|
CD 1
|
1 |
Symphony no. 1 in D major, "Titan": I. Langsam. Schleppend
|
16:30
|
2 |
Symphony no. 1 in D major, "Titan": II. Kräftig bewegt
|
9:01
|
3 |
Symphony no. 1 in D major, "Titan": III. Feierlich und gemessen, ohne zu schleppen
|
10:27
|
4 |
Symphony no. 1 “Titan”: IV. Stürmisch bewegt
|
20:32
|
|
CD 2
|
1 |
Symphonie No. 2 c-moll: Ia. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
|
7:00
|
2 |
Symphonie No. 2 c-moll: Ib. Sehr mäßig und zurückhaltend
|
5:50
|
3 |
Symphonie No. 2 c-moll: Ic. Schnell
|
3:45
|
4 |
Symphonie No. 2 c-moll: Id. Tempo I
|
4:45
|
5 |
Symphonie No. 2 c-moll: Ie. Tempo sostenuto
|
3:33
|
6 |
Symphonie No. 2 c-moll: IIa. Andante moderato. Sehr gemächlich
|
1:44
|
7 |
Symphonie No. 2 c-moll: IIb. Nicht eilen. Sehr gemächlich
|
1:48
|
8 |
Symphonie No. 2 c-moll: IIc. In Tempo I zurückkehren
|
2:04
|
9 |
Symphonie No. 2 c-moll: IId. Energisch bewegt
|
2:26
|
10 |
Symphonie No. 2 c-moll: IIe: Wieder ins Tempo zurückgehen. Tempo I
|
4:02
|
|
CD 3
|
1 |
Symphonie No. 2 c-moll: IIIa. In ruhig fließender Bewegung
|
5:00
|
2 |
Symphonie No. 2 c-moll: IIIb. Sehr getragen und gesangvoll
|
1:30
|
3 |
Symphonie No. 2 c-moll: IIIc. Zum Tempo I zurückkehren
|
4:54
|
4 |
Symphonie No. 2 c-moll: IV. "Urlicht" Sehr leicht, aber schlicht "O Röschen rot"
|
6:18
|
5 |
Symphonie No. 2 c-moll: Va. Im Tempo des Scherzos. Wild herausfahrend
|
1:46
|
6 |
Symphonie No. 2 c-moll: Vb: Langsam
|
3:59
|
7 |
Symphonie No. 2 c-moll: Vc. Im Anfang sehr zuückhaltend
|
1:19
|
8 |
Symphonie No. 2 c-moll: Vd. Wieder sher breit
|
3:42
|
9 |
Symphonie No. 2 c-moll: Ve. Molto ritenuto. Maestoso
|
4:16
|
10 |
Symphonie No. 2 c-moll: Vf. Wieder zurückhaltend
|
3:58
|
11 |
Symphonie No. 2 c-moll: Vg. Sehr langsam und gedehnt
|
2:48
|
12 |
Symphonie No. 2 c-moll: Vh. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du"
|
4:10
|
13 |
Symphonie No. 2 c-moll: Vi. Langsam ppp. Nicht schleppen "Wieder aufzublühn wirst du gesät"
|
3:57
|
14 |
Symphonie No. 2 c-moll: Vj. Etwas bewegter "O glaube, mein Herz o glaube"
|
3:34
|
15 |
Symphonie No. 2 c-moll: Vk. Mit Aufschwung, aber nicht eilen "O Schmerz, du Alldurchdringer"
|
5:09
|
|
CD 4
|
1 |
Symphonie no. 3 d-moll: Ia. Kräftig. Entschieden
|
5:41
|
2 |
Symphonie no. 3 d-moll: Ib. Immer das gleiche Tempo
|
4:11
|
3 |
Symphonie no. 3 d-moll: Ic.Tempo I
|
4:45
|
4 |
Symphonie no. 3 d-moll: Id. Zeit lassen
|
2:15
|
5 |
Symphonie no. 3 d-moll: Ie. Zeit lassen
|
4:08
|
6 |
Symphonie no. 3 d-moll: If. Immer dasselbe Tempo (Marsch). Nicht eilen
|
3:11
|
7 |
Symphonie no. 3 d-moll: Ig. Im alten Marschtempo (Allegro Moderato)
|
5:35
|
8 |
Symphonie no. 3 d-moll: Ih. Tempo I
|
5:05
|
9 |
Symphonie no. 3 d-moll: IIa. Tempo di Menuetto. Sehr mässig
|
2:13
|
10 |
Symphonie no. 3 d-moll: IIb. L'istesso tempo
|
1:03
|
11 |
Symphonie no. 3 d-moll: IIc. A tempo (Wie im Anfang)
|
3:42
|
12 |
Symphonie no. 3 d-moll: IId. Ganz plötzlich gemächlich. Tempo di Menuetto
|
3:43
|
13 |
Symphonie no. 3 d-moll: IIIa. Comodo. Scherzando. Ohne Hast
|
2:42
|
14 |
Symphonie no. 3 d-moll: IIIb. Wieder sehr gemächlich, wir zu Anfang
|
2:57
|
15 |
Symphonie no. 3 d-moll: IIIc. Etwas zurückhaltend
|
5:33
|
16 |
Symphonie no. 3 d-moll: IIId. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast
|
2:47
|
17 |
Symphonie no. 3 d-moll: IIIe. Wieder sehr gemächlich, beinahe langsam
|
4:32
|
|
CD 5
|
1 |
Symphonie no. 3 d-moll: IVa. Sehr langsam. Misterioso. Durchaus ppp: "O Mensch! Gib acht!"
