Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" by Leonard Bernstein 2018

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Tracklist

# Title Length
CD 1
1 Vol. 1: Musical Phonology: "First of all..." 2:01
2 Vol. 1: Musical Phonology: "Perhaps the principal thing..." 1:40
3 Vol. 1: Musical Phonology: "Let me start..." 0:53
4 Vol. 1: Musical Phonology: "This is not just a sentimental anecdote..." 1:52
5 Vol. 1: Musical Phonology: "From this time..." 2:29
6 Vol. 1: Musical Phonology: "But how do we investigate..." 2:52
7 Vol. 1: Musical Phonology: "Now you can see..." 1:29
8 Vol. 1: Musical Phonology: "Universality is a big word..." 2:31
9 Vol. 1: Musical Phonology: "Other linguists..." 2:46
10 Vol. 1: Musical Phonology: "I began by imagining myself..." 2:12
11 Vol. 1: Musical Phonology: "Well, then I thought..." 2:06
12 Vol. 1: Musical Phonology: "Let's make a simple analogy..." 2:03
13 Vol. 1: Musical Phonology: "Maybe even a divine one..." 1:33
14 Vol. 1: Musical Phonology: "But where do these notes come from?" 2:22
15 Vol. 1: Musical Phonology: "This acoustical phenomenon..." 2:08
16 Vol. 1: Musical Phonology: "All these upper notes..." 1:52
17 Vol. 1: Musical Phonology: "The first overtone..." 2:33
18 Vol. 1: Musical Phonology: "But more of that later..." 1:56
19 Vol. 1: Musical Phonology: "But let's not make the mistake..." 2:21
20 Vol. 1: Musical Phonology: "And that's how the tempered clavichord..." 2:12
21 Vol. 1: Musical Phonology: "Now this is a substantive universal..." 2:01
CD 2
1 Vol. 1: Musical Phonology: "But let's be careful..." 1:43
2 Vol. 1: Musical Phonology: "And there is always that blue note..." 1:37
3 Vol. 1: Musical Phonology: "But even these twelve tones..." 1:51
4 Vol. 1: Musical Phonology: "I trust you realize..." 2:16
5 Vol. 1: Musical Phonology: "And again comes a great leap..." 2:32
6 Vol. 1: Musical Phonology: "Now this means..." 1:38
7 Vol. 1: Musical Phonology: "This is not to say that there were no drastic changes..." 2:28
8 Vol. 1: Musical Phonology: "But meanwhile we are still in the Golden Age..." 2:55
9 Vol. 1: Musical Phonology: "So, we're in the midst of a chromatic adventure..." 1:27
10 Vol. 1: Musical Phonology: "And all by those progressions..." 1:34
11 Vol. 1: Musical Phonology: "Now, I must point out..." 1:57
12 Vol. 1: Musical Phonology: "Do you realize..." 1:32
13 Symphony no. 40 in G minor, K. 550: I. Allegro molto 8:19
14 Symphony no. 40 in G minor, K. 550: II. Andante 8:31
15 Symphony no. 40 in G minor, K. 550: III. Minuetto. Allegretto & Trio 4:38
16 Symphony no. 40 in G minor, K. 550: IV. Allegro assai 6:10
CD 3
1 Vol. 2: Musical Syntax: "Every once in a while..." 1:44
2 Vol. 2: Musical Syntax: "Last week..." 2:24
3 Vol. 2: Musical Syntax: "Amen, says Noam Chomsky..." 2:09
4 Vol. 2: Musical Syntax: "I suppose what Chomsky is really after..." 2:49
5 Vol. 2: Musical Syntax: "So, let's pull up our socks..." 1:36
6 Vol. 2: Musical Syntax: "All right, let's try another one..." 2:08
7 Vol. 2: Musical Syntax: "Why am I taking your time..." 2:12
8 Vol. 2: Musical Syntax: "Well then..." 1:48
9 Vol. 2: Musical Syntax: "I think it follows..." 1:53
10 Vol. 2: Musical Syntax: "But first, what are these principles..." 1:49
11 Vol. 2: Musical Syntax: "Transformational grammar..." 1:36
