|
CD 1
|
1 |
L'histoire du soldat: I. Soldier's March
|
1:42
|
2 |
L'histoire du soldat: II. Music for Scene 1
|
2:50
|
3 |
L'histoire du soldat: III. Royal March
|
2:48
|
4 |
L'histoire du soldat: IV. Music for Scene 2
|
2:36
|
5 |
L'histoire du soldat: V. Little Concert
|
3:19
|
6 |
Histoire du soldat: 3 Dances: Tango - Waltz - Ragtime
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6:23
|
7 |
L'histoire du soldat: VII. Little Chorale
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0:40
|
8 |
L'histoire du soldat: VIII. The Devil's Dance
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1:28
|
9 |
L'histoire du soldat: IX. Great Chorale
|
2:55
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10 |
L'histoire du soldat: X. Triumphal March of the Devil
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2:20
|
11 |
Octet for Wind Instruments: I. Sinfonia
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4:02
|
12 |
Octet for Wind Instruments: II. Tema con variazioni
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7:47
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13 |
Octet for Wind Instruments: III. Finale
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3:42
|
14 |
La Création du monde, Ballet, op. 81
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15:57
|
15 |
Afterthought
|
3:22
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CD 2
|
1 |
The Age of Anxiety (Symphony no. 2 for Piano and Orchestra After W.H. Auden): Part 1: I. The Prologue
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2:21
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2 |
The Age of Anxiety (Symphony no. 2 for Piano and Orchestra After W.H. Auden): Part 1: II. The Seven Ages (Variations 1-7)
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8:22
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3 |
The Age of Anxiety (Symphony no. 2 for Piano and Orchestra After W.H. Auden): Part 1: III. The Seven Stages (Variations 8-14)
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5:51
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4 |
The Age of Anxiety (Symphony no. 2 for Piano and Orchestra After W.H. Auden): Part 2: I. The Dirge
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5:38
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5 |
The Age of Anxiety (Symphony no. 2 for Piano and Orchestra After W.H. Auden): Part 2: II. The Masque
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4:26
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6 |
The Age of Anxiety (Symphony no. 2 for Piano and Orchestra After W.H. Auden): Part 2: III. The Epilogue
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5:27
|
7 |
Serenade for Solo Violin, Strings, Harp and Percussion After Plato's "Symposium": I - Phaedrus: Pausanias
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7:01
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8 |
Serenade for Solo Violin, Strings, Harp and Percussion After Plato's "Symposium": II - Aristophanes
|
4:18
|
9 |
Serenade for Solo Violin, Strings, Harp and Percussion After Plato's "Symposium": III - Erixymathus
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1:28
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10 |
Serenade for Solo Violin, Strings, Harp and Percussion After Plato's "Symposium": IV - Agathon
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7:34
|
11 |
Serenade for Solo Violin, Strings, Harp and Percussion After Plato's "Symposium": V - Socrates: Alcibiades
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10:33
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CD 3
|
1 |
Symphony for Classical Orchestra: I. Adagio - Allegro
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12:13
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2 |
Symphony for Classical Orchestra: II. Adagietto
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15:29
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3 |
Symphony for Classical Orchestra: III. Scherzo
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5:18
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4 |
Symphony for Classical Orchestra: IV. Finale. Allegro con spirito
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10:53
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|
CD 4
|
1 |
Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro
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12:44
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2 |
Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante
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12:16
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3 |
Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto - Presto
|
8:00
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4 |
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro
|
11:23
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5 |
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante]
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8:00
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6 |
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro
|
8:26
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|
CD 5
|
1 |
Firebird Suite: I. Introduction
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3:21
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2 |
Firebird Suite: II. The Firebird and its Dance
|
0:14
|
3 |
Firebird Suite: III. Variation of the Firebird
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1:09
|
4 |
Firebird Suite: IV. The Princesses’ Round
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5:14
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5 |
Firebird Suite: V. Infernal Dance of King Kashchei
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3:56
|
6 |
Firebird Suite: VI. Lullaby
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3:50
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7 |
Firebird Suite: VII. Finale
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3:33
|
8 |
Romeo and Juliet Fantasy Overture
|
19:21
|
|
CD 6
|
1 |
Violin Concerto no. 2: I. Allegro non troppo
|
15:20
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2 |
Violin Concerto no. 2: II. Andante tranquillo
|
10:04
|
3 |
Violin Concerto no. 2: III. Allegro molto
|
10:56
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|
CD 7
|
1 |
Le Sacre du printemps : L’Adoration de la terre : I. Introduction (Lento)
|
3:29
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2 |
Le Sacre du printemps : L’Adoration de la terre : II. Les Augures pintaniers. Danses des adolecentes
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3:17
|
3 |
Le Sacre du printemps : L’Adoration de la terre : III. Jeu du rapt
|
1:16
|
4 |
Le Sacre du printemps : L’Adoration de la terre : IV. Rondes printanières
|
3:41
|
5 |
Le Sacre du printemps : L’Adoration de la terre : V. Jeux des cités rivales
|
1:51
|
6 |
Le Sacre du printemps : L’Adoration de la terre : VI. Cortège du sage
|
0:39
|
7 |
Le Sacre du printemps : L’Adoration de la terre : VII. Adoration de la terre - Le Sage
|
0:22
|
8 |
Le Sacre du printemps : L’Adoration de la terre : VIII. Danse de la terre
|
1:11
|
9 |
Le Sacre du printemps : Le Sacrifice : I. Introduction (Largo)
|
5:13
|
10 |
Le Sacre du printemps : Le Sacrifice : II. Cercles mysterieux des adolescentes
|
3:18
|
11 |
Le Sacre du printemps : Le Sacrifice : III. Glorification de l’élue
|
1:30
|
12 |
Le Sacre du printemps : Le Sacrifice : IV. Évocation des ancêtres
|
0:52
|
13 |
Le Sacre du printemps : Le Sacrifice : V. Action rituelle des ancêtres
|
3:23
|
14 |
Le Sacre du printemps : Le Sacrifice : VI. Danse sacrale. L’Élue
|
4:32
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|
CD 8
|
1 |
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo
|
23:43
|
2 |
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto
|
10:47
|
3 |
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro
|
9:10
|
|
CD 9
|
1 |
Symphony no. 5 in D minor, op. 47: I. Moderato
|
16:19
|
2 |
Symphony no. 5 in D minor, op. 47: II. Allegretto
|
4:57
|
3 |
Symphony no. 5 in D minor, op. 47: III. Largo
|
15:39
|
4 |
Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo
|
8:59
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|
CD 10
|
1 |
Rhapsody in Blue
|
16:33
|
2 |
An American in Paris
|
18:29
|
3 |
Grand Canyon Suite: I. Sunrise
|
5:16
|
4 |
Grand Canyon Suite: II. Painted Desert
|
5:47
|
5 |
Grand Canyon Suite: III. On the Trail
|
7:22
|
6 |
Grand Canyon Suite: IV. Sunset
|
5:26
|
7 |
Grand Canyon Suite: V. Cloudburst
|
9:00
|
|
CD 11
|
1 |
Images pour orchestre: I. Gigues
|
8:23
|
2 |
Images pour orchestre: II. Iberia: Par les rues et par les chemins
|
6:52
|
3 |
Images pour orchestre: II. Iberia: Les parfums de la nuit
|
9:37
|
4 |
Images pour orchestre: II. Iberia: Le matin d'un jour de fête
|
4:13
|
5 |
Images pour orchestre: III. Rondes de Printemps
|
7:59
|
|
CD 12
|
1 |
Concerto in C major RV558: I. Allegro molto
|
5:50
|
2 |
Concerto in C major RV558: II. Andante molto
|
2:10
|
3 |
Concerto in C major RV558: III. Allegro
|
2:59
|
4 |
Concerto for oboe in D minor RV454: I. Allegro
|
4:50
|
5 |
Concerto for Oboe in D minor RV454: II. Largo
|
2:15
|
6 |
Concerto for oboe in D minor RV454: III. Allegro
|
3:15
|
7 |