|
4:48
|
2 |
Symphonie no. 3 d-moll: IVb. Più mosso subito
|
4:44
|
3 |
Symphony no. 3 in D minor: V. Lustig im Tempo und Ausdruck
|
4:06
|
4 |
Symphonie no. 3 d-moll: VIa. Langsam. Ruhevoll. Empfunden
|
5:03
|
5 |
Symphonie no. 3 d-moll: VIb. Nicht mehr so breit
|
3:36
|
6 |
Symphonie no. 3 d-moll: VIc. Tempo I. Ruhevoll
|
3:44
|
7 |
Symphonie no. 3 d-moll: VId. Nicht mehr so breit
|
4:35
|
8 |
Symphonie no. 3 d-moll: VIe. Tempo I
|
3:17
|
9 |
Symphonie no. 3 d-moll: VIf. Langsam. Tempo I
|
7:41
|
|
CD 6
|
1 |
Symphony no. 4 in G major: I. Bedächtig, nicht eilen
|
17:39
|
2 |
Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
|
10:12
|
3 |
Symphony no. 4 in G major: III. Ruhevoll
|
20:31
|
4 |
Symphony no. 4 in G major: IV. Sehr behaglich
|
8:43
|
|
CD 7
|
1 |
Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
|
14:32
|
2 |
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz
|
14:59
|
3 |
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell
|
19:01
|
4 |
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
|
11:13
|
5 |
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch
|
15:00
|
|
CD 8
|
1 |
Symphony No. 6 A-moll: I. Allegro energico, ma non troppo. Heftig, aber markig
|
23:17
|
2 |
Symphony No. 6 A-moll: II. Scherzo. Wuchtig
|
14:16
|
3 |
Symphony No. 6 A-moll: III. Andante moderato
|
16:19
|
|
CD 9
|
1 |
Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico
|
33:29
|
|
CD 10
|
1 |
Symphony no. 7: Ia. Langsam (Adagio)
|
2:16
|
2 |
Symphony no. 7: Ib. Nicht schleppen
|
1:23
|
3 |
Symphony no. 7: Ic. Allegro risoluto, ma non troppo
|
1:24
|
4 |
Symphony no. 7: Id. A tempo (sempre l'istesso)
|
2:23
|
5 |
Symphony no. 7: Ie(i). Moderato
|
1:39
|
6 |
Symphony no. 7: Ie(ii). Moderato
|
4:29
|
7 |
Symphony no. 7: If. Adagio (Tempo der Einleitung)
|
2:26
|
8 |
Symphony no. 7: Ig. Allegro come prima
|
1:51
|
9 |
Symphony no. 7: Ih. Poco ritenuto --- a tempo
|
1:39
|
10 |
Symphony no. 7: Ii. Nicht eilen
|
2:10
|
11 |
Symphony no. 7: IIa. Nachtmusik. Allegro moderato
|
3:59
|
12 |
Symphony no. 7: IIb. Sempre l'istesso tempo
|
3:52
|
13 |
Symphony no. 7: IIc. Poco meno mosso
|
3:14
|
14 |
Symphony no. 7: IId(i). Tempo
|
1:52
|
15 |
Symphony no. 7: IId(ii). Tempo
|
1:29
|
16 |
Symphony no. 7: IIe. Sehr gemessen
|
2:45
|
|
CD 11
|
1 |
Symphony no. 7: IIIa. Scherzo. Schattenhaft
|
3:20
|
2 |
Symphony no. 7: IIIb. Trio
|
2:38
|
3 |
Symphony no. 7: IIIc. Wieder wie zu Anfang
|
4:35
|
4 |
Symphony no. 7: IVa(i). Nachtmusik. Andante amoroso
|
6:33
|
5 |
Symphony no. 7: IVa(ii). Nachtmusik. Andante amoroso
|
2:59
|
6 |
Symphony no. 7: IVb. Tempo I. poco rit.