12 Vol. 2: Musical Syntax: "But now just think of that sentence..." 1:01
13 Vol. 2: Musical Syntax: "Since this is not a linguistics class..." 1:49
14 Vol. 2: Musical Syntax: "Take the passive transformation..." 1:50
15 Vol. 2: Musical Syntax: "Well, it hasn't brought us there..." 1:51
16 Vol. 2: Musical Syntax: "Good - now just as three notes are linked together..." 1:43
17 Vol. 2: Musical Syntax: "Now let's go back..." 1:49
18 Vol. 2: Musical Syntax: "Now we are ready..." 2:27
19 Vol. 2: Musical Syntax: "Now I want to take you..." 2:05
20 Vol. 2: Musical Syntax: "Well, transformation, deletion, embedding, pronominalization..." 1:48
21 Vol. 2: Musical Syntax: "I am sure I don't have to trouble..." 2:16
22 Vol. 2: Musical Syntax: "Here I go..." 1:31
23 Vol. 2: Musical Syntax: "I have asked myself..." 1:55
24 Vol. 2: Musical Syntax: "I became so fascinated..." 1:43
CD 4
1 Vol. 2: Musical Syntax: "Let's take one such utterance..." 2:01
2 Vol. 2: Musical Syntax: "Now imagine..." 1:29
3 Vol. 2: Musical Syntax: "Now let's see..." 2:33
4 Vol. 2: Musical Syntax: "Mozart's G minor Symphony..." 1:21
5 Vol. 2: Musical Syntax: "Now our job is..." 2:27
6 Vol. 2: Musical Syntax: "That introductory accompaniment..." 1:26
7 Vol. 2: Musical Syntax: "What does this three-note design mean..." 1:55
8 Vol. 2: Musical Syntax: "The reason I pick symmetry..." 2:13
9 Vol. 2: Musical Syntax: "Now from here on..." 2:05
10 Vol. 2: Musical Syntax: "And once again, we are back..." 1:10
11 Vol. 2: Musical Syntax: "By far the chief transformational principle..." 1:42
12 Vol. 2: Musical Syntax: "You see, one of the great failings..." 1:57
13 Vol. 2: Musical Syntax: "Most people hearing Mozart's opening..." 1:45
14 Vol. 2: Musical Syntax: "So what, you ask..." 1:59
15 Vol. 2: Musical Syntax: "And if you are still not convinced..." 2:32
16 Vol. 2: Musical Syntax: "These ambiguities..." 1:20
17 Vol. 2: Musical Syntax: "For instance, in this same first movement..." 1:59
18 Vol. 2: Musical Syntax: "So all these syntactic transformations of the same material..." 1:14
19 Vol. 2: Musical Syntax: "He talks about this sonnet..." 1:55
20 Vol. 2: Musical Syntax: "Because now it's time..." 1:35
21 Vol. 2: Musical Syntax: "But now let's listen to..." 2:09
22 Vol. 2: Musical Syntax: "Listen to the whole exposition..." 2:02
23 Vol. 2: Musical Syntax: "Development coming up..." 2:08
24 Vol. 2: Musical Syntax: "The circle of fifths again..." 2:03
25 Vol. 2: Musical Syntax: "And that was all one single sentence..." 1:17
CD 5
1 Vol. 3: Musical Semantics: "The other day..." 2:37
2 Vol. 3: Musical Semantics: "The first would show us one meaning..." 1:13
3 Vol. 3: Musical Semantics: "Think of this famous passage..." 2:23
4 Vol. 3: Musical Semantics: "A linguist would say..." 1:53
5 Vol. 3: Musical Semantics: "Well, I replied, Chomsky would say..." 2:06
6 Vol. 3: Musical Semantics: "Of course, that last metaphorical leap..." 1:50
7 Vol. 3: Musical Semantics: "Terrific, said my blonde inquisitor..." 1:44
8 Vol. 3: Musical Semantics: "In fact, when you think of the number..." 2:16
9 Vol. 3: Musical Semantics: "All right, first let's look briefly..." 2:42
10 Vol. 3: Musical Semantics: "Playing, that's the word..." 1:48