Concerto for flute in C minor RV441: I. Allegro non molto
|
5:24
|
8 |
Concerto for flute in C minor RV441: II. Largo
|
3:10
|
9 |
Concerto for flute in C minor RV441: III. Allegro
|
4:37
|
10 |
Concerto for Piccolo, Strings and Basso Continuo in C major: I. Allegro
|
4:21
|
11 |
Concerto for Piccolo, Strings and Basso Continuo in C major: II. Largo
|
4:05
|
12 |
Concerto for Piccolo, Strings and Basso Continuo in C major: III. Allegro molto
|
3:12
|
|
CD 13
|
1 |
Symphony No. 2, S. 2: I. Andante moderato
|
5:56
|
2 |
Symphony No. 2, S. 2: II. Allegro
|
10:20
|
3 |
Symphony No. 2, S. 2: III. Adagio cantabile
|
10:43
|
4 |
Symphony No. 2, S. 2: IV. Lento maestoso
|
2:58
|
5 |
Symphony No. 2, S. 2: V. Allegro molto vivace
|
9:15
|
6 |
Symphony No. 3, S. 3 "The Camp Meeting": I. Old Folks Gatherin'
|
8:49
|
7 |
Symphony No. 3, S. 3 "The Camp Meeting": II. Children's Day
|
7:23
|
8 |
Symphony No. 3, S. 3 "The Camp Meeting": III. Communion
|
8:46
|
9 |
The Unanswered Question, S. 50
|
5:33
|
10 |
Central Park in the Dark
|
7:54
|
|
CD 14
|
1 |
Rodeo: I. Buckaroo Holiday: Allegro con spirito
|
7:03
|
2 |
Rodeo: II. Corral Nocturne: Moderato
|
4:05
|
3 |
Rodeo: III. Saturday Night Waltz. Introduction: Slow Waltz
|
4:14
|
4 |
Rodeo: IV. Hoe-Down: Allegro
|
3:13
|
5 |
Billy the Kid: The Open Prairie (introduction)
|
3:15
|
6 |
Billy the Kid: Street in a Frontier Town
|
3:22
|
7 |
Billy the Kid: Mexican Dance and Finale
|
3:10
|
8 |
Billy the Kid: Prairie Night (Card Game at Night)
|
3:12
|
9 |
Billy the Kid: Gun Battle
|
1:49
|
10 |
Billy the Kid: Celebration (After Billy's Capture)
|
2:21
|
11 |
Billy the Kid: Billy's Death
|
1:19
|
12 |
Billy the Kid: The Open Prairie Again
|
1:48
|
|
CD 15
|
1 |
Peter and the Wolf, op. 67
|
27:10
|
2 |
The Nutcracker: Suite, op. 71a: I. Ouverture miniature: Allegro giusto
|
3:16
|
3 |
The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: March. Tempo di Marcia viva
|
2:31
|
4 |
Nutcracker, suite from the ballet, Op. 71a: 2. Danses caractéristiques. b. Danse de la fée dragée. Andante non troppo
|
1:41
|
5 |
The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse russe. Trépak Tempo di Trépak, molto vivace
|
1:02
|
6 |
Nutcracker, suite from the ballet, Op. 71a: 2. Danses caractéristiques. d. Danse arabe. Allegretto
|
2:56
|
7 |
The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse chinoise. Allegro moderato
|
1:08
|
8 |
The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse des mirlitons. Moderato assai
|
2:07
|
9 |
The Nutcracker: Suite, op. 71a: III. Valse des fleurs. Tempo di valse
|
6:25
|
|
CD 16
|
1 |
Kindertotenlieder No. 1 "Nun will die Sonn' so hell aufgeh'n"
|
5:59
|
2 |
Kindertotenlieder No. 2 "Nun seh' ich wohl, warum so dunkle Flammen"
|
5:08
|
3 |
Kindertotenlieder No. 3 "Wenn dein Mütterlein"
|
5:38
|
4 |
Kindertotenlieder No. 4 "Oft denk' ich, sie sind nur ausgegangen"
|
2:44
|
5 |
Kindertotenlieder No. 5 "In diesem Wetter"
|
6:38
|
6 |
Three Rückert Songs No. 1 "Ich atmet einen linden Duft"
|
2:55
|
7 |
Three Rückert Songs No. 2 "Ich bin der Welt abhanden gekommen"
|
6:32
|
8 |
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: “Das irdische Leben”
|
2:33
|
9 |
Three Rückert Songs No. 3 "Um mitternacht"
|
7:00
|
|
CD 17
|
1 |
On the Town: Opening: New York, New York
|
11:31
|
2 |
On the Town: Taxi Number: Come Up to My Place
|
2:47
|
3 |
On the Town: Carried Away
|
3:01
|
4 |
On the Town: Lonely Town / Dance: Lonely Town
|
6:46
|
5 |
On the Town: Carnegie Hall (Do-Do-Re-Do)
|
2:37
|
6 |
On the Town: I Can Cook Too
|
2:30
|
7 |
On the Town: Lucky to Be Me
|
2:57
|
8 |
On the Town: Dance: Times Square
|
4:03
|
9 |
On the Town: Night Club Sequence: So Long Baby / I'm Blue / Ya Got Me
|
4:51
|
10 |
On the Town: I Understand
|
2:10
|
11 |
On the Town: Ballet: Imaginary Coney Island: Subway Ride / Dance of the Great Lover / Pas de deux
|
7:50
|
12 |
On the Town: Some Other Time
|
4:25
|
13 |
On the Town: Dance: The Real Coney Island
|
5:30
|
|
CD 18
|
1 |
Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: Overture
|
6:10
|
2 |
Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: Recitative: “From harmony” (tenor)
|
0:23
|
3 |
Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 1 Accompanied Recitative: “When Nature” (tenor)
|
3:32
|
4 |
Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 2: “From harmony, from heav'nly harmony” (chorus)
|
4:02
|
5 |
Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 3 Aria: “What passion cannot Music raise” (soprano)
|
9:35
|
6 |
Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 4: “The trumpet's loud clangour” (tenor, chorus)
|
4:47
|
7 |
Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 5: March
|
2:10
|
8 |
Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 6a Aria: “The soft complaining flute” (soprano)
|
6:14
|
9 |
Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 7 Aria: “Sharp violins proclaim their jealous pangs” (tenor)
|
5:39
|
10 |
Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 8 Aria: “But oh! what art can teach” (soprano, organ obbligato)
|
5:16
|
11 |
Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 9 Aria: “Orpheus could lead the savage race” (soprano)
|
2:32
|
12 |
Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 10 Accompanied Recitative: “But bright Cecilia” (soprano)
|
0:49
|
13 |
Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 11: “As from the pow'r of sacred lays” (soprano, chorus)
|
9:06
|
|
CD 19
|
1 |
L'Apprenti sorcier
|
10:41
|
2 |
Danse macabre, op. 40
|
7:03
|
3 |
Leonard Bernstein: Humor in Music
|
29:53
|
4 |
Till Eulenspiegels lustige Streiche
|
14:57
|
|
CD 20
|
1 |
Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato
|
4:07
|
2 |
Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio
|
3:51
|
3 |
Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero
|
1:17
|
4 |
Symphonic Dances from "West Side Story": Mambo
|
2:14
|
5 |
Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia
|
0:53
|
6 |
Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso
|
0:47
|
7 |
Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto
|
3:03
|
8 |
Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro
|
1:52
|
9 |
Symphonic Dances from “West Side Story”: IX. Finale. Adagio
|
2:53
|
10 |
Symphonic Suite from On the Waterfront: I. Andante (with dignity) - Presto barbaro
|
2:57
|
11 |
Symphonic Suite from On the Waterfront: II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima
|
2:17
|
12 |
Symphonic Suite from On the Waterfront: III. Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento
|
4:52
|
13 |
Symphonic Suite from On the Waterfront: IV. Moving forward, with warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, with intensity - Ancora più mosso
|
4:24
|
14 |
Symphonic Suite from On the Waterfront: V. Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso
|
2:50
|
15 |
Symphonic Suite from On the Waterfront: VI. A tempo
|
2:06
|
|
CD 21
|
1 |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato
|
19:22
|
2 |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto
|
6:40
|
3 |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace
|
10:47
|
|
CD 22
|
1 |
Francesca da Rimini, op. 32: Symphonic Fantasy after Dante
|
24:40
|
2 |
Capriccio Italien, op. 45
|
16:05
|
3 |
Marche Slave, op. 31
|
9:38
|
4 |
1812 Overture, op. 49
|
15:32
|
|
CD 23
|
1 |
Prélude à l'après-midi d'un faune: Très modéré
|
10:29
|
2 |
Nocturnes: I. Nuages
|
8:13
|
3 |
Nocturnes: II. Fêtes
|
5:57
|
4 |
Jeux
|
17:17
|
|
CD 24
|
1 |
Symphony no. 1, "Jeremiah": I. Prophecy
|
7:36
|
2 |
Symphony no. 1, "Jeremiah": II. Profanation
|
6:38
|
3 |
Symphony no. 1, "Jeremiah": III. Lamentation
|
11:26
|
4 |
Symphony no. 3 (in one movement)
|
17:12
|
|
CD 25
|
1 |
Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden
|
33:19
|
|
CD 26
|
1 |
Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig
|
10:09
|
2 |
Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast
|
17:58
|
3 |
Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!”
|
8:48
|
4 |
Symphony no. 3 in D minor: Part II. V. Lustig im Tempo und keck im Ausdruck “Es sungen drei Engel”
|
4:12
|
5 |
Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden
|
25:09
|
|
CD 27
|
1 |
Concerto for Piano and Wind Instruments: I. Largo
|
7:44
|
2 |
Concerto for Piano and Wind Instruments: II. Largo
|
7:50
|
3 |
Concerto for Piano and Wind Instruments: III. Allegro
|
5:04
|
4 |
Pulcinella Suite: I. Sinfonia (Ouverture). Allegro moderato
|
2:09
|
5 |
Pulcinella Suite: II. Serenata. Larghetto
|
3:07
|
6 |
Pulcinella Suite: III. a) Scherzino
|
1:53
|
7 |
Pulcinella Suite: III. b) Allegro
|
1:05
|
8 |
Pulcinella Suite: III. c) Andantino
|
1:29
|
9 |
Pulcinella Suite: IV. Tarantella
|
1:48
|
10 |
Pulcinella Suite: V. Toccata. Allegro
|
0:54
|
11 |
Pulcinella Suite: VI. Gavotta (con due variazioni). Allegro moderato
|
1:37
|
12 |
Pulcinella Suite: VI. Variazione I. Allegretto
|
1:00
|
13 |
Pulcinella Suite: VI. Variazione II. Allegro piu tosto moderato
|
1:48
|
14 |
Pulcinella Suite: VII. Vivo (Duetto)
|
1:23
|
15 |
Pulcinella Suite: VIII. a) Minuetto. Molto moderato
|
2:34
|
16 |
Pulcinella Suite: VIII. b) Finale. Allegro assai
|
1:59
|
|
CD 28
|
1 |
Götterdämmerung: Brünnhilde's Immolation Scene
|
20:24
|
2 |
Wesendonck Lieder: I. Der Engel
|
3:33
|
3 |
Wesendonck Lieder: II. Stehe still!