|
5:08
|
7 |
Symphony no. 7: Va. Rondo-Finale. Tempo I (Allegro ordinario)
|
1:45
|
8 |
Symphony no. 7: Vb. Sempre l'istesso tempo
|
1:12
|
9 |
Symphony no. 7: Vc. Tempo II (Allegro moderato ma energico)
|
2:56
|
10 |
Symphony no. 7: Vd(i). Tempo I
|
2:41
|
11 |
Symphony no. 7: Vd(ii). Tempo I
|
2:40
|
12 |
Symphony no. 7: Ve. Tempo I subito
|
1:11
|
13 |
Symphony no. 7: Vf. Meno mosso (Tempo II)
|
3:51
|
14 |
Symphony no. 7: Vg. Accelerando
|
2:02
|
|
CD 12
|
1 |
Symphony No. 10 in F-sharp minor: Ia. Adagio. Andante
|
3:47
|
2 |
Symphony No. 10 in F-sharp minor: Ib. Adagio. Andante come prima
|
6:11
|
3 |
Symphony No. 10 in F-sharp minor: Ic. Adagio. [ ]
|
6:05
|
4 |
Symphony No. 10 in F-sharp minor: Id. Adagio. [ ]
|
3:19
|
5 |
Symphony No. 10 in F-sharp minor: Ie. Adagio. Andante
|
6:42
|
6 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Allegro impetuoso “Veni, creator spiritus”
|
1:26
|
7 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend “Imple superna gratia”
|
3:16
|
8 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro impetuoso) “Infirma nostri corporis”
|
2:45
|
9 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro, etwas hastig)
|
1:12
|
10 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Sehr fließend — Noch einmal so langsam als vorher. Nicht schleppend “Infirma nostri corporis”
|
3:15
|
11 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Plötzlich sehr breit und leidenschaftlichen Ausdrucks — Mit plötzcheim Aufschwung “Accende lumen sensibus”
|
4:23
|
12 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: “Veni, creator spiritus”
|
4:27
|
13 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: a tempo “Gloria sit Patri Domino”
|
3:18
|
|
CD 13
|
1 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIa. Poco adagio
|
6:23
|
2 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIb. Più mosso. (Allegro moderato)
|
3:05
|
3 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIc. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran"
|
4:31
|
4 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IId. Moderato. "Ewiger Wonnebrand"
|
1:35
|
5 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIe. Allegro - (Allegro appassionato) "Wie Felsenabgrund mir zu Füßen"
|
4:29
|
6 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIf. Allegro deciso. (Im Anfang noch nicht eilen) - "Gerettet ist das edle Glied" - "Hände verschlinget euch"
|
1:05
|
7 |
Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Molto leggiero, Chor der jüngeren Engel: “Jene Rosen aus den Händen”
|
1:49
|
8 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIh. Schon etwas langsamer und immer noch mäßiger "Uns bleibt ein Erdenrest"
|
2:22
|
9 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIi. Im Anfang (die ersten vier Takte) noch etwas gehalten: "Ich spür' soeben, nebelnd um Felsenhöh'" "Freudig empfangen wir"
|
1:22
|
10 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIj. Sempre l'istesso tempo. "Höchste Herrscherin der Welt"
|
4:24
|
11 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIk. Äußerst langsam. Adagissimo. "Dir, der Unberührbaren" "Du schwebst zu Höhen er ewigen Reiche"
|
3:55
|
12 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIl. Fließend "Bei der Liebe, die den Füßen" "Bei dem Bronn, zu dem schon weiland" " Bei dem hochgeweihten Orte"
|
4:50
|
13 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIm. Una poenitentium: "Neige, du Ohnegleichte"
|
1:18
|
14 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIn. Unmerklich frischer: "Er überwächst uns schon" "Vom edlen Geisterchor umgebren"
|
3:51
|
15 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIo. Mater gloriosa: "Komm! hebe dich zu hähern Sphären" "Blicket auf zum Retterblick alle reuig Zarten"
|
7:23
|
16 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIp. Sehr langsam beginnend "Alles Vergängliche ist nur ein Gleichnis"
|
6:24
|
|
CD 14
|
1 |
Symphonie no. 9: I. Satz. Andante comodo: [Takt 1]
|
15:02
|
2 |
Symphonie no. 9: I. Satz. Andante comodo: (Horneinsatz)
|
3:03
|
3 |
Symphonie no. 9: I. Satz. Andante comodo: Bewegter
|
1:31
|
4 |
Symphonie no. 9: I. Satz. Andante comodo: [Takt 317]
|
1:44
|
5 |
Symphonie no. 9: I. Satz. Andante comodo: Wie von Anfang
|
2:01
|
6 |
Symphonie no. 9: I. Satz. Andante comodo: Plötzlich bedeutend langsamer (Lento) und leise
|
6:39
|
7 |
Symphonie no. 9: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: [Takt 1]
|
2:37
|
8 |
Symphonie no. 9: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Poco più mosso subito (Tempo II.)
|
2:50
|
9 |
Symphonie no. 9: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo III.
|
1:58
|
10 |
Symphonie no. 9: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: A tempo II.
|
3:32
|
11 |
Symphonie no. 9: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I.
|
1:22
|
12 |
Symphonie no. 9: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo II.