11 Vol. 3: Musical Semantics: "But does this Stravinskian game concept..." 2:31
12 Vol. 3: Musical Semantics: "There are three specific ways..." 2:03
13 Vol. 3: Musical Semantics: "Now, having defined my usages of metaphor..." 1:58
14 Vol. 3: Musical Semantics: "And here we are in trouble..." 1:06
15 Vol. 3: Musical Semantics: "Are we feeling what Beethoven supposedly felt..." 1:44
16 Vol. 3: Musical Semantics: "We will never know..." 2:23
17 Vol. 3: Musical Semantics: "Now, if we accept this general idea..." 1:40
18 Vol. 3: Musical Semantics: "In our last lecture..." 1:47
19 Vol. 3: Musical Semantics: "We all recognize antithesis..." 1:47
20 Vol. 3: Musical Semantics: "It can and it does..." 1:24
21 Vol. 3: Musical Semantics: "And again, as in the poem..." 2:14
22 Vol. 3: Musical Semantics: "In fact, it has been authoritatively suggested..." 2:46
23 Vol. 3: Musical Semantics: "We can expand the idea..." 2:51
24 Vol. 3: Musical Semantics: "What do you suppose..." 2:51
25 Vol. 3: Musical Semantics: "What's seriously striking..." 2:16
26 Vol. 3: Musical Semantics: "So why the Pastorale in this lecture..." 2:42
27 Vol. 3: Musical Semantics: "Let's begin at the beginning..." 1:41
28 Vol. 3: Musical Semantics: "But what of the more obvious melodic material..." 1:47
29 Vol. 3: Musical Semantics: "But to develop how..." 2:38
30 Vol. 3: Musical Semantics: "Now we have an insight..." 2:13
31 Vol. 3: Musical Semantics: "But wait..." 1:53
32 Vol. 3: Musical Semantics: "But why were just those two notes added..." 2:05
CD 6
1 Vol. 3: Musical Semantics: "The metaphor arises..." 2:48
2 Vol. 3: Musical Semantics: "But in the ensuing four bars..." 2:11
3 Vol. 3: Musical Semantics: "But that's not the main event..." 2:05
4 Vol. 3: Musical Semantics: "Well, that's the beginning..." 1:58
5 Vol. 3: Musical Semantics: "That's one of the questions..." 2:00
6 Vol. 3: Musical Semantics: "This interference of the two frequencies..." 2:04
7 Vol. 3: Musical Semantics: "But what are we to say..." 1:40
8 Vol. 3: Musical Semantics: "It is to be found..." 1:39
9 Vol. 3: Musical Semantics: "Now that's one way of looking..." 2:03
10 Vol. 3: Musical Semantics: "At this point..." 1:36
11 Vol. 3: Musical Semantics: "Even if you can succeed..." 2:42
12 Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen Heiterer Empfindungen bei der Ankunft auf dem Lande, Allegro ma non troppo 11:07
14 Symphony no. 6 in F major, op. 68 "Pastoral": II. Szene am Bach. Andante molto moto 13:42
15 Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro 5:28
16 Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro 3:43
16 Symphony no. 6 in F major, op. 68 "Pastoral": V. Hirtengesang. Frohe und Dankbare Gefühle Nach dem Sturm. Allegretto 10:15
CD 7
1 Vol. 4: The Delights and Dangers of Ambiguity: "When I first wrote down the title..." 1:41
2 Vol. 4: The Delights and Dangers of Ambiguity: "Part of the danger..." 2:02
3 Vol. 4: The Delights and Dangers of Ambiguity: "The idea of ambiguity..." 1:32
4 Vol. 4: The Delights and Dangers of Ambiguity: "Similarly, in our second lecture..." 2:06
5 Vol. 4: The Delights and Dangers of Ambiguity: "Then what's the magic secret..." 2:53
6 Vol. 4: The Delights and Dangers of Ambiguity: "Enough of ambiguity..." 1:52
7 Vol. 4: The Delights and Dangers of Ambiguity: "The irony of all this..." 2:07