|
4:10
|
4 |
Wesendonck Lieder: III. Im Treibhaus
|
6:59
|
5 |
Wesendonck Lieder: IV. Scherzen
|
2:55
|
6 |
Wesendonck Lieder: V. Träume
|
5:08
|
|
CD 29
|
1 |
Appalachian Spring: I. Very slowly
|
2:44
|
2 |
Appalachian Spring: II. Allegro
|
2:42
|
3 |
Appalachian Spring: III. Moderato
|
3:51
|
4 |
Appalachian Spring: IV. Fast
|
3:34
|
5 |
Appalachian Spring: V. Subito allegro
|
3:44
|
6 |
Appalachian Spring: VI. As at first (slowly)
|
1:14
|
7 |
Appalachian Spring: VII. Doppio movimento
|
3:03
|
8 |
Appalachian Spring: VIII. Moderato. Coda
|
3:49
|
9 |
El salón México
|
11:05
|
10 |
Music for the Theatre: I. Prologue
|
5:52
|
11 |
Music for the Theatre: II. Dance
|
3:16
|
12 |
Music for the Theatre: III. Interlude
|
5:24
|
13 |
Music for the Theatre: IV. Burlesque
|
3:16
|
14 |
Music for the Theatre: V. Epilogue
|
3:58
|
|
CD 30
|
1 |
Harold in Italy, op. 16: I. Harold in the Mountains
|
14:30
|
2 |
Harold in Italy, op. 16: II. March of the Pilgrims
|
8:18
|
3 |
Harold in Italy, op. 16: III. Serenade
|
6:25
|
4 |
Harold in Italy, op. 16: IV. Orgy of the Brigands
|
12:26
|
|
CD 31
|
1 |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito
|
21:17
|
2 |
Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice – Prestissimo
|
6:59
|
3 |
Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
|
6:46
|
|
CD 32
|
1 |
Rhapsody no. 1 (Folk Dances) for Violin and Orchestra, Sz. 87: I. “Lassú”. Moderato
|
4:45
|
2 |
Rhapsody no. 1 (Folk Dances) for Violin and Orchestra, Sz. 87: II. “Friss”. Allegretto moderato
|
5:12
|
3 |
Rhapsody no. 2 (Folk Dances) for Violin and Orchestra, Sz. 90: I. “Lassú”. Moderato
|
4:40
|
4 |
Rhapsody no. 2 (Folk Dances) for Violin and Orchestra, Sz. 90: II. “Friss”. Allegro moderato
|
6:31
|
5 |
Concerto for Violin and Orchestra “To the Memory of an Angel”: I. Andante (𝅘𝅥 = 56) - Allegretto (𝅘𝅥𝅮 = 112) (scherzando)
|
10:18
|
6 |
Concerto for Violin and Orchestra “To the Memory of an Angel”: II. Allegro (𝅘𝅥 = 69) (ma sempre rubato, frei wie eine Kadenz) - Adagio (𝅘𝅥 = 54)
|
15:00
|
|
CD 33
|
1 |
Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto
|
11:05
|
2 |
Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo
|
14:43
|
3 |
Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace
|
6:34
|
4 |
Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco
|
10:59
|
|
CD 34
|
1 |
The Carnival of the Animals: I. L’Introduction et Marche royale du Lion
|
3:32
|
2 |
The Carnival of the Animals: II. Poules et Coqs
|
1:31
|
3 |
The Carnival of the Animals: III. Hémiones (Animaux véloces)
|
0:35
|
4 |
The Carnival of the Animals: IV. Tortues
|
2:14
|
5 |
The Carnival of the Animals: V. L’Eléphant
|
2:04
|
6 |
The Carnival of the Animals: VI. Kangourous
|
1:03
|
7 |
The Carnival of the Animals: VII. Aquarium
|
3:25
|
8 |
The Carnival of the Animals: VIII. Personnages à longues oreilles
|
1:17
|
9 |
Carnival of the Animals: IX. The Cuckoo in the Heart of the Woods
|
2:00
|
10 |
The Carnival of the Animals: X. Volières
|
1:17
|
11 |
The Carnival of the Animals: XI. Pianistes
|
1:26
|
12 |
The Carnival of the Animals: XII. Fossiles
|
3:31
|
13 |
The Carnival of the Animals: XIII. Le Cygne
|
4:01
|
14 |
The Carnival of the Animals: XIV. Finale
|
2:30
|
15 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Allegro maestoso e largamente (Full Orchestra)
|
1:07
|
16 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme B (Woodwinds)
|
0:27
|
17 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme C (Brass)
|
0:26
|
18 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme D (Strings)
|
0:32
|
19 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme E (Percussion)
|
0:21
|
20 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme F (Full Orchestra)
|
0:27
|
21 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation A (Piccolo & Flutes)
|
0:30
|
22 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation B: Lento (Oboes)
|
1:05
|
23 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation C: Moderato (Clarinets)
|
0:41
|
24 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation D: Allegro alla marcia (Bassoons)
|
0:53
|
25 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation E: Brillante - alla polacca (Violins)
|
0:49
|
26 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation F: Meno mosso (Violas)
|
0:50
|
27 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation G (Cellos)
|
0:56
|
28 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation H: Communinciando lento ma poco a poco accel. al Allegro(Double basses)
|
0:55
|
29 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation I: Maestoso (Harp)
|
0:49
|
30 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation J: L'istesso tempo (French Horns)
|
0:42
|
31 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation K: Vivace (Trumpets)
|
0:29
|
32 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation L: Allegro pomposo (Trombones & Tuba)
|
1:07
|
33 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation M: Moderato (Percussion)
|
1:35
|
34 |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Fugue: Allegro molto (Full Orchestra)
|
3:04
|
|
CD 35
|
1 |
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
|
18:32
|
2 |
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo
|
11:19
|
3 |
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando
|
8:37
|
4 |
Piano Concerto no. 2 in C minor, op. 18: I. Allegro moderato
|
10:49
|
5 |
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
|
13:17
|
6 |
Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando
|
11:54
|
|
CD 36
|
1 |
Shéhérazade, M. 41: I. Asie
|
9:36
|
2 |
Shéhérazade, M. 41: II. La flûte enchantée
|
2:48
|
3 |
Shéhérazade, M. 41: III. L’Indifférent
|
4:14
|
4 |
La Mort de Cléopâtre, H. 36: Scena lirica. Allegro vivace con impeto -
|
1:26
|
5 |
La Mort de Cléopâtre, H. 36: Scena lirica. Recitativo: "C’en est donc fait !". Moderato -
|
2:06
|
6 |
La Mort de Cléopâtre, H. 36: Scena lirica. Lento cantabile - "Ah ! qu’ils sont loin ces jours" -
|
6:10
|
7 |
La Mort de Cléopâtre, H. 36: Scena lirica. Recitativo "Au comble des revers". Moderato -
|
1:15
|
8 |
La Mort de Cléopâtre, H. 36: Méditation. Largo misterioso - "Grands Pharaons" -
|
4:29
|
9 |
La Mort de Cléopâtre, H. 36: Méditation. Allegro assai agitato - "Non !... non, de vos demeures" -
|
2:49
|
10 |
La Mort de Cléopâtre, H. 36: Méditation. Allegro non troppo - Recitativo misurato "Dieux du Nil"
|
3:07
|
|
CD 37
|
1 |
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo
|
12:22
|
2 |
Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace
|
7:02
|
3 |
Symphony no. 2 in C major, op. 61: III. Adagio espressivo
|
12:52
|
4 |
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
|
8:15
|
5 |
Symphony No.3 in E-flat major, op.97 "Rhenish": I. Lebhaft
|
10:06
|
6 |
Symphony No.3 in E-flat major, op.97 "Rhenish": II. Scherzo. Sehr Mäßig
|
5:44
|
7 |
Symphony No.3 in E-flat major, op.97 "Rhenish": III. Nicht Schnell
|
5:39
|
8 |
Symphony No.3 in E-flat major, op.97 "Rhenish": IV. Feierlich
|
6:14
|
9 |
Symphony No.3 in E-flat major, op.97 "Rhenish": V. Lebhaft
|
5:29
|
|
CD 38
|
1 |
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso – Tempo giusto
|
5:31
|
2 |
Piano Concerto no. 1 in E-flat major, S. 124 (LW H4): 2. Quasi adagio - Allegretto vivace
|
8:48
|
3 |
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato – Presto
|
4:14
|
4 |
Les Préludes, S. 97
|
16:45
|
|
CD 39
|
1 |
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
|
8:39
|
2 |
Symphony no. 5 in C minor, op. 67: II. Andante con moto
|
10:07
|
3 |
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
|
4:58
|
4 |
Symphony no. 5 in C minor, op. 67: IV. Allegro
|
11:28
|
5 |
How a Great Symphony Was Written: From the Famous Leonard Bernstein Television Program on the First Movement of Beethoven's Fifth Symphony: A Talk With Musical Illustrations
|
12:02
|
|
CD 40
|
1 |
Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
|
12:42
|
2 |
Symphony no. 4 in E minor, op. 98: II. Andante moderato
|
11:55
|
3 |
Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I
|
5:55
|
4 |
Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più Allegro
|
10:47
|
|
CD 41
|
1 |
L’Italiana in Algeri: Overture
|
7:20
|
2 |
Il barbiere di Siviglia: Overture
|
7:41
|
3 |
La scala di seta: Overture
|
6:15
|
4 |
La gazza ladra: Overture
|
9:45
|
5 |
Semiramide: Overture
|
11:40
|
6 |
Guillaume Tell: Overture
|
11:29
|
|
CD 42
|
1 |
Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo
|
9:13
|
2 |
Music for Strings, Percussion and Celesta, Sz 106: II. Allegro
|
7:00
|
3 |
Music for Strings, Percussion and Celesta, Sz 106: III. Adagio
|
7:01
|
4 |
Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto
|
7:23
|
5 |
Concert Music for String Orchestra and Brass, op. 50: Part I. Mäßig schnell, mit Kraft -
|
5:11
|
6 |
Concert Music for String Orchestra and Brass, op. 50: Part I. Sehr breit, aber stets fließend
|
3:49
|
7 |
Concert Music for String Orchestra and Brass, op. 50: Part II. Lebhaft -
|
2:00
|
8 |
Concert Music for String Orchestra and Brass, op. 50: Part II. Langsam -
|
2:47
|
9 |
Concert Music for String Orchestra and Brass, op. 50: Part II. Im ersten Zeitmaß
|
2:10
|
10 |
Concert Music for String Orchestra and Brass, op. 50: Part II. Lebhaft
|
0:59
|
|
CD 43
|
1 |
Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante poco maestoso - Allegro molto vivace
|
11:29
|
2 |
Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto
|
7:58
|
3 |
Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo. Molto vivace
|
5:58
|
4 |
Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso
|
8:38
|
5 |
Genoveva Overture, op. 81
|
8:12
|
|
CD 44
|
1 |
A Faust Symphony, S 108: I. Faust. Lento assai - Allegro
|
27:27
|
2 |
A Faust Symphony, S 108: II. Gretchen. Andante soave
|
20:49
|
3 |
A Faust Symphony, S 108: III. Mephistopheles. Allegro vivace, ironico -
|
15:55
|
4 |
A Faust Symphony, S 108: III. Andante mistico: “Alles Vergängliche ist nur ein Glechnis”
|
6:57
|
|
CD 45
|
1 |
Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto
|
8:23
|
2 |
Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza
|
15:58
|
3 |
Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia
|
18:31
|
|
CD 46
|
1 |
Symphony no. 82 in C major "The Bear": I. Vivace Assai
|
7:52
|
2 |
Symphony no. 82 in C major "The Bear": II. Allegretto
|
6:09
|
3 |
Symphony no. 82 in C major "The Bear": III. Menuetto, Trio
|
4:43
|
4 |
Symphony no. 82 in C major "The Bear": IV. Finale. Vivace
|
5:42
|
5 |
Symphony no. 83 in G minor "The Hen": I. Allegro Spirito
|
6:56
|
6 |
Symphony no. 83 in G minor "The Hen": II. Andante
|
6:31
|
7 |
Symphony no. 83 in G minor "The Hen": III. Menuetto. Allegretto, Trio
|
4:00
|
8 |
Symphony no. 83 in G minor "The Hen": IV. Finale. Vivace
|
3:41
|
|
CD 47
|
1 |
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio
|
15:32
|
2 |
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo
|
10:54
|
3 |
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro
|
9:35
|
4 |
Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: I. Adagio
|
2:53
|
5 |
Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II. Finale: Allegro
|
15:27
|
|
CD 48
|
1 |
Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
|
23:40
|
2 |
Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich
|
11:38
|
|
CD 49
|
1 |
Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung
|
10:08
|
2 |
Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!”
