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CD 1
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| 1 |
The Story of "I'm Alabama Bound" (Spoken) / I'm Alabama Bound (Song)
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4:03
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| 2 |
Time in Mobile (Spoken) / "I'm Alabama Bound," continued (Song)
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4:13
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| 3 |
"King Porter Stomp" (Piano Instrumental) / The Story of "King Porter Stomp" (Spoken)
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4:06
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| 4 |
The Story of "King Porter Stomp," continued (Spoken) / "You Can Have It, I Don't Want It" (Song) / Copyrights and Battles of Music (Spoken)
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3:53
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| 5 |
Jell Roll's Background (Spoken)
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4:21
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| 6 |
Music Lessons (Spoken) / "Miserere" (Piano Instrumental)
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4:06
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| 7 |
"Miserere," continued (Piano Instrumental) / The French Opera House and the Tenderloin (Spoken)
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4:05
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| 8 |
The Stomping Grounds
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4:15
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| 9 |
"The Style of Sammy Davis" (Piano Instrumental) / The Renown of Tony Jackson (Spoken) / "Pretty Baby" (Song)
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4:18
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| 10 |
Tony Jackson Was the Favorite / Dope, Crown, and Opium (Spoken)
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4:00
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| 11 |
Poor Alfred Wilson (Spoken) / Tony Jackson's "Naked Dance" (Piano Instrumental)
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4:03
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| 12 |
"Honky Tonk Blues" (Song) / In New Orleans, Anyone Could Carry a Gun (Spoken)
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4:21
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| 13 |
New Orleans Was a Free and Easy Place (Spoken) / "Levee Man Blues" (Song)
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4:08
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| 14 |
The Story of Aaron Harris (Spoken)
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4:05
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CD 2
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| 1 |
The Story of Aaron Harris, continued (Spoken) / "Aaron Harris Blues" (Song)
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4:06
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| 2 |
Aaron Harris, His Hoodoo Woman, and the The Hat That Started a Riot (Spoken)
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4:10
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| 3 |
The Story of the 1900 New Orleans Riot and the Song of Robert Charles (Spoken)
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4:05
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| 4 |
The Story of the 1900 New Orleans Riot, continued (Spoken) / "Game Kid Blues" (Song)
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4:05
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| 5 |
"Game Kid Blues," continued (Piano Instrumental) / "Buddy Carter Rag" (Piano Instrumental)
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3:57
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| 6 |
New Orleans Funerals (Spoken) / "Steal Away" (Song) / "Nearer My God to Thee" (Song)
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4:18
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| 7 |
Funeral Marches (Spoken) / "Flee as the Bird to the Mountain" (Piano Instrumental)
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4:12
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| 8 |
"Oh! Didn't He Ramble" (Piano Instrumental) / Evolution of Tiger Rag (Spoken) / "Tiger Rag" first and second strains (Piano Instrumental)
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4:07
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| 9 |
"Tiger Rag" third, fourth, and fifth strains (Piano Instrumental) / "Tiger Rag" transformed (Piano Instrumental)
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4:01
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| 10 |
"Tiger Rag" (Piano Instrumental) / "Panama" (Piano Instrumental)
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4:03
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| 11 |
The Right Tempo Is the Accurate Tempo (Interview and Demonstration) / Harmony, Melody, and Riffs (Interview and Demonstration)
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4:40
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| 12 |
Jazz Discords and the Story of the "Kansas City Stomp" (Interview and Demonstration) / "Kansas City Stomp" (Piano Instrumental)
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4:31
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| 13 |
"Kansas City Stomp," continued (Piano Instrumental) / Breaks in Jazz (Interview and Demonstration) / "Darktown Strutters' Ball" (Piano Instrumental)
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4:35
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| 14 |
Slow Swing and "Sweet Jazz Music" (Interview and Demonstration)
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4:34
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| 15 |
"Salty Dog" (Song) / Bill Johnson, Jelly's Brother-in-Law (Spoken)
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4:23
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| 16 |
"Hesitation Blues" (Interview and Song)
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4:30
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CD 3
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| 1 |
"My Gal Sal," original and transformation (Interview and Song)
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3:53
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| 2 |
The St. Louis Scene (Spoken) / Randall's Tune (Piano Instrumental) / "Maple Leaf Rag," St. Louis style (Piano Instrumental)
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4:10
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| 3 |
"Maple Leaf Rag," St. Louis style, conclusion (Piano Instrumental) / "Maple Leaf Rag," New Orleans style (Piano Instrumental)
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4:20
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| 4 |
Jelly Roll Carves St. Louis (Spoken)
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4:20
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| 5 |
Jelly Roll Carves St. Louis, continued (Spoken) / "Miserere," swinging arrangement, with portion of "Anvil Chorus" (Piano Instrumental)
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4:24
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| 6 |
"New Orleans Blues" (Song)
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3:59
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| 7 |
"Winin' Boy Blues" (Song)
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3:45
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| 8 |
"Winin' Boy Blues," continued (Song)
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4:24
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| 9 |
"The Anamule Dance" (Song)
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3:47