|
1:44
|
13 |
Symphonie no. 9: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I. subito
|
3:20
|
|
CD 15
|
1 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 1]
|
1:45
|
2 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo
|
1:06
|
3 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Sempre l’istesso tempo
|
1:17
|
4 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo
|
1:20
|
5 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 347]
|
2:25
|
6 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: (Klarinetteneinsatz)
|
1:37
|
7 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Tempo I. subito
|
1:28
|
8 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Più stretto
|
0:57
|
9 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: [Takt 1]
|
4:59
|
10 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd
|
2:34
|
11 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Molto adagio subito
|
2:33
|
12 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: A tempo (Molto adagio)
|
4:08
|
13 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Stets sehr gehalten
|
1:46
|
14 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Fließender, doch durchaus nicht eilend
|
2:08
|
15 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Tempo I. Molto adagio
|
6:01
|
16 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Adagissimo
|
5:32
|
|
CD 16
|
1 |
Symphony no. 9: I. Andante comodo
|
27:37
|
2 |
Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
|
15:54
|
3 |
Symphony no. 9: III. Rondo-Burleske: Allegro assai. Sehr trotzig
|
12:05
|
4 |
Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend
|
26:11
|
|
CD 17
|
1 |
Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde
|
8:29
|
2 |
Das Lied von der Erde: 2. Der Einsame im Herbst
|
11:21
|
3 |
Das Lied von der Erde: 3. Von der Jugend
|
3:09
|
4 |
Das Lied von der Erde: 4. Von der Schönheit
|
8:09
|
5 |
Das Lied von der Erde: 5. Der Trunkene um Frühling
|
4:40
|
6 |
Das Lied von der Erde: 6. Der Abschied
|
31:00
|
|
CD 18
|
1 |
Des Knaben Wunderhorn: 1. Der Schildwache Nachtlied
|
6:02
|
2 |
Des Knaben Wunderhorn: 2. Wer hat dies Liedlein erdacht?
|
2:16
|
3 |
Des Knaben Wunderhorn: 3. Der Tamboursg’sell
|
5:16
|
4 |
Des Knaben Wunderhorn: 4. Das irdische Leben
|
2:57
|
5 |
Des Knaben Wunderhorn: 5. Verlorne Müh’
|
3:03
|
6 |
Des Knaben Wunderhorn: 6. Des Antonius von Padua Fischpredigt
|
3:43
|
7 |
Des Knaben Wunderhorn: 7. Revelge
|
6:48
|
8 |
Des Knaben Wunderhorn: 8. Rheinlegendchen
|
3:33
|
9 |
Des Knaben Wunderhorn: 9. Lob des hohen Verstandes
|
2:37
|
10 |
Des Knaben Wunderhorn: 10. Wo die schönen Trompeten blasen
|
8:29
|
11 |
Des Knaben Wunderhorn: 11. Lied des Verfolgten im Turm
|
4:35
|
12 |
Des Knaben Wunderhorn: 12. Trost im Unglück
|
2:34
|
13 |
Des Knaben Wunderhorn: 13. Urlicht
|
5:42
|
|
CD 19
|
1 |
Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht
|
4:25
|
2 |
Lieder eines fahrenden Gesellen: 2. Ging heutʼ morgen übers Feld
|
4:07
|
3 |
Lieder eines fahrenden Gesellen: 3. Ich habʼ ein glühend Messer
|
3:20
|
4 |
Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen
|
5:42
|
5 |
Kindertotenlieder: 1. Nun will die Sonnʼ so hell aufgehn
|
5:58
|
6 |
Kindertotenlieder: 2. Nun sehʼ ich vohl, warum so dunkle Flammen
|
5:11
|
7 |
Kindertotenlieder: 3. Wenn dein Mütterlein
|
6:03
|
8 |
Kindertotenlieder: 4. Oft denkʼ ich, sie sind nur ausgegangen
|
3:31
|
9 |
Kindertotenlieder: 5. In diesem Wetter, in diesem Braus
|
7:32
|
10 |
5 Lieder: 1. Liebst du um Schönheit
|
2:44
|
11 |
5 Lieder: 2. Blicke mir nicht in die Lieder
|
1:30
|
12 |
5 Lieder: 3. Ich atmetʼ einen linden Duft
|
3:00
|
13 |
5 Lieder: 5. Um Mitternacht
|
7:23
|
14 |
5 Lieder: 6. Ich bin der Welt abhanden gekommen
|
7:47
|
|
CD 20
|
1 |
Ouvertüre “Die Hebriden” (“Die Fingalshöhle”), op. 26, MWV P 7: Allegro moderato - Animato in tempo
|
10:01
|
2 |
Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima
|
13:55
|
3 |
Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo
|
4:09
|
4 |
Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio
|
11:16
|
5 |
Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo
|
10:06
|
|
CD 21
|
1 |
Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace
|
10:45
|
2 |
Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto
|
6:46
|
3 |
Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato
|
6:54
|
4 |
Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto
|
5:52
|
5 |
Symphony no. 5 in D minor, op. 107 "Reformation": I. Andante - Allegro con fuoco
|
11:37
|
6 |
Symphony no. 5 in D minor, op. 107 "Reformation": II. Allegro vivace
|
6:26
|
7 |
Symphony no. 5 in D minor, op. 107 "Reformation": III. Andante
|
3:48
|
8 |
Symphony no. 5 in D minor, op. 107 "Reformation": IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco)
|
9:02
|
|
CD 22
|
1 |
Symphony no. 29 in A major, K. 186a/201: I. Allegro moderato
|
8:09
|
2 |
Symphony no. 29 in A major, K. 186a/201: II. Andante
|
6:53
|
3 |
Symphony no. 29 in A major, K. 186a/201: III. Minuetto & Trio
|
3:25
|
4 |
Symphony no. 29 in A major, K. 186a/201: IV. Allegro con spirito
|
5:17
|
5 |
Symphony no. 25 in G minor, K. 173dB/183: I. Allegro con brio
|
8:10
|
6 |
Symphony no. 25 in G minor, K. 173dB/183: II. Andante
|
4:11
|
7 |
Symphony no. 25 in G minor, K. 173dB/183: III. Minuetto & Trio
|
3:49
|
8 |
Symphony no. 25 in G minor, K. 173dB/183: IV. Allegro
|
6:04
|
9 |
Concerto for Clarinet in A major, K. 622: I. Allegro
|
12:40
|
10 |
Concerto for Clarinet in A major, K. 622: II. Adagio
|
8:16
|
11 |
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro
|
8:54
|
|
CD 23
|
1 |
Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": I. Allegro con spirito
|
5:44
|
2 |
Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": II. Andante
|
7:10
|
3 |
Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": III. Minuetto & Trio
|
3:14
|
4 |
Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": IV. Presto
|
3:45
|
5 |
Symphony no. 41 in C major "Jupiter", K. 551: 1. Allegro vivace
|
11:59
|
6 |
Symphony no. 41 in C major "Jupiter", K. 551: 2. Andante cantabile
|
9:12
|
7 |
Symphony no. 41 in C major "Jupiter", K. 551: 3. Menuetto. Allegretto
|
5:14
|
8 |
Symphony No. 41 in C major, K. 551 “Jupiter”: IV. Allegro molto
|
11:38
|
|
CD 24
|
1 |
Symphony no. 36 for Orchestra in C major, K. 425 "Linz": I. Adagio - allegro spiritoso
|
11:12
|
2 |
Symphony No. 36 for Orchestra in C major, K. 425 "Linz": II. Andante
|
7:57
|
3 |
Symphony no. 36 for Orchestra in C major, K. 425 "Linz": III. Minuetto & Trio
|
3:45
|
4 |
Symphony no. 36 for Orchestra in C major, K. 425 "Linz": IV. Presto
|
7:28
|
5 |
Symphony No. 38 for Orchestra in D major, K. 504 "Prague": I. Adagio - Allegro
|
13:30
|
6 |
Symphony No. 38 for Orchestra in D major, K. 504 "Prague": II. Andante
|
9:10
|
7 |
Symphony No. 38 for Orchestra in D major, K. 504 "Prague": III. Presto
|
8:38
|
|
CD 25
|
1 |
Symphonie Nr. 39 in Es‐dur, KV 543: I. Adagio — Allegro
|
11:24
|
2 |
Symphonie Nr. 39 in Es‐dur, KV 543: II. Andante con moto
|
9:21
|
3 |
Symphonie Nr. 39 in Es‐dur, KV 543: III. Menuetto. Allegretto
|
4:05
|
4 |
Symphonie Nr. 39 in Es‐dur, KV 543: IV. Finale. Allegro
|
8:08
|
5 |
Symphonie Nr. 40 in g‐moll, KV 550: I. Molto allegro
|
8:32
|
6 |
Symphonie Nr. 40 in g‐moll, KV 550: II. Andante
|
8:17
|
7 |
Symphonie Nr. 40 in g‐moll, KV 550: III. Menuetto. Allegretto
|
4:50
|
8 |
Symphonie Nr. 40 in g‐moll, KV 550: IV. Allegro assai
|
9:13
|
|
CD 26
|
1 |
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro
|
11:23
|
2 |
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante]
|
7:35
|
3 |
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro
|
8:17
|
4 |
Symphony no. 36 “Linz”: I. Adagio -Allegro spiritoso
|
11:07
|
5 |
Symphony no. 36 “Linz”: II. Andante
|
7:58
|
6 |
Symphony no. 36 “Linz”: III. Menuetto
|
3:43
|
7 |
Symphony no. 36 “Linz”: IV. Presto
|
8:00
|
|
CD 27
|
1 |
Concerto for Piano and Orchestra No. 17 in G major, K. 453: I. Allegro
|
12:50
|
2 |
Concerto for Piano and Orchestra No. 17 in G major, K. 453: II. Andante
|
12:32
|
3 |
