Released just four months after Today! in July 1965, The Beach Boys' ninth album was at first deemed by some to be a regression. Its predecessor had, on its second side, revealed the now studio-locked, pot-guzzling Brian Wilson's knack for melancholy...
Studio Confessions is the groundbreaking third album from maverick Peven Everett. Before this enduring album hit the streets, Peven had released an amazing 12 critically acclaimed singles including timeless deep house classics like "Watch Them Come" ...
Revealing a finely attuned sense of proportion and balance, the six pieces which make up the album never fall short of their initial promise.
There's also several surprisingly dramatic moments such as on the eight minute Telescope, in which cascadin...
Doll Creature is Max Eastley and David Toop's first recording since 1994's Buried Dreams and only their third since 1975's New and Rediscovered Musical Instruments. Both are criminally long out of print. Buried Dreams in particular was a brilliantly ...
This latest collection commemorates the 50th anniversary of the day that Charles Hardin Holley (sic) climbed aboard his last plane ride. Who, you wonder, really needs to hear the story one more time: of how the geeky boy from Lubbock Texas heard Elvi...
Let me get this off my chest first of all, Tim Westwood is a twat.
Tim Westwood, or just Westwood, was BBC's "main man" for the world of hip-hop and reggae in the early 2000s; it wouldn't be until 2002 that they would properly embrace this side of mu...