|
5:29
|
3 |
Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube”
|
33:42
|
|
CD 50
|
1 |
Fancy Free: I. Enter Three Sailors
|
2:50
|
2 |
Fancy Free: II. Scene at the Bar
|
1:40
|
3 |
Fancy Free: III. Enter Two Girls
|
2:07
|
4 |
Fancy Free: IV. Pas de deux
|
3:22
|
5 |
Fancy Free: V. Competition Scene
|
3:04
|
6 |
Fancy Free: VI. Three Dance Variations: Variation I: Galop
|
1:21
|
7 |
Fancy Free: VI. Three Dance Variations: Variation II: Waltz
|
2:24
|
8 |
Fancy Free: VI. Three Dance Variations: Variation III: Danzon
|
2:36
|
9 |
Fancy Free: VII. Finale
|
4:39
|
10 |
Overture to "Candide" (alternate version)
|
4:16
|
11 |
Three Dance Episodes from "On the Town": I. The Great Lover
|
1:45
|
12 |
On The Town - Lonely Town, Pas de Deux: Andante sostenuto
|
3:23
|
13 |
Three Dance Episodes from "On the Town": III. Times Square: 1944
|
4:43
|
14 |
Prelude, Fugue and Riffs: I. Prelude for the Brass
|
1:49
|
15 |
Prelude, Fugue and Riffs: II. Fugue for the Saxes
|
1:47
|
16 |
Prelude, Fugue and Riffs: III. Riffs for Everyone
|
4:11
|
|
CD 51
|
1 |
Concerto for Violin and Orchestra, op. 14: I. Allegro
|
10:15
|
2 |
Concerto for Violin and Orchestra, op. 14: II. Andante
|
8:30
|
3 |
Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo
|
4:02
|
4 |
Concerto for Violin and Orchestra: I. Mäßig bewegte Halbe
|
9:48
|
5 |
Concerto for Violin and Orchestra: II. Langsam
|
11:04
|
6 |
Concerto for Violin and Orchestra: III. Lebhaft
|
9:57
|
|
CD 52
|
1 |
Symphony no. 5 in E‐flat major, op. 82: I. Molto moderato – Allegro moderato – Presto
|
13:16
|
2 |
Symphony no. 5 in E‐flat major, op. 82: II. Andante mosso, quasi allegretto
|
9:55
|
3 |
Symphony no. 5 in E‐flat major, op. 82: III. Allegro molto – Un pochettino largamente – Largamente assai
|
9:43
|
4 |
Pohjola’s Daughter, op. 49
|
12:44
|
5 |
Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato
|
14:07
|
6 |
Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto
|
7:04
|
7 |
Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto
|
7:05
|
|
CD 53
|
1 |
Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo
|
11:42
|
2 |
Symphony no. 3 “Sinfonia espansiva”, op. 27: II. Andante pastorale
|
9:54
|
3 |
Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco
|
6:29
|
4 |
Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro
|
9:34
|
5 |
Symphony no. 5, op. 50: I. Tempo giusto - Adagio non troppo
|
18:39
|
6 |
Symphony no. 5, op. 50: II. Allegro - Andante un poco tranquillo
|
14:41
|
|
CD 54
|
1 |
Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete)
|
3:31
|
2 |
Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1–4)
|
5:35
|
3 |
Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1)
|
9:18
|
4 |
Facsimile: Part I. Molto Adagio - Più Andante - Moderate Waltz tempo - Sostenuto assai - Adagio
|
9:46
|
5 |
Facsimile: Part II. Allegretto - Subito Allegro - Più mosso - Andante - Adagio - Molto rallentando - Adagio, come prima
|
8:59
|
|
CD 55
|
1 |
Symphony no. 8 in B minor: I. Allegro moderato
|
13:52
|
2 |
Symphony no. 8 in B minor: II. Andante con moto
|
12:04
|
3 |
Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace
|
10:21
|
4 |
Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto
|
7:20
|
5 |
Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato
|
6:16
|
6 |
Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto
|
5:56
|
|
CD 56
|
1 |
Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio
|
16:55
|
2 |
Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
|
15:15
|
3 |
Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace. Trio
|
6:08
|
4 |
Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto. Poco andante
|
11:23
|
|
CD 57
|
1 |
Carnival Overture, op. 92: Allegro - Andante con moto - Allegro
|
8:58
|
2 |
Slavonic Dances no. 1 in C major, op. 46: Presto
|
4:10
|
3 |
Slavonic Dances no. 3 in A-flat major, op. 46: Poco allegro
|
5:39
|
4 |
The Bartered Bride: Overture
|
6:28
|
5 |
Three Dances from The Bartered Bride: Polka
|
4:57
|
6 |
Three Dances from The Bartered Bride: Furiant
|
2:12
|
7 |
Three Dances from The Bartered Bride: Dance of the Comedians
|
3:43
|
8 |
The Moldau (Vltava)
|
11:39
|
|
CD 58
|
1 |
Falstaff: Act I, Scene 1. “Falstaff!” - “Olà!” (Dr. Cajus, Falstaff, Bardolfo, Pistola)
|
4:49
|
2 |
Falstaff: Act I, Scene 1. “Sei polli: sei scellini” (Falstaff, Bardolfo, Pistola)
|
2:47
|
3 |
Falstaff: Act I, Scene 1. “Ma è tempo d'assottigliar” (Falstaff, Bardolfo, Pistola)
|
3:48
|
4 |
Falstaff: Act I, Scene 1. “L'onore! Ladri!” (Falstaff)
|
4:09
|
5 |
Falstaff: Act I, Scene 2. “Alice.” - “Meg.” - “Nanetta.” (Meg, Alice, Quickly, Nannetta)
|
1:06
|
6 |
Falstaff: Act I, Scene 2. “Fulgida Alice! Amor t'offro” (Meg, Alice, Quickly, Nannetta, Dr. Cajus, Bardolfo, Pistola, Fenton, Ford)
|
3:56
|
7 |
Falstaff: Act I, Scene 2. “In due parole: l'enorme Falstaff” (Pistola, Dr. Cajus, Ford, Bardolfo, Fenton, Nannetta, Alice, Meg, Quickly)
|
1:25
|
8 |
Falstaff: Act I, Scene 2. “Pst, pst, Nannetta” (Fenton, Nannetta, Alice, Meg, Quickly)
|
5:15
|
9 |
Falstaff: Act I, Scene 2. “Udrai quanta egli sfoggia” (Bardolfo, Ford, Pistola, Dr. Cajus, Alice, Meg, Nannetta, Quickly, Fenton)
|
3:07
|
10 |
Falstaff: Act II, Scene 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff, Quickly)
|
6:25
|
11 |
Falstaff: Act II, Scene 1. “Va', vecchio John” (Falstaff, Bardolfo)
|
2:06
|
12 |
Falstaff: Act II, Scene 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola)
|
2:49
|
13 |
Falstaff: Act II, Scene 1. “C'è a Windsor una dama” (Ford, Falstaff)
|
7:18
|
14 |
Falstaff: Act II, Scene 1. “È sogno? O realtà?” (Ford, Falstaff)
|
6:22
|
|
CD 59
|
1 |
Falstaff: Act II, Scene 2. “Presenteremo un bill” (Alice, Quickly, Meg, Nannetta)
|
3:58
|
2 |
Falstaff: Act II, Scene 2. “Gaie comari di Windsor!” (Alice, Meg, Quickly, Nannetta)
|
1:34
|
3 |
Falstaff: Act II, Scene 2. “Afin t'ho colto, raggiante fior” (Falstaff, Alice)
|
3:55
|
4 |
Falstaff: Act II, Scene 2. “Quand'ero paggio del Duca di Norfolk” (Falstaff, Alice, Quickly)
|
0:56
|
5 |
Falstaff: Act II, Scene 2. “Mia signora!” (Quickly, Falstaff, Alice, Meg, Ford, Bardolfo, Pistola, Cajus, Nannetta, Fenton)
|
3:48
|
6 |
Falstaff: Act II, Scene 2. “C'è!” - “C'è!” (Ford, Dr. Cajus, Quickly, Meg, Falstaff, Bardolfo, Pistola, Ford, Fenton, Nannetta, Alice, chorus)
|
5:33
|
7 |
Falstaff: Act III, Scene 1. “Ehi! Taverniere!” (Falstaff)
|
6:47
|
8 |
Falstaff: Act III, Scene 1. “Reverenza. La bella Alice” (Quickly, Falstaff, Alice, Ford, Meg, Dr. Cajus, Nannetta)
|
5:23
|
9 |
Falstaff: Act III, Scene 1. “Bada! Tu pur ti meriti qualche castigatoia!” (Alice, Ford, Meg, Fenton, Nannetta, Dr. Cajus, Quickly)
|
4:40
|
10 |
Falstaff: Act III, Scene 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta, Alice, Quickly, Meg)
|
5:06
|
11 |
Falstaff: Act III, Scene 2. “Una, due, tre, quattro” (Falstaff, Alice, Meg)
|
5:08
|
12 |
Falstaff: Act III, Scene 2. “Ninfe! Elfi! Silfi!” (Nannetta, Falstaff, Alice, chorus)
|
6:37
|
13 |
Falstaff: Act III, Scene 2. “Alto là!” - “Chi va là?” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Ford, Dr. Cajus, chorus)
|
6:15
|
14 |
Falstaff: Act III, Scene 2. “Ogni sorta di gente dozzinale” (Falstaff, Ford, Alice, Dr. Cajus, Bardolfo, Fenton, Nannetta, Meg, Quickly, Pistola, chorus)
|
4:22
|
15 |
Falstaff: Act III, Scene 2. “Tutto nel mondo è burla” (Falstaff, Alicee, Nannetta, Meg, Quickly, Fenton, Ford, Dr. Cajus, Bardolfo, Pistola, chorus)
|
2:57
|
|
CD 60
|
1 |
Quintet for Piano and Strings in E-flat major, Op. 44: I. Allegro brilliante
|
9:14
|
2 |
Piano Quintet in E-flat, op. 44: II. In modo d'una marcia. Un poco largamente - agitato
|
8:38
|
3 |
Piano Quintet in E-flat, op. 44: III. Scherzo. Molto vivace - Trio I - Trio II - Coda
|
4:23
|
4 |
Piano Quintet in E-flat, op. 44: IV. Allegro, ma non troppo
|
7:26
|
5 |
Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: I. Allegro
|
10:31
|
6 |
Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: II. Andante
|
9:06
|
7 |
Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: III. Rondo
|
7:38
|
|
CD 61
|
1 |
Concerto for Violin and Orchestra no. 2 in E major, BWV 1042: I. Allegro
|
8:21
|
2 |
Concerto for Violin and Orchestra no. 2 in E major, BWV 1042: II. Adagio
|
7:39
|
3 |
Concerto for Violin and Orchestra no. 2 in E major, BWV 1042: III. Allegro assai
|
3:09
|
4 |
Concerto for Oboe, Violin and Orchestra in C minor, BWV 1060: I. Allegro
|
6:00
|
5 |
Konzert für Oboe und Violine c-Moll, BWV 1060: Adagio
|
6:57
|
6 |
Concerto for Oboe, Violin and Orchestra in C minor, BWV 1060: III. Allegro
|
4:10
|
7 |
Concerto for Two Violins and Orchestra in D minor, BWV 1043: I. Vivace
|
4:07
|
8 |
Concerto for Two Violins and Orchestra in D minor, BWV 1043: II. Largo ma non tanto
|
6:26
|
9 |
Concerto for Two Violins and Orchestra in D minor, BWV 1043: III. Allegro
|
5:00
|
|
CD 62
|
1 |
Symphony No. 3 in A minor, op. 56 "Scottish": I. Andante con moto, allegro un poco agitato, assai animato, andante come prima
