sdegno ed al dolor in preda” (Apollo, Orfeo)
|
3:38
|
15 |
Orfeo, favola in musica: Atto Quinto. “Saliam cantand' al cielo” (Apollo, Orfeo)
|
1:17
|
16 |
Orfeo, favola in musica: Atto Quinto. “Vanne, Orfeo, felice appieno” - Moresca (chorus)
|
2:08
|
|
CD 70
|
1 |
Dido and Aeneas, opera in three acts: Overture
|
2:02
|
2 |
Dido and Aeneas, opera in three acts: Act 1. “Shake the cloud from off your brow” (Belinda, chorus)
|
1:03
|
3 |
Dido and Aeneas, opera in three acts: Act 1. “Ah! Ah! Belinda, I am press'd with torment” (Dido)
|
3:55
|
4 |
Dido and Aeneas, opera in three acts: Act 1. “Grief increases by concealing” (Belinda, Dido) / “When monarks unite, how happy their state” (chorus) / “Whence could so much virtue spring” (Dido, Belinda)
|
2:54
|
5 |
Dido and Aeneas, opera in three acts: Act 1. “Fear no danger to ensue” (Belinda, Second Woman, chorus)
|
1:39
|
6 |
Dido and Aeneas, opera in three acts: Act 1. “See, your royal guest appears” (Belinda, Aeneas, Dido) / “Cupid only throws the dart” (chorus)
|
1:40
|
7 |
Dido and Aeneas, opera in three acts: Act 1. “If not for mine, for empire's sake” (Aeneas) / “Pursue thy conquest, Love” (Belinda) / “To the hills and the vales” (chorus)
|
2:31
|
8 |
Dido and Aeneas, opera in three acts: Act 1. The Triumphing Dance
|
1:14
|
9 |
Dido and Aeneas, opera in three acts: Act 2, Scene 1. Prelude for the Witches: “Ecco pur ch'a voi ritorno” (Sorceress, First Witch) / “Harm's our delight and mischief all our skill” (chorus)
|
2:28
|
10 |
Dido and Aeneas, opera in three acts: Act 2, Scene 1. “The Queen of Carthage, whom we hate” (Sorceress) / “Ho, ho, ho” (chorus) / “Ruin'd ere the set of sun” (Witches, Sorceress) / “Ho, ho, ho” (chorus) / “But ere we this perform” (Witches)
|
3:26
|
11 |
Dido and Aeneas, opera in three acts: Act 2, Scene 1. “In our deep-vaulted cell the charm we'll prepare” (chorus) / Echo Dance of Furies
|
2:06
|
12 |
Dido and Aeneas, opera in three acts: Act 2, Scene 2. Ritornelle / “Thanks to these lonesome vales” (Belinda, chorus)
|
2:16
|
13 |
Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Oft she visits this lone mountain” (Second Woman)
|
2:24
|
14 |
Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Behold, upon my bending spear” (Aeneas, Dido) / “Haste, haste to town” (Belinda, chorus)
|
1:33
|
15 |
Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Stay, Prince, and hear great Jove's command” (Spirit, Aeneas)
|
2:45
|
16 |
Dido and Aeneas, opera in three acts: Act 3. Prelude: “Come away, fellow sailors” (First Sailor, chorus) / The Sailor's Dance
|
2:31
|
17 |
Dido and Aeneas, opera in three acts: Act 3. “See the flags and streamers curling” (Sorceress, Witches) / “Our next motion” (Sorceress)
|
1:51
|
18 |
Dido and Aeneas, opera in three acts: Act 3. “Destruction's our delight” (chorus)
|
0:42
|
19 |
Dido and Aeneas, opera in three acts: Act 3. The Witches' Dance
|
1:15
|
20 |
Dido and Aeneas, opera in three acts: Act 3. “Your counsel all is urg'd in vain” (Dido, Belinda, Aeneas) / “Great minds against themselves conspire” (chorus)
|
5:46
|
21 |
Dido and Aeneas, opera in three acts: Act 3. “Thy hand, Belinda, darkness shades me” (Dido)
|
0:55
|
22 |
Dido and Aeneas, opera in three acts: Act 3. “When I am laid in earth” (Dido)
|
3:22
|
23 |
Dido and Aeneas, opera in three acts: Act 3. Cupids' Dance: “With drooping wings ye Cupids come” (chorus)
|
4:58
|
|
CD 71
|
1 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Overture
|
3:00
|
2 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Trostet Zion!”