Concerto for Piano and Orchestra No. 17 in G major, K. 453: III. Allegretto - Finale: Presto
|
8:05
|
4 |
Concerto for Piano and Orchestra in G major, M. 83: I. Allegramente
|
8:36
|
5 |
Concerto for Piano and Orchestra in G major, M. 83: II. Adagio assai
|
10:48
|
6 |
Concerto for Piano and Orchestra in G major, M. 83: III. Presto
|
4:38
|
|
CD 28
|
1 |
Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", KV618
|
4:06
|
2 |
Exsultate, jubilate, KV165
|
14:34
|
3 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 "Great": I. "Kyrie"
|
7:39
|
4 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis"
|
2:08
|
5 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te"
|
4:59
|
6 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi"
|
1:36
|
7 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus"
|
2:47
|
8 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis"
|
5:16
|
9 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus"
|
4:03
|
10 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe"
|
0:51
|
11 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu"
|
3:46
|
12 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus"
|
3:58
|
13 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est"
|
7:50
|
14 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" / IVb. Sanctus: "Hosanna"
|
3:21
|
15 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus
|
4:55
|
|
CD 29
|
1 |
Requiem in D minor, K. 626: I. Requiem (Introitus)
|
6:38
|
2 |
Requiem in D minor, K. 626: II. Kyrie
|
2:44
|
3 |
Requiem in D minor, K. 626: IIIa. Dies irae (Sequenz)
|
1:43
|
4 |
Requiem in D minor, K. 626: IIIb. Tuba mirum (Sequenz)
|
4:30
|
5 |
Requiem in D minor, K. 626: IIIc. Rex tremendae (Sequenz)
|
2:42
|
6 |
Requiem in D minor, K. 626: IIId. Recordare (Sequenz)
|
5:43
|
7 |
Requiem in D minor, K. 626: IIIe. Confutatis (Sequenz)
|
2:21
|
8 |
Requiem in D minor, K. 626: IIIf. Lacrimosa (Sequenz)
|
5:49
|
9 |
Requiem in D minor, K. 626: IVa. Domine Jesu (Offertorium)
|
3:29
|
10 |
Requiem in D minor, K. 626: IVb. Hostias (Offertorium)
|
4:04
|
11 |
Requiem in D minor, K. 626: V. Sanctus
|
1:51
|
12 |
Requiem in D minor, K. 626: VI. Benedictus
|
5:21
|
13 |
Requiem in D minor, K. 626: VII. Agnus Dei
|
4:54
|
14 |
Requiem in D minor, K. 626: VIII. Lux aeterna (Communio)
|
6:51
|
|
CD 30
|
1 |
La bohème: Atto I. “Questo Mar Rosso mi ammolisce e assidera”
|
4:45
|
2 |
La bohème: Atto I. "Pensier profondo"
|
1:09
|
3 |
La bohème: Atto I. "Abbasso, abbasso l'autor!"
|
4:01
|
4 |
La bohème: Atto I. "Si può?"
|
5:39
|
5 |
La bohème: Atto I. "Io resto"
|
0:57
|
6 |
La bohème: Atto I. "Non sono in vena"
|
1:42
|
7 |
La bohème: Atto I. "Si sente meglio"
|
2:49
|
8 |
La bohème: Atto I. "Che gelida manina"
|
5:13
|
9 |
La bohème: Atto I. "Sì. Mi chiamano Mimì"
|
5:22
|
10 |
La bohème: Atto I. "Ehi! Rodolfo!"
|
0:46
|
11 |
La bohème: Atto I. "O soave fanciulla"
|
4:33
|
12 |
La bohème: Atto II. "Aranci, datteri! Caldi i marroni!"
|
3:09
|
13 |
La bohème: Atto II. "Chi guardi?"
|
0:50
|
14 |
La bohème: Atto II. "Questa è Mimì"
|
2:26
|
15 |
La bohème: Atto II. "Viva Parpignol!"
|
2:00
|
16 |
La bohème: Atto II. "Allegri e un toast!"
|
3:39
|
17 |
La bohème: Atto II. "Quando men vo soletta per la via"
|
5:50
|
18 |
La bohème: Atto II. "Il conto?!"
|
2:34
|
|
CD 31
|
1 |
La bohème: Atto III. "Ohè, là, le guardie!"
|
3:33
|
2 |
La bohème: Atto III. "Sa dirmi, scusi, qual'è l'osteria"
|
1:44
|
3 |
La bohème: Atto III. "Mimì! - Speravo di trovarvi qui"
|
4:56
|
4 |
La bohème: Atto III. "Marcello. Finalmente!"
|
1:52
|
5 |
La bohème: Atto III. "Mimì è una civetta"
|
1:24
|
6 |
La bohème: Atto III. "Mimì è tanto malata"
|
1:53
|
7 |
La bohème: Atto III. "Mimì di serra è fiore"
|
1:38
|
8 |
La bohème: Atto III. "Donde lieta usci"
|
3:14
|
9 |
La bohème: Atto III. "Dunque è proprio finita!"
|
6:12
|
10 |
La bohème: Atto IV. "In un coupé? - Con pariglia e livree"
|
1:32
|
11 |
La bohème: Atto IV. "O Mimì, tu più non torni"
|
3:13
|
12 |
La bohème: Atto IV. "Che ora sia?"
|
2:35
|
13 |
La bohème: Atto IV. "Gavotta! - Minuetto!"