|
13:07
|
2 |
Symphony No. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo
|
4:21
|
3 |
Symphony No. 3 in A minor, op. 56 "Scottish": III. Adagio
|
11:35
|
4 |
Symphony No. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo, allegro maestoso assai
|
9:18
|
5 |
Overture "The Hebrides" ("Fingal's Cave"), op. 26: Allegro moderato - Animato in tempo
|
9:07
|
|
CD 63
|
1 |
Prince Igor: Act 2. Dance of the Polovtsian Maidens
|
2:10
|
2 |
Prince Igor: Act 2. Polovtsian Dance. Introduzione. Andantino
|
2:23
|
3 |
Prince Igor: Act 2. Polovtsian Dance. Allegro vivo
|
1:10
|
4 |
Prince Igor: Act 2. Polovtsian Dance. Allegro
|
2:07
|
5 |
Prince Igor: Act 2. Polovtsian Dance. Presto
|
1:18
|
6 |
Prince Igor: Act 2. Polovtsian Dance. Moderato alla breve
|
1:18
|
7 |
Prince Igor: Act 2. Polovtsian Dance. Presto
|
1:17
|
8 |
Prince Igor: Act 2. Polovtsian Dance. Allegro con spirito - Più animato
|
1:24
|
9 |
Caucasian Sketches, op. 10: II. In the Village
|
4:52
|
10 |
March of the Sardar from Caucasian Sketches
|
3:47
|
11 |
Night on Bald Mountain
|
11:04
|
12 |
Dawn on the Moskva River from Khovantchina
|
5:47
|
13 |
Russlan and Ludmilla: Overture
|
5:21
|
|
CD 64
|
1 |
Concerto for Flute and Orchestra: I. Allegro moderato
|
11:00
|
2 |
Concerto for Flute and Orchestra: II. Allegretto
|
7:31
|
3 |
Concerto for Clarinet and Orchestra, op. 57
|
23:18
|
|
CD 65
|
1 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: I. Einleitung: Die Vorstellung des Chaos / Recitativ mit Chor: Im Anfange schuf Gott Himmel und Erde
|
9:16
|
2 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: II. Arie mit Chor: Nun schwanden vor dem heiligen Strahle - Verzweiflung, Wut und Schrecken
|
3:42
|
3 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: III. Rezitativ: Und Gott machte das Firmament
|
2:08
|
4 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: IV. Solo mit Chor: Mit Staunen sieht das Wunderwerk / Und laut ertönt aus ihren Kehlen
|
1:43
|
5 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: V. Rezitativ: Und Gott sprach: Es sammle sich das Wasser
|
0:49
|
6 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: VI. Arie: Rollend in schäumenden Wellen
|
3:45
|
7 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: VII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hevor
|
0:37
|
8 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: VIII. Arie: Nun beut die Flur das frische Grün
|
5:18
|
9 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: IX. Rezitativ: Und die himmlischen Heerscharen verkündigten
|
0:14
|
10 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: X. Chor: Stimmt and die Saiten
|
2:06
|
11 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XI. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels
|
0:44
|
12 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XII. Rezitativ: In vollem Glanze steiget jetzt
|
2:46
|
13 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XIII. Terzett mit Chor: Die Himmel erzählen die Ehre Gottes / Dem kommenden Tage sagt es der Tag
|
4:47
|
14 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: I. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor
|
0:39
|
15 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: II. Arie: Auf starkem Fittiche schwinget sich der Adler stolz
|
6:18
|
16 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: III. Rezitativ: Und Gott schuf große Walfische
|
2:43
|
17 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: IV. Rezitativ: Und die Engel rührten ihr' unsterblichen Harfen
|
0:30
|
18 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: V. Terzett: In holder Anmut stehn
|
4:23
|
19 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: VI. Terzett mit Chor: Der Herr ist groß in seiner Macht
|
2:22
|
|
CD 66
|
1 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: VII. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe
|
0:35
|
2 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: VIII. Rezitativ: Gleich öffnet sich der Erde Schoß
|
3:10
|
3 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: IX. Arie: Nun scheint in vollem Glanze der Himmel
|
2:56
|
4 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: X. Rezitativ: Und Gott schuf den Menschen
|
0:51
|
5 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XI. Arie: Mit Würd' und Hoheit angetan
|
3:24
|
6 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XII. Rezitativ: Und Gott sah jedes Ding
|
0:29
|
7 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XIII. Chor: Vollendet ist das große Werk
|
1:27
|
8 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XIV. Terzett: Zu dir, o Herr, blickt alles auf
|
4:48
|
9 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XV. Chor: Vollendet ist das große Werk
|
2:54
|
10 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: I. Rezitativ: Aus Rosenwolken bricht
|
5:04
|
11 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: II. Duett mit Chor: Von deiner Güt', o Herr und Gott
|
9:13
|
12 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: III. Rezitativ: Nun ist die erste Pflicht erfüllt
|
2:24
|
13 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: IV. Duett: Holde Gattin, dir zur Seite
|
8:28
|
14 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: V. Rezitativ: O glücklich Parr, und glücklich immerfort
|
0:26
|
15 |
Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: VI. Schlußchor (mit Soli): "Singt dem Herren, alle Stimmen!
|
3:23
|
|
CD 67
|
1 |
Symphony no. 6 in A minor, “Tragic”: I. Allegro energico, ma non troppo
|
21:28
|
2 |
Symphony no. 6 in A minor, “Tragic”: II. Scherzo. Wuchtig
|
12:24
|
3 |
Symphony no. 6 in A minor, “Tragic”: III. Andante moderato
|
15:19
|
4 |
Symphony no. 6 in A minor, “Tragic”: IV. Finale. Allegro moderato – Allegro energico
|
28:42
|
|
CD 68
|
1 |
Symphony no. 9 in D major: I. Andante comodo
|
28:23
|
2 |
Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
|
15:52
|
3 |
Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig
|
12:32
|
4 |
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
|
22:59
|
|
CD 69
|
1 |
Serenade no. 2 in A major, op. 16: I. Allegro moderato
|
8:40
|
2 |
Serenade no. 2 in A major, op. 16: II. Scherzo. Vivace - Trio
|
2:45
|
3 |
Serenade no. 2 in A major, op. 16: III. Adagio non troppo
|
9:03
|
4 |
Serenade no. 2 in A major, op. 16: IV. Quasi Menuetto - Trio
|
5:41
|
5 |
Serenade no. 2 in A major, op. 16: V. Rondo. Allegro
|
5:59
|
|
CD 70
|
1 |
Symphony no. 1 in D major, op. 25 "Classical": I. Allegro
|
4:07
|
2 |
Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto
|
3:54
|
3 |
Symphony no. 1 in D major, op. 25 "Classical": III. Gavotte: Non troppo allegro
|
1:36
|
4 |
Symphony no. 1 in D major, op. 25 "Classical": IV. Finale: Molto vivace
|
4:05
|
5 |
Symphony no. 1 in C major: I. Allegro vivo
|
7:07
|
6 |
Symphony no. 1 in C major: II. Adagio
|
9:23
|
7 |
Symphony no. 1 in C major: III. Scherzo. Allegro vivace
|
5:23
|
8 |
Symphony no. 1 in C major: IV. Finale. Allegro vivace
|
6:11
|
|
CD 71
|
1 |
Rustic Wedding, op. 26: I. Wedding March: Moderato molto
|
16:21
|
2 |
Rustic Wedding, op. 26: II. Bridal Song: Allegretto
|
4:06
|
3 |
Rustic Wedding, op. 26: III. Serenade: Allegro moderato scherzando
|
4:53
|
4 |
Rustic Wedding, op. 26: IV. Andante; Poco più lento
|
10:21
|
5 |
Rustic Wedding, op. 26: V. Finale: Dance - allegro molto
|
8:17
|
|
CD 72
|
1 |
Symphony in G major, Hob. I:88: I. Adagio – Allegro
|
6:54
|
2 |
Symphony in G major, Hob. I:88: II. Largo
|
7:10
|
3 |
Symphony in G major, Hob. I:88: III. Menuetto. Allegretto – Trio
|
3:56
|
4 |
Symphony in G major, Hob. I:88: IV. Finale. Allegro con spirito
|
3:18
|
5 |
Symphony no. 102 in B-flat major, Hob. I:102: I. Largo - Vivace
|
9:08
|
6 |
Symphony no. 102 in B-flat major, Hob. I:102: II. Adagio
|
7:07
|
7 |
Symphony no. 102 in B-flat major, Hob. I:102: III. Menuet. Allegro - Trio
|
6:02
|
8 |
Symphony no. 102 in B-flat major, Hob. I:102: IV. Finale. Presto
|
4:07
|
|
CD 73
|
1 |
Symphonie Fantastique, op. 14: I. Dreams, Passions
|
12:31
|
2 |
Symphonie Fantastique, op. 14: II. A Ball
|
6:07
|
3 |
Symphonie Fantastique, op. 14: III. Scene in the Meadows
|
15:02
|
4 |
Symphonie Fantastique, op. 14: IV. March to the Scaffold
|
4:27
|
5 |
Symphonie Fantastique, op. 14: V. Dream of the Witches' Sabbath
|
9:32
|
6 |
Berlioz Takes a Trip
|
15:48
|
|
CD 74
|
1 |
An der schönen, blauen Donau (On the Beautiful, Blue Danube), op. 314
|
10:25
|
2 |
Kaiser-Walzer, op. 437
|
11:59
|
3 |
Wiener Blut, op. 354
|
8:18
|
4 |
Künstlerleben, op. 316
|
8:04
|
5 |
Frühlingsstimmen (Voices of Spring), op. 410
|
5:56
|
6 |
Rosen aus dem Süden, op. 388
|
11:54
|
7 |
Geschichten aus dem Wienerwald, op. 325
|
15:46
|
|
CD 75
|
1 |
Des Knaben Wunderhorn: Der Schildwache Nachtlied
|
5:53
|
2 |
Des Knaben Wunderhorn: Wer hat die Liedlein Erdacht?