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| 10 |
"The Anamule Dance," continued (Song) / The Story of the "The Anmule Dance" (Spoken) / The Origins of Scat, "Scat Song" (Interview and Demonstration)
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4:20
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| 11 |
The Great Buddy Bolden (Spoken) / "Buddy Bolden's Blues" (Song)
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4:12
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| 12 |
The Great Buddy Bolden, continued (Spoken)
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4:11
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| 13 |
"Mr. Jelly Lord" (Song)
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4:10
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| 14 |
How Jelly Roll Got His Name (Spoken) / "Original Jelly Roll Blues" (Piano Instrumental)
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4:15
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| 15 |
"Original Jelly Roll Blues," continued (Song) / Jelly Roll's Four-Beat Foot (Spoken)
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4:10
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| 16 |
"Honky Tonk Blues" (Song) / Old-Time Honky Tonks (Spoken)
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4:06
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CD 4
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| 1 |
Real Tough Boys (Spoken)
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4:32
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| 2 |
Sporting Attire and Shooting the Agate (Spoken)
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4:33
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| 3 |
Sweet Mamas and Sweet Papas (Spoken) / "See See Rider" (Song)
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4:21
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| 4 |
"See See Rider," continued (Song) / Parading With the Broadway Swells (Spoken)
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4:25
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| 5 |
Parading With the Broadway Swells, continued (Spoken)
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4:24
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| 6 |
Fights and Weapons (Spoken) / "Stars and Stripes Forever" (Piano Instrumental)
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4:28
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| 7 |
Luis Russell and New Orleans Riffs (Interview and Demonstration) / "Call of the Freaks" (Song)
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4:27
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| 8 |
Jelly's Travels: From Yazoo to Clarksdale (Spoken)
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4:14
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| 9 |
Jelly's Travels: From Clarksdale to Helena (Spoken)
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4:34
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| 10 |
Jelly's Travels: From Helena to Memphis (Spoken)
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4:23
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| 11 |
In Memphis: The Monarch Saloon and Benny Frenchy (Spoken) / "Benny Frenchy's Tune" (Piano Instrumental)
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4:24
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| 12 |
"Benny Frenchy's Tune," continued (Piano Instrumental) / Bad Sam, Memphis' Toughest (Interview) / "The Stomp That Beat Benny Frenchy" (Piano Instrumental) / "All That I Ask Is Love" (Song)
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4:24
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| 13 |
"Make Me a Pallet on the Floor" (Interview and Song)
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4:16
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| 14 |
"Make Me a Pallet on the Floor," continued (Song)
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4:15
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| 15 |
"Make Me a Pallet on the Floor," continued (Song)
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4:14
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| 16 |
"Make Me a Pallet on the Floor," conclusion (Song)
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4:35
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CD 5
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| 1 |
"The Dirty Dozen" (Interview and Song)
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4:31
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| 2 |
The Murder Ballad, Part One (Song)
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4:03
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| 3 |
The Murder Ballad, Part Two (Song)
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4:18
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| 4 |
The Murder Ballad, Part Three (Song)
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4:28
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| 5 |
The Murder Ballad, Part Four (Song)
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4:20
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| 6 |
The Murder Ballad, Part Five (Song)
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4:13
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| 7 |
The Murder Ballad, Part Six (Song)
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4:25
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| 8 |
The Murder Ballad, conclusion (Song)
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4:30
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| 9 |
"Fickle Fay Creep" (Piano Instrumental)
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3:16
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| 10 |
"Jungle Blues" (Piano Instrumental)
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3:45
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| 11 |
"King Porter Stomp" (Piano Instrumental)
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2:57
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| 12 |
"Sweet Peter" (Piano Instrumental)
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3:05
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| 13 |
"Hyena Stomp" (Piano Instrumental)
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3:34
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| 14 |
"Wolverine Blues" (Song)
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3:47
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| 15 |
"Wolverine Blues," continued (Song)
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4:02
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| 16 |
"State and Madison" (Piano Instrumental)
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3:45
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| 17 |
"The Pearls" (Piano Instrumental)
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3:31
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| 18 |
"The Pearls," continued (Piano Instrumental)
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3:35
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CD 6
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| 1 |
"Bert Williams" (Piano Instrumental)
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3:42
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| 2 |
"Freakish" (Piano Instrumental)
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4:00
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| 3 |
"Pep" (Piano Instrumental)
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3:34
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| 4 |
The Georgia Skin Game (Spoken)
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3:56
