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CD 1
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1 |
Ulysses Departs From the Edge of the World
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6:29
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2 |
Revelation in the Courthouse Park - Chorus One
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11:56
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3 |
Chorus Three, in Part
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7:30
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4 |
From Scene One: Hymn to Dionysus: Holy Joy and Get Religion
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1:16
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5 |
From Scene Two: Hymn to Dionysus: What the Majority Believes
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1:27
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6 |
From Scene Two: Hymn to Dionysus: Glory to the Male Womb
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1:45
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7 |
End of Scene Three and All of Chorus Four
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8:19
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8 |
End of Scene Four and Coda
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6:44
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9 |
Introduction to King Oedipus
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7:44
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10 |
King Oedipus: Introduction
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1:59
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11 |
King Oedipus: Opening Scene
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6:41
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12 |
King Oedipus: First Chorus
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3:01
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13 |
King Oedipus: Tiresias Scene (Beginning)
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7:59
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CD 2
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1 |
King Oedipus: Tiresias Scene (Continued)
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5:22
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2 |
King Oedipus: Second Chorus
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1:10
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3 |
King Oedipus: Creon Scene
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6:27
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4 |
King Oedipus: Jocasta Scene
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6:12
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5 |
King Oedipus: Incidental Music
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5:02
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6 |
King Oedipus: Third Chorus
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1:43
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7 |
King Oedipus: Messenger Scene
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9:40
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8 |
King Oedipus: Fourth Chorus
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1:06
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9 |
King Oedipus: Herdsman Scene
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5:36
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10 |
King Oedipus: Oedipus Scene
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2:18
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11 |
King Oedipus: Fifth Chorus
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2:11
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12 |
King Oedipus: Instrumental Commentary
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2:58
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13 |
King Oedipus: Antiphony
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2:19
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14 |
King Oedipus: Exit Oedipus - Dance-Pantomime
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7:58
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15 |
King Oedipus: Final Chorus
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1:44
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16 |
Johann Krieger: Menuet From Partita in G
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0:53
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17 |
Douglas Moore: Come Away, Death
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3:02
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18 |
Come Away, Death From December, 1942
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2:46
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19 |
By the Rivers of Babylon (137th Psalm)
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3:39
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20 |
Introduction to the Bewitched
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4:05
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CD 3
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1 |
The Bewitched: Prologue
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18:56
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2 |
Scene 1: Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall
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5:00
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3 |
Scene 2: Background for the Permutation of Exercises in Harmony and Counterpoint
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5:34
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4 |
Scene 3: Background for the Inspired Romancing of a Pathological Liar
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5:20
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5 |
Scene 4: Background for the Alchemy of a Soul Tormented by Contemporary Music
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5:23
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6 |
Scene 5: Background for the Visions of a Defeated Basketball Team in the Shower Room
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4:08
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7 |
Scene 6: Background for the Euphoria on a Sausalito Stairway
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4:41
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8 |
Scene 7: Background for the Transmutation of Detectives on the Trail of a Culprit
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5:33
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9 |
Scene 8: Background for the Apotheosis of a Court in Its Own Contempt
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5:36
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10 |
Scene 9: Background for a Political Soul Lost Among the Voteless Women of Paradise
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6:01
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11 |
Scene 10: Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails
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7:30
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12 |
The Bewitched: Epilogue
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2:01
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