|
2:05
|
3 |
Des Knaben Wunderhorn: Der Tamboursg'sell
|
5:59
|
4 |
Des Knaben Wunderhorn: Rheinlegendchen
|
3:35
|
5 |
Des Knaben Wunderhorn: Lied des Verfolgten im Turm
|
5:37
|
6 |
Des Knaben Wunderhorn: Urlicht
|
6:27
|
7 |
Des Knaben Wunderhorn: Revelge
|
5:53
|
8 |
Des Knaben Wunderhorn: Des Antonius non Padua Fischpredigt
|
3:40
|
9 |
Des Knaben Wunderhorn: Verlor'ne Müh'
|
2:51
|
10 |
Des Knaben Wunderhorn: Wo die schönen Trompeten blasen
|
7:01
|
11 |
Des Knaben Wunderhorn: Lob des hohen Verstandes
|
2:10
|
12 |
Des Knaben Wunderhorn: Das irdische Leben
|
2:51
|
13 |
Des Knaben Wunderhorn: Trost im Unglück
|
2:53
|
14 |
Lieder eines fahrenden Gesellen No. 1: Wenn mein Schatz Hochzeit macht
|
3:57
|
15 |
Lieder eines fahrenden Gesellen No. 2: Ging heut morgen übers Feld
|
3:52
|
16 |
Lieder eines fahrenden Gesellen No. 3: Ich hab ein glühend Messer
|
3:07
|
17 |
Lieder eines fahrenden Gesellen No. 4: Die zwei blauen Augen
|
5:08
|
|
CD 76
|
1 |
Symphony in E-flat major: I. Sehr Lebhaft, Lebhafter
|
4:31
|
2 |
Symphony in E-flat major: II. Sehr Langsam, Breit
|
10:26
|
3 |
Symphony in E-flat major: III. Lebhaft, Ein Wenig Ruhiger, Im Früheren Zeitmaß
|
7:08
|
4 |
Symphony in E-flat major: IV. Mäßig Schnelle Halbe, Intermezzo, Im Gleichen Zeitmaß, Breit Bewegt, Lebhaft, Mit Höchster Kraft
|
10:33
|
5 |
Symphonic Metamorphoses on Themes of Carl Maria von Weber: I. Allegro
|
4:04
|
6 |
Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. “Turandot” — Scherzo. Moderato — Lebhaft
|
7:20
|
7 |
Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino
|
4:10
|
8 |
March (Symphonic Metamorphosis)
|
4:44
|
|
CD 77
|
1 |
Symphony for Strings (Symphony no. 5): I. Molto agitato ed energico
|
4:24
|
2 |
Symphony for Strings (Symphony no. 5): II. Larghissimo
|
7:20
|
3 |
Symphony for Strings (Symphony no. 5): III. Presto
|
4:53
|
4 |
Symphony no. 3: Part I: Passacaglia and Fugue
|
13:43
|
5 |
Symphony no. 3: Part II: Chorale and Toccata
|
17:17
|
|
CD 78
|
1 |
Swan Lake, op. 20: Act I. No. 5 Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato
|
1:43
|
2 |
Swan Lake, op. 20: Act I. No. 5 Pas de deux: II. Andante - Allegro
|
4:43
|
3 |
Swan Lake, op. 20: Act I. No. 5 Pas de deux: III. Tempo di valse
|
1:52
|
4 |
Swan Lake, op. 20: Act I. No. 5 Pas de deux: IV. Coda. Allegro molto vivace
|
1:51
|
5 |
Swan Lake, op. 20: Act II. No. 10 Scène. Moderato
|
2:56
|
6 |
Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: I. Tempo di valse
|
2:35
|
7 |
Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: II. Moderato assai - Molto più mosso
|
2:03
|
8 |
Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: IV. Allegro moderato
|
1:29
|
9 |
Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: V. Andante - Cadenza - Andante non troppo - Più mosso - Tempo I - Allegro - Più mosso
|
7:05
|
10 |
Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: VI. Tempo di valse
|
1:35
|
11 |
Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: VII. Coda. Allegro vivace
|
1:33
|
12 |
Swan Lake, op. 20: Act III. No. 15 Allegro giusto
|
2:42
|
13 |
Swan Lake, op. 20: Act III. No. 20 Danse hongroise. Czsárdás. Moderato assai - Allegro moderato - Vivace
|
2:46
|
14 |
Swan Lake, op. 20: Act III. No. 21 Danse espagnole. Allegro non troppo (Tempo di bolero)
|
2:44
|
15 |
Swan Lake, op. 20: Act III. No. 22 Danse napolitaine. Allegro moderato - Andantino quasi moderato - Molto più mosso - Presto
|
2:12
|
16 |
Swan Lake, op. 20: Act III. No. 23 Mazurka. Tempo di mazurka
|
4:27
|
|
CD 79
|
1 |
Der Rosenkavalier, op. 59: Akt I. Introduktion
|
3:58
|
2 |
Der Rosenkavalier, op. 59: Akt I. “Wie du warst! Wie du bist!” (Octavian, Marschallin)
|
8:40
|
3 |
Der Rosenkavalier, op. 59: Akt I. “Marie Theres'!” - “Octavian!” (Octavian, Marschallin)
|
4:21
|
4 |
Der Rosenkavalier, op. 59: Akt I. “Quinquin, es ist mein Mann!” (Marschallin, majordomo, Baron)
|
3:46
|
5 |
Der Rosenkavalier, op. 59: Akt I. “Selbstverständlich empfängt mich Ihro Gnaden” (Baron, footmen, Marschallin, majordomo)
|
9:19
|
6 |
Der Rosenkavalier, op. 59: Akt I. “Hat Sie schon einmal mit einem Kavalier” (Baron, Octavian, Marschallin)
|
3:09
|
7 |
Der Rosenkavalier, op. 59: Akt I. “Nein, Er agiert mir gar zu gut!” (Marschallin, Baron, Octavian)
|
4:15
|
8 |
Der Rosenkavalier, op. 59: Akt I. “I komm' glei” - “Drei arme adelige Waisen” (Octavian, 3 orphans, milliner, deal in animals, Marschallin, Valzacchi)
|
3:13
|
9 |
Der Rosenkavalier, op. 59: Akt I. “Di rigori armato il seno” (singer)
|
2:06
|
10 |
Der Rosenkavalier, op. 59: Akt I. “Als Morgengabe - ganz separatim jedoch” (Baron, notary, singer)
|
3:16
|
11 |
Der Rosenkavalier, op. 59: Akt I. “Mein lieber Hippolyte” (Marschallin, Valzacchi, Baron, Annina)
|
4:16
|
12 |
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin” (Marschallin)
|
5:50
|
13 |
Der Rosenkavalier, op. 59: Akt I. “Ach, du bist wieder da!” (Marschallin, Octavian)”
|
6:42
|
14 |
Der Rosenkavalier, op. 59: Akt I. “Die Zeit, die ist ein sonderbar Ding” (Marschallin, Octavian)
|
8:13
|
15 |
Der Rosenkavalier, op. 59: Akt I. “Ich werd' jetzt in die Kirchen gehn” (Marschallin, Octavian)
|
4:07
|
16 |
Der Rosenkavalier, op. 59: Akt I. “Ich hab' ihn nicht einmal geküsst” (Marschallin, 4 footmen)
|
4:22
|
|
CD 80
|
1 |
Der Rosenkavalier, op 59: Akt II. Prelude - “Ein ernster Tag, ein großer Tag!” (Faninal, duenna, majordomo)
|
2:02
|
2 |
Der Rosenkavalier, op 59: Akt II. “In dieser feierlichen Stunde der Prüfung” (Sophie, duenna, 3 footmen)
|
4:05
|
3 |
Der Rosenkavalier, op 59: Akt II. “Mir ist die Ehre widerfahren” (Octavian, Sophie)
|
8:41
|
4 |
Der Rosenkavalier, op 59: Akt II. “Ich kenn' Ihn schon recht wohl” (Sophie, Octavian)
|
4:26
|
5 |
Der Rosenkavalier, op 59: Akt II. “Jetzt aber kommt mein Herr Zukünftiger” (Sophie, Faninal, Baron, Octavian, duenna)
|
4:01
|
6 |
Der Rosenkavalier, op 59: Akt II. “Eh bien! Nun plauder' Sie uns eins” (Baron, Sophie, Faninal, Octavian, duenna)
|
8:05
|
7 |
Der Rosenkavalier, op 59: Akt II. “Wird Sie das Mannsbild da heiraten, ma cousine?” (Octavian, Sophie, majordomo, duenna)
|
6:56
|
8 |
Der Rosenkavalier, op 59: Akt II. “Herr Baron von Lerchenau!” (Valzacchi, Annina, Baron, Sophie, Octavian)
|
4:53
|
9 |
Der Rosenkavalier, op 59: Akt II. “Mord! Mord! Mein Blut! Zu Hilfe!” (Baron, chorus, Octavian, Sophie)
|
2:09
|
10 |
Der Rosenkavalier, op 59: Akt II. “Herr Schwiegersohn! Wie ist Ihm denn?” (Faninal, Baron, Octavian, Sophie)
|
2:58
|
11 |
Der Rosenkavalier, op 59: Akt II. “Blamage! Mir auseinander meine Eh'” (Faninal, Sophie, Octavian, duenna, Baron)
|
2:38
|
12 |
Der Rosenkavalier, op 59: Akt II. “Is gut! Is gut! Ein Schluck von was zum Trinken!” (Baron, Faninal)
|
2:27
|
13 |
Der Rosenkavalier, op 59: Akt II. “Da lieg' ich!” (Baron, chorus)
|
5:42
|
14 |
Der Rosenkavalier, op. 59: Akt II. "Ohne mich, ohne mich, jeder Tag dir zu bang" (Baron, Annina)
|
6:23
|
|
CD 81
|
1 |
Der Rosenkavalier, op. 59: Akt III. Prelude and Pantomime
|
7:11
|
2 |
Der Rosenkavalier, op. 59: Akt III. “Hab'n Euer Gnaden noch weitre Befehle?” (landlord, waiters, Baron)
|
2:42
|
3 |
Der Rosenkavalier, op. 59: Akt III. “Nein, nein, nein, nein! I trink' kein Wein” (Octavian, Baron)
|
8:06
|
4 |
Der Rosenkavalier, op. 59: Akt III. “Es is ja eh all's eins, es is ja eh all's eins” (Octavian, Baron)
|
3:18
|
5 |