|
5:43
|
3 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Denn di Herrlichkeit” (chorus)
|
2:53
|
4 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “So spricht der Her” / Aria: “Doch wer mag” (bass)
|
5:24
|
5 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Und er wird” / Recitativo: “Denn sieh!” (chorus)
|
2:18
|
6 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo, Aria & Coro: “Denn sieh!” / Aria: “O du, die Wonne” (soprano II, chorus)
|
6:39
|
7 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Blick auf!” / Aria: “Das Volk” (bass)
|
7:06
|
8 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Uns ist zum” (chorus)
|
3:38
|
9 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Pifa
|
2:36
|
10 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo: “Es waren Hirten” / Recitativo accompagnato: “Und sief!” / Coro: “Ehre sei Gott” (Angel, chorus)
|
3:11
|
11 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Aria: “Erwach' zu Liedern der Wonne” (tenor)
|
4:12
|
12 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo ed Aria: “Dann tut das Auge des Blinden sich auf” / Aria: “Er weidet seine Herde” (soprano I)
|
5:09
|
13 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Sein Joch ist sanft” (chorus)
|
2:27
|
14 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Kommt her” (chorus)
|
3:00
|
15 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Er ward verschmähet” (soprano II)
|
10:35
|
|
CD 72
|
1 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wahrlich” (chorus)
|
2:00
|
2 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Durch seine Wunden” (chorus)
|
1:53
|
3 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wie Schafe geh'n” (chorus)
|
4:11
|
4 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Und alle” (soprano I) / Coro: “Er trauete Gott” (chorus)
|
2:56
|
5 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Die Schmach bricht ihm sein Herz” / Aria: “Schautr hin und sieh!” (soprano II)
|
2:34
|
6 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Er ist dahin aus dem Lande der Lebenden” / Aria: “Doch du liessest ihn” (soprano I)
|
3:19
|
7 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Machet das Tor weit” (chorus)
|
3:00
|
8 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Zu welchen” / Aria: “Der Herr gab das Wort” (soprano II)
|
1:26
|
9 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Wie lieblich” (soprano I)
|
1:58
|
10 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Ihr Schall ging aus” (chorus)
|
1:22
|
11 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Warum entbrennen” (bass)
|
5:02
|
12 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Brecht entzwei” (chorus)
|
2:05
|
13 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Der da wohnet im Himmel” / Aria: “Du zerschlägst sie” (tenor)
|
2:17
|
14 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Hallelujah” (chorus)
|
3:39
|
15 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Aria: “Ich weiß” (soprano I)
|
5:59
|
16 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Wie durch Einen der Tod” (chorus)
|
2:01
|
17 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo accompagnato ed Aria: “Sie schallt” (bass)
|
3:04
|
18 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo ed Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor)
|
2:49
|
19 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Doch Dank sei Dir Gott” (chorus)
|
4:15
|
20 |
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Würdig ist das Lamm” / “Amen” (chorus)
|
6:35
|
|
CD 73
|
1 |
Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)
|
8:22
|
2 |
Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano, mezzo-soprano)
|
4:35
|
3 |
Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)
|
3:48
|
4 |
Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis
|
1:41
|
5 |
Mass in B minor, BWV 232: Gloria. V. Et in terra pax (chorus)
|
3:53
|
6 |
Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano)
|
4:16
|
7 |
Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)
|
2:47
|
8 |
Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano, tenor)
|
5:20
|
9 |
Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)
|
2:39
|
10 |
Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)
|
4:36
|
11 |
Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)
|
5:23
|
12 |
Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)
|
3:39
|
|
CD 74
|
1 |
Mass in B minor, BWV 232: Credo. XIII. Credo in unum Deum (chorus)
|
1:44
|
2 |
Mass in B minor, BWV 232: Credo. XIV. Patrem omnipotentem (chorus)
|
2:07
|
3 |
Mass in B minor, BWV 232: Credo. XV. Et in unum Dominum (soprano, mezzo-soprano)
|
4:39
|
4 |
Mass in B minor, BWV 232: Credo. XVI. Et incarnatus est (chorus)
|
2:55
|
5 |
Mass in B minor, BWV 232: Credo. XVII. Crucifixus (chorus)
|
3:37
|
6 |
Mass in B minor, BWV 232: Credo. XVIII. Et resurrexit (chorus)
|
3:39
|
7 |
Mass in B minor, BWV 232: Credo. XIX. Et in Spiritum Sanctum Dominum (baritone)
|
5:34
|
8 |
Mass in B minor, BWV 232: Credo. XX. Confiteor (chorus)
|
3:39
|
9 |
Mass in B minor, BWV 232: Credo. XXI. Et expecto (chorus)
|
2:06
|
10 |
Mass in B minor, BWV 232: Sanctus. XXII. Sanctus (chorus)
|
3:52
|
11 |
Mass in B minor, BWV 232: Sanctus. XXIII. Osanna in excelsis (chorus)
|
2:33
|
12 |
Mass in B minor, BWV 232: Sanctus. XXIV. Benedictus (tenor)
|
3:59
|
13 |
Mass in B minor, BWV 232: Sanctus. XXV. Osanna repetirur (chorus)
|
2:33
|
14 |
Mass in B minor, BWV 232: Sanctus. XXVI. Agnus Dei (mezzo-soprano)
|
5:08
|
15 |
Mass in B minor, BWV 232: Sanctus. XXVII. Dona nobis pacem (chorus)
|
3:23
|