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| 5 |
The Georgia Skin Game, continued (Spoken)
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3:04
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| 6 |
The Georgia Skin Game, conclusion (Spoken) / "I'm Gonna Get One and Go Directly" (Song)
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3:21
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| 7 |
"Ungai Hai," the Sign of the Indians (Interview and Song)
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4:11
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| 8 |
"New Orleans Blues" (Piano Instrumental) / The Spanish Tinge (Spoken)
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4:08
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| 9 |
The Spanish Tinge, continued (Interview and Demonstration)
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4:15
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| 10 |
Improving Spanish Tempos and "Creepy Feeling" (Interview and Piano Instrumental)
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4:07
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| 11 |
"Creepy Feeling" (Piano Instrumental)
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4:20
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| 12 |
"The Crave" (Piano Instrumental)
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4:32
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| 13 |
"Mamanita" (Piano Instrumental)
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4:09
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| 14 |
C'était N'aut' Can-Can, Payez Donc (Interview and Song) / "If You Don't Shake, You Don't Get No Cake" (Song"
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4:23
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| 15 |
"Spanish Swat" (Piano Instrumental)
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4:14
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| 16 |
"Ain't Misbehavin'" (Song)
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4:13
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| 17 |
"I Hate a Man Like You" (Interview and Song) / "Rolling Stuff" (Piano Instrumental)
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4:13
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| 18 |
"Michigan Water Blues" (Interview and Song)
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3:51
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CD 7
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| 1 |
"Winin' Boy Blues" (Song)
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4:10
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| 2 |
"Winin' Boy Blues," continued (Song)
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4:16
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| 3 |
"Boogie Woogie Blues" (Piano Instrumental) / "Albert Carroll's Tune" (Piano Instrumental) / "Buddy Bertrand's Blues" (Piano Instrumental)
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4:22
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| 4 |
"Buddy Bertrand's Blues," continued (Piano Instrumental) / "Mamie's Blues" (Interview, Piano Instrumental, and Song)
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4:27
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| 5 |
When the Hot Stuff Came In (Spoken)
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8:41
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| 6 |
The First Hot Arrangements (Spoken)
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9:02
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| 7 |
The Pensacola Kid and the Cadillac Café (Spoken)
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8:00
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| 8 |
At the Cadillac Café, Los Angeles, continued (Spoken) / "Little Liza Jane" (Song)
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9:56
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| 9 |
"Little Liza Jane," continued (Song) / On the West Coast: Getting Along Swell (Spoken)
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9:47
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| 10 |
In the Publishing Business (Spoken) / "Tricks Ain't Walking No More" (Song)
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8:50
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CD 8
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| 1 |
"Original Jelly Roll Blues" (Guitar Instrumental)
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1:52
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| 2 |
Jelly Roll's Early Playing Days in the District (Spoken)
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1:23
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| 3 |
Hot Bands and Creole Tunes (Spoken)
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4:30
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| 4 |
"Eh, La Bas" (Song) / Riffs and Breaks From Creole Songs (Spoken)
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2:03
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| 5 |
Old-Time Creole Musicians and the French Element (Spoken)
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3:33
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| 6 |
Playing Hot With Buddy Bolden (Spoken)
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3:18
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| 7 |
High Society
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2:17
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| 8 |
Sporting Life Costumes (Spoken)
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1:39
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| 9 |
Buddy Bolden: Man and Musician (Spoken)
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2:24
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| 10 |
Creoles Playing With Negroes: Getting That Drive (Spoken)
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4:29
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| 11 |
Jelly Roll's Compositions (Spoken)
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3:23
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| 12 |
How Johnny St. Cyr Learned to Play Guitar (Spoken)
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2:21
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| 13 |
"Guitar Blues" (Guitar Instrumental) / Just the Guitar Blues (Spoken)
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2:18
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| 14 |
Bad Men and Pimps (Spoken)
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3:39
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| 15 |
The Story of the "Coon Blues" (Spoken)
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1:35
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| 16 |
"Coon Blues" (Instrumental)
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2:23
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| 17 |
Jazz Is Just a Makeup: Buddy Bolden, Honky Tonks, Brass Band Funerals, and Parades (Spoken)
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5:26
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| 18 |
Young Sidney Bechet: Jim Crow and the Dangers of the District (Spoken)
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3:41
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| 19 |
The Main Idea in Jazz: "Just Watch Me" – Improvising and Reading Music (Spoken)
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3:25
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| 20 |
"Of All His Mother's Children He Loved Jelly the Best": A Little Tale of Jelly Roll Morton (Spoken)
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8:50
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