8 Vol. 4: The Delights and Dangers of Ambiguity: "But, mind you..." 1:53
9 Vol. 4: The Delights and Dangers of Ambiguity: "Where music was concerned..." 1:29
10 Vol. 4: The Delights and Dangers of Ambiguity: "Only think of..." 1:58
11 Vol. 4: The Delights and Dangers of Ambiguity: "And Chopin: well, we can't ignore Chopin..." 2:53
12 Vol. 4: The Delights and Dangers of Ambiguity: "And then, in the same little mazurka..." 1:56
13 Vol. 4: The Delights and Dangers of Ambiguity: "Foolish questions..." 1:34
14 Vol. 4: The Delights and Dangers of Ambiguity: "Let me try to read you..." 1:56
15 Vol. 4: The Delights and Dangers of Ambiguity: "Listen to this..." 1:45
16 Vol. 4: The Delights and Dangers of Ambiguity: "They began to intermingle..." 1:30
17 Vol. 4: The Delights and Dangers of Ambiguity: "The pivotal point..." 1:39
18 Vol. 4: The Delights and Dangers of Ambiguity: "So there is a dramatic change..." 1:50
19 Vol. 4: The Delights and Dangers of Ambiguity: "So it is after all not so surprising..." 2:31
20 Vol. 4: The Delights and Dangers of Ambiguity: "Now if you noticed..." 1:40
21 Vol. 4: The Delights and Dangers of Ambiguity: "You see, the music is trying hard..." 1:44
22 Vol. 4: The Delights and Dangers of Ambiguity: "So that instant in musical time..." 1:33
23 Vol. 4: The Delights and Dangers of Ambiguity: "Now Romeo is all stirred up..." 3:01
24 Roméo et Juliette, op. 17 (Excerpts) 1. Roméo seul - Tristesse - Bruits lointains de concert et de bal – Grande fête chez Capulet : Andante malinconico e sostenuto - 4:29
25 Roméo et Juliette, op. 17 (Excerpts) 1. Roméo seul - Tristesse - Bruits lointains de concert et de bal – Grande fête chez Capulet : Allegro - Larghetto espressivo - 1:57
26 Roméo et Juliette, op. 17 (Excerpts) 1. Roméo seul - Tristesse - Bruits lointains de concert et de bal – Grande fête chez Capulet : Allegro - 2:22
27 Roméo et Juliette, op. 17 (Excerpts) 1. Roméo seul - Tristesse - Bruits lointains de concert et de bal – Grande fête chez Capulet : Réunion des deux Thèmes, du Larghetto et de l’Allegro 3:46
28 Vol. 4: The Delights and Dangers of Ambiguity: "What a piece..." 2:30
29 Vol. 4: The Delights and Dangers of Ambiguity: "Quite unconsciously borrowed..." 1:50
30 Vol. 4: The Delights and Dangers of Ambiguity: "My purpose in all this..." 2:26
31 Vol. 4: The Delights and Dangers of Ambiguity: "Is it, says Wagner..." 2:15
CD 8
1 Vol. 4: The Delights and Dangers of Ambiguity: "Every diminished seventh chord..." 1:23
2 Vol. 4: The Delights and Dangers of Ambiguity: "Now the remarkable thing is..." 2:54
3 Vol. 4: The Delights and Dangers of Ambiguity: "And this is what gives Tristan..." 2:54
4 Tristan und Isolde: Prelude and Liebestod 19:05
5 Vol. 4: The Delights and Dangers of Ambiguity: "That may be the slowest performance..." 2:25
6 Vol. 4: The Delights and Dangers of Ambiguity: "But ultimately..." 1:38
7 Vol. 4: The Delights and Dangers of Ambiguity: "Poetry has begun to show..." 1:41
8 Vol. 4: The Delights and Dangers of Ambiguity: "And when Debussy..." 1:37
9 Vol. 4: The Delights and Dangers of Ambiguity: "It's lovely, this dreaming..." 2:35
10 Vol. 4: The Delights and Dangers of Ambiguity: "For example, do you remember..." 1:45
