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CD 1
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| 1 |
Gilded Goldbergs, Part I, First Set: Aria: G major
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3:42
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| 2 |
Gilded Goldbergs, Part I, First Set: Variation 1: expanding the theme: G
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2:27
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| 3 |
Gilded Goldbergs, Part I, First Set: Variation 2: simple tonal cubism: G-D
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1:35
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| 4 |
Gilded Goldbergs, Part I, First Set: Variation 3: canon at the unison: G
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2:45
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| 5 |
Gilded Goldbergs, Part I, First Set: Variation 4: simply through some keys: G-G
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1:55
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| 6 |
Gilded Goldbergs, Part I, Second Set: Variation 5: vivace à la Scarlatti: C
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0:49
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| 7 |
Gilded Goldbergs, Part I, Second Set: Variation 6: canon at the second: C-A-flat
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2:23
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| 8 |
Gilded Goldbergs, Part I, Second Set: Variation 7: gigue in antiphony: A-flat/C
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1:35
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| 9 |
Gilded Goldbergs, Part I, Second Set: Variation 8: enhanced replay of Variation 1: G
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3:43
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| 10 |
Gilded Goldbergs, Part I, Second Set: Variation 9: canon at the third: homage to Granger: E-flat
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2:15
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| 11 |
Gilded Goldbergs, Part I, Second Set: Variation 10: 'robust and a bit gormless' (wrong-note music): B
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1:31
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| 12 |
Gilded Goldbergs, Part I, Second Set: Variation 11: dreaming: homage to Schubert and Brahms: G
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3:00
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| 13 |
Gilded Goldbergs, Part I, Third Set: Variation 12: canon at the fourth: E
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3:01
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| 14 |
Gilded Goldbergs, Part I, Third Set: Variation 13: Cantilena I: double variation with homage to Dowland: G/E-flat minor
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9:02
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| 15 |
Gilded Goldbergs, Part I, Third Set: Variation 14: energico: A-flat minor
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2:04
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| 16 |
Gilded Goldbergs, Part I, Third Set: Variation 15: canon at the fifth: G minor
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4:24
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CD 2
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| 1 |
Gilded Goldbergs, Part II, Fourth Set: Variation 16: French Overture and homage to Nancarrow: G sharp minor
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6:22
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| 2 |
Gilded Goldbergs, Part II, Fourth Set: Variation 17: Hungarian cymbalom: homage to Bartók, Ligeti, Kurtág: E minor doïna – homage to Enescu – linking to
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3:55
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| 3 |
Gilded Goldbergs, Part II, Fourth Set: Variation 18: canon in sixths: D-flat
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4:25
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| 4 |
Gilded Goldbergs, Part II, Fourth Set: Variation 19: Ländler and trio (brief history of Austro-German music in triple time): B-flat
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4:36
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| 5 |
Gilded Goldbergs, Part II, Fourth Set: Variation 20: vivace con brio: D
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1:44
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| 6 |
Gilded Goldbergs, Part II, Fourth Set: Variation 21: canon at the seventh: G minor
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2:31
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| 7 |
Gilded Goldbergs, Part II, Fourth Set: Variation 22: churchy counterpoint in antiphony: A-flat
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2:06
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| 8 |
Gilded Goldbergs, Part II, Fourth Set: Variation 23: diatonic scrunches (homage to Tippett): F
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2:20
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| 9 |
Gilded Goldbergs, Part II, Fifth Set: Variation 24: canon at the octave: complex journey through some keys: G/G minor-B-flat
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2:51
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| 10 |
Gilded Goldbergs, Part II, Fifth Set: Variation 25: Cantilena II: G minor
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5:40
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| 11 |
Gilded Goldbergs, Part II, Fifth Set: Variation 26a: Sarabande: G
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1:14
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| 12 |
Gilded Goldbergs, Part II, Fifth Set: Variation 27: 'Trio' – canon at the ninth: F
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0:46
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| 13 |
Gilded Goldbergs, Part II, Fifth Set: Variation 26b: Sarabande resumed: A major/A minor, Rückblick – homage to Schumann – linking to
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2:14
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| 14 |
Gilded Goldbergs, Part II, Fifth Set: Variation 28: 'Summer afternoon' – hazy trills and tremolos: G
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1:35
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| 15 |
Gilded Goldbergs, Part II, Fifth Set: Variation 29: Toccata with clusters: F-sharp
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3:24
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| 16 |
Gilded Goldbergs, Part II, Fifth Set: Variation 30: Quodlibet: traversing all twelve keys, ending D
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3:15
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| 17 |
Gilded Goldbergs, Part II, Fifth Set: Aria da capo: G
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2:41
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