Der Rosenkavalier, op. 59: Akt III. “Da und da und da und da!” (Baron, Annina, Octavian, waiters, landlord, 4 children, Valzacchi)
|
3:20
|
6 |
Der Rosenkavalier, op. 59: Akt III. “Halt! Keiner rührt sich! Was ist los?” (police commissioner, Baron, landlord, Valzacchi, Octavian)
|
2:29
|
7 |
Der Rosenkavalier, op. 59: Akt III. “Zur Stelle! Was wird von mir gewünscht?” (Faninal, Baron, police commissioner, 4 children, chorus, Sophie)
|
3:49
|
8 |
Der Rosenkavalier, op. 59: Akt III. “Sind desto eher im klaren. Ich zahl', i geh'!” (Baron, police commissioner, Octavian, landlord)
|
1:53
|
9 |
Der Rosenkavalier, op. 59: Akt III. “Bin glücklich über Maßen” (Baron, Octavian, Marschallin, police commissioner, Sophie)
|
2:52
|
10 |
Der Rosenkavalier, op. 59: Akt III. “Lass Er nur gut sein und verschwind' Er auf eins, zwei!” (Marschallin, Baron, police commissioner, Sophie, Octavian)
|
8:05
|
11 |
Der Rosenkavalier, op. 59: Akt III. “Leopold, wir gehn!” (Baron, Annina, 4 children, waiters, landlord, Valzacchi, chorus)
|
2:16
|
12 |
Der Rosenkavalier, op. 59: Akt III. “Mein Gott, es war nicht mehr als eine Farce” (Sophie, Octavian, Marschallin)
|
8:40
|
13 |
Der Rosenkavalier, op. 59: Akt III. “Marie Theres'!” - “Hab mir's gelobt” (Octavian, Marschallin, Sophie)
|
6:30
|
14 |
Der Rosenkavalier, op. 59: Akt III. “Ist ein Traum, kann nicht wirklich sein” (Sophie, Octavian, Faninal, Marschallin)
|
7:17
|
|
CD 82
|
1 |
Die Weihe des Hauses, op. 124: Overture
|
9:58
|
2 |
König Stephan, op. 117: Overture
|
6:33
|
3 |
Fidelio, op. 72b: Overture
|
6:47
|
4 |
Egmont, op. 84: Overture
|
9:00
|
5 |
Leonore - ouverture N° 3, op. 72A
|
13:12
|
|
CD 83
|
1 |
Symphony no. 9 in D minor: I. Feierlich. Misterioso
|
25:03
|
2 |
Symphony no. 9 in D minor: II. Scherzo. Bewegt, Lebhaft, Trio. Schnell
|
11:22
|
3 |
Symphony no. 9 in D minor: III. Adagio. Langsam, Feierlich
|
24:31
|
|
CD 84
|
1 |
Washington Post
|
2:17
|
2 |
Semper fidelis
|
2:31
|
3 |
The Thunderer
|
2:40
|
4 |
Under the Double Eagle
|
3:12
|
5 |
Hands Across the Sea
|
2:50
|
6 |
The Stars and Stripes Forever
|
3:15
|
7 |
Radetsky March
|
2:30
|
8 |
The Battle Hymn of the Republic
|
1:05
|
9 |
Anchors Aweigh
|
2:38
|
10 |
Colonel Bogey
|
4:10
|
11 |
The British Grenadiers
|
1:13
|
12 |
Rule, Britannia!
|
0:52
|
13 |
La Marseillaise
|
1:02
|
14 |
The National Emblem
|
2:56
|
|
CD 85
|
1 |
Symphony no. 9 in C major “The Great”: I. Andante - Allegro ma non troppo
|
13:30
|
2 |
Symphony no. 9 in C major “The Great”: II. Andante con moto
|
15:15
|
3 |
Symphony no. 9 in C major “The Great”: III. Scherzo. Allegro vivace - Trio
|
10:07
|
4 |
Symphony no. 9 in C major “The Great”: IV. Finale. Allegro vivace
|
10:07
|
|
CD 86
|
1 |
Gaîté parisienne : I. Ouverture
|
2:03
|
2 |
Gaîté parisienne : II. Tortoni no. 1
|
1:03
|
3 |
Gaîté parisienne : III. Polka
|
1:46
|
4 |
Gaîté parisienne : IV. Galop
|
1:04
|
5 |
Gaîté parisienne : V. Valse Lente
|
2:26
|
6 |
Gaîté parisienne : Marche
|
1:17
|
7 |
Gaîté parisienne : VI. Grande Valse
|
3:39
|
8 |
Gaîté parisienne : VII. Cancan
|
4:20
|
9 |
Gaîté parisienne : VIII. Barcarolle
|
3:32
|
10 |
L’Arlésienne Suite no. 1: I. Prélude. Allegro deciso (Tempo di marcia) – Andantino
|
3:23
|
11 |
L’Arlésienne Suite no. 1: I. Andante molto
|
3:41
|
12 |
L’Arlésienne Suite no. 1: II. Menuet. Allegro giocoso
|
3:02
|
13 |
L’Arlésienne Suite no. 1: III. Adagietto. Adagio
|
3:52
|
14 |
L’Arlésienne Suite no. 1: IV. Carillon. Allegro moderato – Andantino – Tempo I
|
4:31
|
15 |
L’Arlésienne Suite no. 2: I. Pastorale. Andante sostenuto assai – Andantino – Tempo I
|
5:07
|
16 |
L’Arlésienne Suite no. 2: II. Intermezzo. Andante moderato ma con moto – Allegro moderato
|
4:41
|
17 |
L’Arlésienne Suite no. 2: III. Menuet. Andantino quasi allegretto
|
4:08
|
18 |
L’Arlésienne Suite no. 2: IV. Farandole. Allegro deciso (Tempo di marcia) – Allegro vivo e deciso
|
3:07
|
|
CD 87
|
1 |
Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo
|
10:15
|
2 |
Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato
|
6:11
|
3 |
Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace
|
5:04
|
4 |
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo
|
9:05
|
|
CD 88
|
1 |
Carmen Suite no. 1: Les Toréadors. Allegro giocoso (Introduction to Act I)
|
2:33
|
2 |
Carmen Suite no. 1: Prélude. Andante moderato (Prelude to Act I)
|
1:12
|
3 |
Carmen Suite no. 1: Aragonaise. Allegro vivo (Prélude to Act IV)
|
2:25
|
4 |
Carmen Suite no. 1: Intermezzo. Andantino quasi allegretto (Prélude to Act III)
|
2:45
|
5 |
Carmen Suite no. 1: Séguedille. Allegretto (Act I)
|
1:58
|
6 |
Carmen Suite no. 1: Les Dragons d’Acala. Allegro moderato (Prélude to Act II)
|
1:52
|
7 |
Carmen Suite no. 2: Marche des contrebandiers. Allegro moderato (Act III)
|
4:20
|
8 |
Carmen Suite no. 2: Habanera. Allegretto quasi andantino (Act I)
|
2:03
|
9 |
Carmen Suite no. 2: Chanson du toréador (Act III)
|
2:55
|
10 |
Carmen Suite no. 2: La Garde montante. Allegro (Act I)
|
3:45
|
11 |
Carmen Suite no. 2: Danse bohême. Andante quasi allegretto (Act II)
|
4:29
|
12 |
Peer Gynt Suite no. 1, op. 46: I. Dawn
|
3:49
|
13 |
Peer Gynt Suite no. 1, op. 46: II. The Death of Åse
|
4:54
|
14 |
Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance
|
3:36
|
15 |
Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King
|
2:38
|
16 |
Peer Gynt Suite no. 2, op. 55: I. Ingrid’s Lament
|
4:12
|
17 |
Peer Gynt Suite no. 2, op. 55: II. Arabian Dance
|
4:37
|
18 |
Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Return Home
|
2:59
|
19 |
Peer Gynt Suite no. 2, op. 55: IV. Solvejg's Song
|
5:38
|
|
CD 89
|
1 |
The Planets, op. 32: I. Mars, the Bringer of War. Allegro
|
6:37
|
2 |
The Planets, op. 32: II. Venus, the Bringer of Peace. Adagio - Andante - Animato - Tempo I
|
9:35
|
3 |
The Planets, op. 32: III. Mercury, the Winged Messenger. Vivace
|
3:58
|
4 |
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity. Allegro giocoso - Andante maestoso - Tempo I - Maestoso - Lento maestoso - Presto
|
8:20
|
5 |
The Planets, op. 32: V. Saturn, the Bringer of Old Age. Adagio - Andante
|
8:53
|
6 |
The Planets, op. 32: VI. Uranus, the Magician. Allegro - Lento - Allegro - Largo
|
5:26
|
7 |
The Planets, op. 32: VII. Neptune, the Mystic. Andante - Allegretto
|
8:24
|
|
CD 90
|
1 |
Dybbuk: Part I. The Community. Invocation and Trance
|
4:48
|
2 |
Dybbuk: Part I. The Fathers. David & Jonathan (The Pledge)
|
3:55
|
3 |
Dybbuk: Part I. Witnesses of Birth. Variation O - Messengers (Angelic Messengers)
|
2:11
|
4 |
Dybbuk: Part I. The Children. Kabbalah - Dream
|
5:06
|
5 |
Dybbuk: Part II. Kabbalah: Six Variations (Alchemy - Variations A, M, N, X, Y, Z)
|
10:54
|
6 |
Dybbuk: Part III. Witnesses of Death. Alchemy - Variation O
|
1:37
|
7 |
Dybbuk: Part III. Leah (Maiden's Dance)
|
3:00
|
8 |
Dybbuk: Part III. Possession - Demon - Pas de deux
|
8:10
|
9 |
Dybbuk: Part III. Exorcism
|
3:14
|
10 |
Dybbuk: Part III. The Community. Reprise and Coda
|
5:14
|
|
CD 91
|
1 |
Trouble in Tahiti: Prelude. “Daa / Doa Day” ... “Morning' sun kisses the windows” (Trio)
|
3:12
|
2 |
Trouble in Tahiti: Scene I. “How could you say the thing that you did” (Sam, Dinah, Trio)
|
5:32
|
3 |
Trouble in Tahiti: Scene 2. "Yes? Oh, Mister Partridge"
|
3:03
|
4 |
Trouble in Tahiti: Scene III. “I was standing in a garden” (Dinah, Sam)
|
4:35
|
5 |
Trouble in Tahiti: Scene IIIa. “Then desire took hold inside me” (Dinah)