11 Vol. 4: The Delights and Dangers of Ambiguity: "In fact, the ending of this piece..." 1:17
12 Vol. 4: The Delights and Dangers of Ambiguity: "Let me show you briefly..." 2:07
13 Vol. 4: The Delights and Dangers of Ambiguity: "This new episode that proceeds..." 1:24
14 Vol. 4: The Delights and Dangers of Ambiguity: "For instance, hardly have we had time..." 2:29
15 Vol. 4: The Delights and Dangers of Ambiguity: "Because the scale..." 1:53
16 Vol. 4: The Delights and Dangers of Ambiguity: "It's almost exactly what happens..." 1:51
17 Vol. 4: The Delights and Dangers of Ambiguity: "Literally translated..." 1:35
18 Vol. 4: The Delights and Dangers of Ambiguity: "But notice, too, that the example..." 1:34
19 Vol. 4: The Delights and Dangers of Ambiguity: "Both works have definitive beginnings..." 1:32
20 Vol. 4: The Delights and Dangers of Ambiguity: "Listen as I play..." 1:51
21 Prélude à l'après-midi d'un faune: Très modéré 10:25
22 Vol. 4: The Delights and Dangers of Ambiguity: "Some crazy modern music..." 1:04
CD 9
1 Vol. 5: The Twentieth Century Crisis: "Our lecture tonight..." 0:18
2 Rapsodie espagnole: IV. Feria: Assez animé 6:33
3 Vol. 5: The Twentieth Century Crisis: "What a way to enter the twentieth century..." 1:38
4 Vol. 5: The Twentieth Century Crisis: "But 1908, if the truth to be told..." 1:28
5 Vol. 5: The Twentieth Century Crisis: "These troubling presentiments..." 2:19
6 Vol. 5: The Twentieth Century Crisis: "So, now in 1908..." 2:11
7 Vol. 5: The Twentieth Century Crisis: "This is atonality..." 2:30
8 Vol. 5: The Twentieth Century Crisis: "A charming idea..." 0:28
9 The Unanswered Question 5:23
10 Vol. 5: The Twentieth Century Crisis: "Is that luminous final triad..." 2:16
11 Vol. 5: The Twentieth Century Crisis: "I have recently been reading..." 1:59
12 Vol. 5: The Twentieth Century Crisis: "We have already referred to some of those..." 3:02
13 Vol. 5: The Twentieth Century Crisis: "In any case..." 1:57
14 Vol. 5: The Twentieth Century Crisis: "But for all these reasons..." 2:46
15 Vol. 5: The Twentieth Century Crisis: "Son of Tristan..." 2:31
16 Vol. 5: The Twentieth Century Crisis: "Now you look at those first two bars..." 2:20
17 Vol. 5: The Twentieth Century Crisis: "Of course, there are lots..." 1:56
18 Vol. 5: The Twentieth Century Crisis: "It's as though a new covenant..." 1:40
19 Vol. 5: The Twentieth Century Crisis: "Trouble is, that the new musical rules..." 2:22
20 Vol. 5: The Twentieth Century Crisis: "The kind of tonal feeling..." 2:53
21 Vol. 5: The Twentieth Century Crisis: "Of course, there are those who say..." 1:40
22 Vol. 5: The Twentieth Century Crisis: "It seems somehow inevitable..." 2:17
23 Vol. 5: The Twentieth Century Crisis: "Is there possibly the beginning..." 2:47
24 Vol. 5: The Twentieth Century Crisis: "And what about Beethoven's Ninth..." 2:44
25 Vol. 5: The Twentieth Century Crisis: "These are some of the problems..." 2:40
CD 10
1 Vol. 5: The Twentieth Century Crisis: "Now let's jump ahead..." 2:23
2 Vol. 5: The Twentieth Century Crisis: "Let's put it another way..." 2:10
3 Vol. 5: The Twentieth Century Crisis: "First of all, Berg chose a tone row..." 1:54
4 Vol. 5: The Twentieth Century Crisis: "So, all in all..." 0:52
5 Concerto for Violin and Orchestra: I. Andante - Allegretto 2:23
