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Digital Media 1
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| 1 |
Aquarius
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2:54
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| 2 |
Donna
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2:15
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| 3 |
Hashish
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0:58
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| 4 |
Sodomy
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0:55
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| 5 |
Colored Spade
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1:12
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| 6 |
Manchester England
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1:20
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| 7 |
I’m Black
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0:27
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| 8 |
Ain’t Got No
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0:45
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| 9 |
I Believe in Love
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1:07
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| 10 |
Ain’t Got No (reprise)
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1:16
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| 11 |
Air
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1:30
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| 12 |
Initials
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0:56
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| 13 |
I Got Life
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3:08
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| 14 |
Going Down
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2:21
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| 15 |
Hair
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3:01
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| 16 |
My Conviction
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1:41
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| 17 |
Easy to Be Hard
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2:40
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| 18 |
Don’t Put It Down
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2:03
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| 19 |
Frank Mills
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2:09
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| 20 |
Be‐In
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3:08
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| 21 |
Where Do I Go?
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2:42
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| 22 |
Electric Blues
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2:35
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| 23 |
Manchester England (reprise)
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0:32
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| 24 |
Black Boys
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1:10
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| 25 |
White Boys
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2:29
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| 26 |
Walking in Space
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4:50
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| 27 |
Abie Baby
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2:44
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| 28 |
Three‐Five‐Zero‐Zero
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3:10
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| 29 |
What a Piece of Work Is Man / Walking in Space (reprise)
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2:23
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| 30 |
Good Morning Starshine
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2:33
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| 31 |
The Bed
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2:57
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| 32 |
The Flesh Failures (Let the Sunshine In)
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3:39
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|
Digital Media 2
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| 1 |
Ain’t Got No
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1:22
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| 2 |
I Got Life
|
2:49
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| 3 |
Air
|
1:31
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| 4 |
Going Down
|
2:39
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| 5 |
Hair
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3:08
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| 6 |
Dead End
|
2:38
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| 7 |
Frank Mills
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1:53
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| 8 |
Hare Krishna
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3:21
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| 9 |
Where Do I Go?
|
3:00
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| 10 |
Electric Blues
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2:32
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| 11 |
Easy to Be Hard
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2:08
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| 12 |
Manchester
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1:14
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| 13 |
White Boys
|
2:37
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| 14 |
Black Boys
|
1:05
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| 15 |
Walking in Space
|
4:22
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| 16 |
Aquarius
|
2:17
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| 17 |
Good Morning Starshine
|
3:52
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| 18 |
Exanaplanetooch
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2:37
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| 19 |
The Climax
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1:51
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| 20 |
Opening
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2:27
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| 21 |
Red Blue and White
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1:44
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| 22 |
Sentimental Ending
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1:29
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| 23 |
Interview with Galt MacDermot: How did you become involved with “Hair”?
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1:07
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| 24 |
Interview with Galt MacDermot: What do you remember about the off‐Broadway cast recording?
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0:32
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| 25 |
Interview with Galt MacDermot: And the Broadway cast recording?
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0:30
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| 26 |
Interview with Galt MacDermot: In the recording session photos, you were the only person wearing a jacket and tie.
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0:13
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| 27 |
Interview with Galt MacDermot: How did the two productions differ?
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1:13
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| 28 |
Interview with Galt MacDermot: You were not a traditional theater composer. Did you have any models or influences?
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0:51
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| 29 |
Interview with Galt MacDermot: Did “Hair” influence your later work, like “Two Gentlemen of Verona”?
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0:42
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| 30 |
Interview with Galt MacDermot: “Hair” was controversial with critics and the public. Did this affect you at all?
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0:39
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| 31 |
Interview with Galt MacDermot: On writing for the theater, and what makes a popular song?
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0:56
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| 32 |
Interview with Galt MacDermot: Did you ever rewrite any of the “Hair” songs?
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0:23
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| 33 |
Interview with Galt MacDermot: What sort of music do you write now?
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0:23
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| 34 |
Interview with Galt MacDermot: Do you use synthesizers?
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0:20
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| 35 |
Interview with Galt MacDermot: Have you got any advice for people who want to write for musical theater?
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0:30
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| 36 |
Interview with Galt MacDermot: Does any one songs in “Hair” express your philosophy?
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0:22
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