|
2:46
|
6 |
Trouble in Tahiti: Scene IV. “Well, of all people” ... “I'm on my way” (Sam, Dinah)
|
6:30
|
7 |
Trouble in Tahiti: Interlude. “Skid a lit day” (Trio)
|
1:45
|
8 |
Trouble in Tahiti: Scene 5. "There's a law"
|
4:22
|
9 |
Trouble in Tahiti: Scene VI. “What a movie!” (Dinah, Trio)
|
4:38
|
10 |
Trouble in Tahiti: Scene VIa. “There's a law that a man has to pay for what he gets” (Sam)
|
0:37
|
11 |
Trouble in Tahiti: Scene VII. “Evenin' shadows are spreadin' softly” (Trio, Sam, Dinah)
|
7:16
|
|
CD 92
|
1 |
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: I. Kyrie: “Kyrie eleison”. Poco Adagio
|
8:47
|
2 |
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Gloria in excelsis Deo”. Vivace assai
|
2:02
|
3 |
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Gratias agimus tibi”. Allegretto
|
6:16
|
4 |
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Quoniam tu solus sanctus”. Allegro spiritoso
|
3:27
|
5 |
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Credo in unum Deum”. Vivace
|
2:42
|
6 |
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et incarnatus est”. Adagio
|
3:43
|
7 |
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et ressurrexit”. Vivace
|
2:41
|
8 |
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et vitam venturi”. Vivace
|
1:50
|
9 |
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: IV. Sanctus: “Sanctus, sanctus”. Adagio - Allegro
|
3:33
|
10 |
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: V. Benedictus: “Benedictus qui venit”. Allegro molto - Allegro
|
4:11
|
11 |
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: VI. Agnus Dei: “Agnus Dei”. Adagio
|
3:07
|
12 |
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: VI. Agnus Dei: “Dona nobis pacem”. Allegro con spirito
|
2:39
|
|
CD 93
|
1 |
Aufforderung zum Tanz, op. 65: Overture
|
8:37
|
2 |
Der Freischütz: Overture
|
10:34
|
3 |
Euryanthe: Overture
|
9:03
|
4 |
Oberon: Overture
|
9:31
|
|
CD 94
|
1 |
The Snow Maiden: Dance of the Tumblers
|
3:20
|
2 |
Eugene Onegin, Op. 24: Waltz
|
7:04
|
3 |
Lieutenant Kijé, Suite, op. 60: Kijé's Wedding
|
2:54
|
4 |
Eugene Onegin, op. 24: Polonaise (Act III)
|
4:48
|
5 |
The Love for Three Oranges, Suite, op. 33a: March
|
1:52
|
6 |
March of the Sardar from Caucasian Sketches
|
3:45
|
7 |
Prince Igor: Act 2. Dance of the Polovtsian Maidens
|
2:13
|
8 |
Polka from "The Age of Gold Ballet"
|
2:47
|
9 |
The Sleeping Beauty, Op. 66: Valse. Allegro (Tempo di valse) (Act I)
|
4:55
|
10 |
Lieutenant Kijé Suite, op. 60: Troika
|
2:48
|
11 |
In the Steppes of Central Asia
|
7:23
|
12 |
"The Red Poppy": Russian Sailor's Dance
|
3:31
|
13 |
Hamlet Fantasy Overture, op. 67
|
19:01
|
|
CD 95
|
1 |
Four Sea Interludes from “Peter Grimes”, op. 33a: I. Lento e tranquillo. “Dawn”
|
3:41
|
2 |
Four Sea Interludes from “Peter Grimes”, op. 33a: II. Allegro spiritoso. “Sunday Morning”
|
3:48
|
3 |
Four Sea Interludes from “Peter Grimes”, op. 33a: III. Andante comodo e rubato. “Moonlight”
|
5:07
|
4 |
Four Sea Interludes from “Peter Grimes”, op. 33a: IV. Presto con fuoco - molto animato - largamente - tempo I. “Storm”
|
4:21
|
5 |
Passacaglia from “Peter Grimes”, op. 33b
|
8:29
|
6 |
Suite on English folk tunes, “A time there was…”, op. 90: I. “Cakes and Ale”
|
2:25
|
7 |
Suite on English folk tunes, “A time there was…”, op. 90: II. “The Bitter Withy”
|
2:49
|
8 |
Suite on English folk tunes, “A time there was…”, op. 90: III. “Hankin Booby”
|
2:19
|
9 |
Suite on English folk tunes, “A time there was…”, op. 90: IV. Fast and gay. “Hunt the Squirrel”
|
1:20
|
10 |
Suite on English folk tunes, “A time there was…”, op. 90: V. Slow and languid. “Lord Melbourne”
|
5:43
|
|
CD 96
|
1 |
Gloria, FP 177: I. Gloria. Maestoso
|
2:58
|
2 |
Gloria, FP 177: II. Laudamus te. Très vite et joyeaux
|
3:00
|
3 |
Gloria, FP 177: III. Domine Deus. Très lent et calme
|
4:17
|
4 |
Gloria, FP 177: IV. Domine Fili unigenite. Très vite et joyeaux
|
1:18
|
5 |
Gloria, FP 177: V. Domine Deus, Agnus Dei. Bien lent
|
6:16
|
6 |
Gloria, FP 177: VI. Qui sedes ad dexteram Patris. Maestoso - Allegretto - Très calme - Extraordinairement calme
|
6:20
|
7 |
Symphony of Psalms: I. Exaudi Orationem Meam (Psalmus XXXVIII 13, 14)
|
3:37
|
8 |
Symphony of Psalms: II. Expectans Expectavi Dominum (Psalmus XXXIX 1-3)
|
8:12
|
9 |
Symphony of Psalms: III. Alleluja. Laudate Dominum (Psalmus CL)
|
12:32
|
|
CD 97
|
1 |
Symphony no. 3 in C minor, op. 78, R. 176 "Organ": I. Adagio
|
1:07
|
2 |
Symphony no. 3 in C minor, op. 78, R. 176 "Organ": I. Allegro moderato
|
10:47
|
3 |
Symphony no. 3 in C minor, op. 78, R. 176 "Organ": I. Poco adagio
|
10:30
|
4 |
Symphony no. 3 in C minor, op. 78, R. 176 "Organ": II. Allegro moderato
|
1:43
|
5 |
Symphony no. 3 in C minor, op. 78, R. 176 "Organ": II. Presto
|
5:43
|
6 |
Symphony no. 3 in C minor, op. 78, R. 176 "Organ": II. Maestoso
|
1:58
|
7 |
Symphony no. 3 in C minor, op. 78, R. 176 "Organ": II. Allegro
|
7:01
|
8 |
Concerto for Piano and Orchestra No. 4 in C minor, op. 44: I. Allegro moderato – Andante
|
11:37
|
9 |
Concerto for Piano and Orchestra No. 4 in C minor, op. 44: II. Allegro vivace – Andante – Allegro
|
13:44
|
10 |
Ballade for Piano and Orchestra, op.19
|
12:30
|
|
CD 98
|
1 |
Prologue
|
3:52
|
2 |
West Side Story: Act I. Jet Song (Riff, The Jets)
|
2:07
|
3 |
Something’s Coming
|
2:38
|
4 |
The Dance at the Gym
|
3:04
|
5 |
Maria
|
2:39
|
6 |
Tonight
|
3:53
|
7 |
America
|
4:34
|
8 |
Cool
|
4:00
|
9 |
One Hand, One Heart
|
3:02
|
10 |
Tonight (Quintet and Chorus)
|
3:38
|
11 |
The Rumble
|
2:44
|
12 |
I Feel Pretty
|
2:47
|
13 |
Somewhere (Ballet)
|
7:33
|
14 |
Gee, Officer Krupke!
|
4:05
|
15 |
A Boy Like That / I Have a Love
|
4:18
|
16 |
Finale
|
2:01
|
|
CD 99
|
1 |
Candide: Act I. Overture
|
4:04
|
2 |
Candide: Act I. The Best of All Possible Worlds (Pangloss, Cunegonde, Candide, ensemble)
|
3:24
|
3 |
Candide: Act I. Oh, Happy We (Candide, Cunegonde)
|
1:51
|
4 |
Candide: Act I. It Must Be So (Candide)
|
1:52
|
5 |
Candide: Act I. Mazurka. The Paris Waltz
|
1:38
|
6 |
Candide: Act I. Glitter and Be Gay (Cunegonde)
|
5:43
|
7 |
Candide: Act I. You Were Dead, You Know (Candide, Cunegonde)
|
2:29
|
8 |
Candide: Act I. My Love (Governor, Cunegonde, Old Lady)
|
2:02
|
9 |
Candide: Act I. I Am Easily Assimilated (Old Lady, Spanish Dons, Cunegonde)
|
3:32
|
10 |
Candide: Act I. Quartet Finale (Candide, Cunegonde, Governor, Old Lady)
|
2:46
|
11 |
Candide: Act II. Quiet (Cunegonde, Governor, Old Lady)
|
3:48
|
12 |
Candide: Act II. Eldorado (Candide, ensemble)
|
3:15
|
13 |
Candide: Act II. Bon Voyage (Governor, ensemble)
|
2:36
|
14 |
Candide: Act II. What's the Use? (Madame Sofronia, Ferone, Prefect of Police, Prince Ivan)
|
3:40
|
15 |
Candide: Act II. The Venie Gavotte (Madame Sofronia, Candide, Pangloss, Cunegonde)
|
3:58
|
16 |
Candide: Act II. Finale. Make Our Garden Grow (Candide, Cunegonde, Pangloss, Old Lady, ensemble)
|
4:18
|
|
CD 100
|
1 |
The Darling Family at Home
|
8:12
|
2 |
Who Am I?
|
2:27
|
3 |
Peter and Wendy in the Nursery
|
8:38
|
4 |
The Lost Boys
|
1:44
|
5 |
The Pirate Song
|
2:23
|
6 |
Captain Hook’s Plan
|
4:47
|
7 |
Build My House
|
1:21
|
8 |
Wendy Plays Mother
|
1:38
|
9 |
The Cake
|
1:29
|
10 |
Peter, Peter
|
4:50
|
11 |
The Pirate Ship
|
0:54
|
12 |
The Plank
|
0:42
|
13 |
The Battle
|
6:12
|
14 |
The Children Fly Home
|
5:22
|