6 Vol. 5: The Twentieth Century Crisis: "Fantastic..." 2:50
7 Vol. 5: The Twentieth Century Crisis: "It comes at a point..." 2:47
8 Concerto for Violin and Orchestra: II. Allegro - Adagio 2:53
9 Vol. 5: The Twentieth Century Crisis: "If this particularly demanding lecture..." 1:21
10 Vol. 5: The Twentieth Century Crisis: "If you really have been thinking..." 2:13
11 Vol. 5: The Twentieth Century Crisis: "But while restudying this work..." 2:21
12 Vol. 5: The Twentieth Century Crisis: "The twentieth century..." 1:39
13 Vol. 5: The Twentieth Century Crisis: "What do you do if you know all this..." 2:35
14 Vol. 5: The Twentieth Century Crisis: "It's very strange, how the pieces..." 2:11
15 Vol. 5: The Twentieth Century Crisis: "What exactly was this news..." 1:59
16 Vol. 5: The Twentieth Century Crisis: "We emerge from a cinema..." 1:55
17 Vol. 5: The Twentieth Century Crisis: "As you listen to this finale..." 2:35
18 Vol. 5: The Twentieth Century Crisis: "This is Mahler..." 2:41
19 Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend 23:00
CD 11
1 Vol. 6: The Poetry of Earth: "I know what you are thinking..." 1:53
2 Vol. 6: The Poetry of Earth: "What about this..." 1:27
3 Vol. 6: The Poetry of Earth: "I am plaguing you with this question..." 1:45
4 Vol. 6: The Poetry of Earth: "Of course what he is really talking about..." 2:05
5 Vol. 6: The Poetry of Earth: "But it was precisely..." 1:58
6 Vol. 6: The Poetry of Earth: "Now I have just used two words..." 1:55
7 Vol. 6: The Poetry of Earth: "In fact, it was Satie, Picasso, and Cocteau..." 2:20
8 Vol. 6: The Poetry of Earth: "But our scene..." 1:53
9 Vol. 6: The Poetry of Earth: "Even in the most..." 2:03
10 Vol. 6: The Poetry of Earth: "For our purposes..." 2:11
11 Vol. 6: The Poetry of Earth: "Musicologists are always pointing..." 1:56
12 Vol. 6: The Poetry of Earth: "But bitonality does not only serve..." 2:20
13 Vol. 6: The Poetry of Earth: "Of course, polytonality can and does..." 2:09
14 Vol. 6: The Poetry of Earth: "Now what's going on..." 2:21
15 Vol. 6: The Poetry of Earth: "And while you are in that record shop..." 2:15
16 Vol. 6: The Poetry of Earth: "Of course, these asymmetries..." 1:53
17 Vol. 6: The Poetry of Earth: "Brutal it may be..." 1:32
18 Vol. 6: The Poetry of Earth: "Now, remember..." 1:59
19 Vol. 6: The Poetry of Earth: "These are two sets..." 1:59
20 Vol. 6: The Poetry of Earth: "Just cast an eye..." 2:44
21 Vol. 6: The Poetry of Earth: "Now that page of music..." 2:59
22 Vol. 6: The Poetry of Earth: "But the most striking semantic effect..." 1:39
23 Vol. 6: The Poetry of Earth: "This new aesthetic relaxation..." 2:11
24 Vol. 6: The Poetry of Earth: "Even some Germans..." 2:06
25 Vol. 6: The Poetry of Earth: "You can see how the transformation..." 1:55
26 Vol. 6: The Poetry of Earth: "Chomsky himself gives a classic example..." 2:08
27 Vol. 6: The Poetry of Earth: "Very important, the ironic element..." 2:39
28 Vol. 6: The Poetry of Earth: "So, it would seem..." 2:17
29 Vol. 6: The Poetry of Earth: "But this neoclassic approach..." 1:11
30 Vol. 6: The Poetry of Earth: "I think this is again a moment..." 2:06
31 Vol. 6: The Poetry of Earth: "It's the essence..." 2:34
32 Vol. 6: The Poetry of Earth: "If this poem were rewritten..." 1:20
CD 12
1 Vol. 6: The Poetry of Earth: "Why have I digressed..." 1:46
2 Vol. 6: The Poetry of Earth: "Now can you understand..." 1:37
3 Vol. 6: The Poetry of Earth: "Untermeyer called this..." 1:42
4 Vol. 6: The Poetry of Earth: "Of course, with The Waste Land..." 1:17
5 Vol. 6: The Poetry of Earth: "But the thing of it all is..." 1:31
6 Vol. 6: The Poetry of Earth: "We are going to hear..." 1:35
7 Vol. 6: The Poetry of Earth: "One has only learnt to get..." 2:45
8 Vol. 6: The Poetry of Earth: "Now i propose only because..." 2:23
9 Vol. 6: The Poetry of Earth: "This union is possible only because..." 2:57
10 Vol. 6: The Poetry of Earth: "But what has all this to do with Stravinsky..." 2:21
11 Vol. 6: The Poetry of Earth: "And this is the essence..." 2:14
12 Vol. 6: The Poetry of Earth: "Look: here is a joke..." 2:02
13 Vol. 6: The Poetry of Earth: "Chilling, shattering, neoclassic..." 1:46
14 Vol. 6: The Poetry of Earth: "Stravinsky's own aesthetic pronouncements..." 2:03
15 Vol. 6: The Poetry of Earth: "But of course he was forced..." 1:31
16 Vol. 6: The Poetry of Earth: "And now we are finally ready..." 2:36
17 Vol. 6: The Poetry of Earth: "And then Mozart appears..." 2:35
18 Vol. 6: The Poetry of Earth: "But this eclecticism knows no bounds..." 1:45
19 Vol. 6: The Poetry of Earth: "Now all this I had planned to tell you..." 1:33
20 Vol. 6: The Poetry of Earth: "You think that's funny..." 2:43
21 Vol. 6: The Poetry of Earth: "How about that..." 2:56
22 Vol. 6: The Poetry of Earth: "Then came the answer..." 2:41
23 Vol. 6: The Poetry of Earth: "But why this particular misalliance..." 1:22
24 Vol. 6: The Poetry of Earth: "My words are poor..." 1:58
CD 13
1 Oedipus Rex: Prologue: "You are about to hear a Latin version of Oedipus the King" 0:58
2 Oedipus Rex: Act I: "Caedit nos pestis" 4:05
3 Oedipus Rex: Act I: "Liberi, vos liberabo" 3:29
4 Oedipus Rex: Act I: "This is Creon, brother-in-law of Oedipus" 0:26
5 Oedipus Rex: Act I: "Respondit deus" 6:38
6 Oedipus Rex: Act I:" Oedipus questions the Fountain of Truth" 2:44
7 Oedipus Rex: Act I: "Dicere non possum" 5:22
8 Oedipus Rex: Act I: "Gloria!" 1:11
9 Oedipus Rex: Act II: "The dispute of the princes attracts the attention of Jocasta" 2:10
10 Oedipus Rex: Act II: "Nonn' erubescite, reges" 4:25
11 Oedipus Rex: Act II: "Ne probentur oracula" 3:20
12 Oedipus Rex: Act II: "Ego senem cecici" 2:07
13 Oedipus Rex: Act II: "The witness to the murder comes out of the shadow" 0:44
14 Oedipus Rex: Act II: "Adest omniscius pastor" 4:32
15 Oedipus Rex: Act II: "Nonne monstrum rescituri" 3:24
16 Oedipus Rex: Act II: "And now you are going to hear that famous monolog..." 1:38
17 Oedipus Rex: Act II: "Divum Jocastae caput mortuum!" 3:09
18 Oedipus Rex: Act II: "Ecce! Regem Oedipoda" 2:46
19 Vol. 6: The Poetry of Earth: "Va-le-di-co..." 2:06
20 Vol. 6: The Poetry of Earth: "During that decade..." 1:46
21 Vol. 6: The Poetry of Earth: "It was at this point that I wrote..." 1:43
22 Vol. 6: The Poetry of Earth: "What interests me about it..." 2:15
23 Vol. 6: The Poetry of Earth: "Is it possible..." 1:51
24 Vol. 6: The Poetry of Earth: "It's as tough in the period..." 2:52
25 Vol. 6: The Poetry of Earth: "And I believe..." 2:40

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