|
1:39
|
14 |
La bohème: Atto IV. "C'è Mimì"
|
6:19
|
15 |
La bohème: Atto IV. "Vecchia zimarra, senti"
|
2:39
|
16 |
La bohème: Atto IV. "Sono andati? Fingevo di dormire"
|
6:21
|
17 |
La bohème: Atto IV. "Oh Dio! Mimì!"
|
2:58
|
18 |
La bohème: Atto IV. "Che ha detto il medico?"
|
3:02
|
|
CD 32
|
1 |
Symphony no. 8 in B minor "Unfinished": I. Allegro moderato
|
13:51
|
2 |
Symphony no. 8 in B minor "Unfinished": II. Andante con moto
|
13:03
|
3 |
Symphony no. 5 in B flat major: I. Allegro
|
7:17
|
4 |
Symphony no. 5 in B flat major: II. Andante con moto
|
11:15
|
5 |
Symphony no. 5 in B flat major: III. Menuetto. Allegro molto - Trio
|
5:38
|
6 |
Symphony no. 5 in B flat major: IV. Allegro vivace
|
5:36
|
|
CD 33
|
1 |
Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace
|
11:29
|
2 |
Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - attacca:
|
7:46
|
3 |
Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo: Molto vivace
|
5:44
|
4 |
Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso
|
8:10
|
5 |
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - (attacca:)
|
11:48
|
6 |
Symphony no. 4 in D minor, op. 120: II. Romanze: Ziemlich langsam - (attacca:)
|
5:13
|
7 |
Symphony no. 4 in D minor, op. 120: III. Scherzo: Lebhaft - Trio - (attacca:)
|
5:54
|
8 |
Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft
|
9:29
|
|
CD 34
|
1 |
Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo
|
13:31
|
2 |
Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto
|
14:41
|
3 |
Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace / Trio
|
10:39
|
4 |
Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace
|
11:28
|
|
CD 35
|
1 |
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro, ma non troppo
|
13:05
|
2 |
Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace
|
7:05
|
3 |
Symphony no. 2 in C major, op. 61: III. Adagio espressivo
|
13:47
|
4 |
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
|
8:52
|
5 |
Konzert für Violoncello und Orchester a-Moll, op. 129: I. Nicht zu schnell
|
11:47
|
6 |
Konzert für Violoncello und Orchester a-Moll, op. 129: II. Langsam
|
4:41
|
7 |
Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft
|
7:53
|
|
CD 36
|
1 |
Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft
|
9:42
|
2 |
Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo: Sehr mäßig
|
6:26
|
3 |
Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell
|
6:09
|
4 |
Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich - (quasi attacca:)
|
6:57
|
5 |
Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft
|
5:27
|
6 |
Konzert für Klavier und Orchester a-Moll, op. 54: I. Allegro affettuoso
|
15:07
|
7 |
Konzert für Klavier und Orchester a-Moll, op. 54: II. Intermezzo. Andantino grazioso, attacca
|
5:50
|
8 |
Konzert für Klavier und Orchester a-Moll, op. 54: III. Allegro vivace
|
10:27
|
|
CD 37
|
1 |
Symphony no. 1 in F minor, op. 10: 1. Allegretto - Allegro non troppo
|
8:58
|
2 |
Symphony no. 1 in F minor, op. 10: 2. Allegro
|
4:52
|
3 |
Symphony no. 1 in F minor, op. 10: 3. Lento - Largo
|
10:19
|
4 |
Symphony no. 1 in F minor, op. 10: 4. Allegro molto - Lento - Allegro molto - Adagio - Largo - Presto
|
10:50
|
5 |
Symphony no. 7 in C major "Leningrad", op. 60: 1. Allegretto
|
31:43
|
|
CD 38
|
1 |
Symphony no. 7 in C major "Leningrad", op. 60: 2. Moderato (poco allegretto)
|
14:54
|
2 |
Symphony no. 7 in C major "Leningrad", op. 60: 3. Adagio
|
19:25
|
3 |
Symphony no. 7 in C major "Leningrad", op. 60: 4. Allegro non troppo
|
18:51
|
|
CD 39
|
1 |
Symphony no. 6 op. 54: I. Largo
|
22:29
|
2 |
Symphony no. 6 op. 54: II. Allegro
|
7:53
|
3 |
Symphony no. 6 op. 54: III. Presto
|
7:32
|
4 |
Symphony no. 9 op. 70: I. Allegro
|
5:21
|
5 |
Symphony no. 9 op. 70: I. II. Moderato
|
9:19
|
6 |
Symphony no. 9 op. 70: I. III. Presto
|
3:25
|
7 |
Symphony no. 9 op. 70: I. IV. Largo
|
3:15
|
8 |
Symphony no. 9 op. 70: I. V. Allegretto
|
5:49
|
|
CD 40
|
1 |
Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico
|
11:56
|
2 |
Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento)
|
11:05
|
3 |
Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro)
|
5:31
|
4 |
Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia)
|
12:46
|
|
CD 41
|
1 |
Symphony no. 2 in D major, op. 43: I. Allegretto
|
10:57
|
2 |
Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato
|
18:11
|
3 |
Symphony no. 2 in D major, op. 43: III. Vivacissimo (attacca)
|
6:23
|
4 |
Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato
|
15:57
|
|
CD 42
|
1 |
Symphony no. 5 in E-flat major, op. 82: Ia. Tempo molto moderato - Largamente -
|
9:39
|
2 |
Symphony no. 5 in E-flat major, op. 82: Ib. Allegro moderato - Presto
|
5:39
|
3 |
Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto
|
10:04
|
4 |
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai
|
10:15
|
5 |
Symphony no. 7 in C, op. 105: Adagio
|
8:19
|
6 |
Symphony no. 7 in C, op. 105: Un pochettino meno adagio - Poco a poco affrettando il tempo al Vivacissimo
|
3:13
|
7 |
Symphony no. 7 in C, op. 105: 5 bars before: Poco rallentando all' Adagio - Poco a poco meno lento all'
|
2:27
|
8 |
Symphony no. 7 in C, op. 105: Allegro molto moderato - Poco a poco meno moderato -
|
4:37
|
9 |
Symphony no. 7 in C, op. 105: 2 bars before: Vivace - Presto - Poco a poco rallentando all' Adagio - Largamente molto - Affettuoso - Tempo I
|
6:19
|
|
CD 43
|
1 |
Salome, op. 54, TrV 215: Letzte Szene “Es ist kein Laut zu vernehmen” - “Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan”
|
17:19
|
2 |
Salome, op. 54, TrV 215: Tanz der sieben Schleier
|
-
|
3 |
5 Lieder mit Orchesterbegleitung, op. 27 no. 2, TrV 170: Cäcilie
|
2:00
|
4 |
5 Lieder mit Orchesterbegleitung, op. 41 no. 1, TrV 195: Wiegenlied
|
4:20
|
5 |
5 Lieder mit Orchesterbegleitung, op. 37 no. 2, TrV 187: Ich liebe dich
|
2:14
|
6 |
Songs for Voice and Orchestra: Morgen, op. 27 no. 4
|
3:48
|
7 |
Songs for Voice and Orchestra: Zueignung, op. 10 no. 1
|
1:39
|
|
CD 44
|
1 |
L'Oiseau de feu Suite (1919 version): Introduction
|
3:34
|
2 |
L'Oiseau de feu Suite (1919 version): The Firebird and its Dance
|
0:15
|
3 |
L'Oiseau de feu Suite (1919 version): Variation of the Firebird
|
1:18
|
4 |
L'Oiseau de feu Suite (1919 version): The Princensess' Round
|
5:33
|
5 |
L'Oiseau de feu Suite (1919 version): Infernal Dance of King Kashchei
|
4:18
|
6 |
L'Oiseau de feu Suite (1919 version): Lullaby
|
3:54
|
7 |
L'Oiseau de feu Suite (1919 version): Finale
|
3:39
|
8 |
Pulcinella Suite: I. Sinfonia (Ouverture): Allegro moderato
|
2:14
|
9 |
Pulcinella Suite: II. Serenata: Larghetto
|
2:56
|
10 |
Pulcinella Suite: III. Scherzino / Allegro / Andantino
|
4:42
|
11 |
Pulcinella Suite: IV. Tarantella (88 bpm)
|
1:58
|
12 |
Pulcinella Suite: V. Toccata: Allegro
|
0:58
|
13 |
Pulcinella Suite: VI. Gavotta: Allegro moderato / Variazione Ia. Allegretto / Variazione IIa. Allegro piú tosto moderato
|
4:06
|
14 |
Pulcinella Suite: VII. Vivo
|
1:27
|
15 |
Pulcinella Suite: VIII. Minuetto / Finale
|
4:17
|
|
CD 45
|
1 |
Pétrouchka: Tableau I. Fête populaire de la semaine grasse
|
7:09
|
2 |
Pétrouchka: Tableau I. Le tour de passe-passe – Danse russe
|
2:45
|
3 |
Pétrouchka: Tableau II. Chez Petrouchka
|
4:17
|
4 |
Pétrouchka: Tableau III. Chez le Maure – Danse de la Ballerine
|
3:26
|
5 |
Pétrouchka: Tableau III. Valse: La Ballerine et le Maure
|
3:18
|
6 |
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
|
1:04
|
7 |
Pétrouchka: Tableau IV. Danse des nounous
|
2:39
|
8 |
Pétrouchka: Tableau IV. L'ours et un paysan
|
1:27
|
9 |
Pétrouchka: Tableau IV. Un marchand fêtard avec deux tziganes
|
1:09
|
10 |
Pétrouchka: Tableau IV. Danse des cochers et des palefreniers
|
2:06
|
11 |
Pétrouchka: Tableau IV. Les déguisés
|
1:28
|
12 |
Pétrouchka: Tableau IV. La rixe: Le Maure et Petrouchka
|
0:45
|
13 |
Pétrouchka: Tableau IV. Mort de Petrouchka
|
0:44
|
14 |
Pétrouchka: Tableau IV. La police et le charlatan
|
1:14
|
15 |
Pétrouchka: Tableau IV. Apparition du double de Petrouchka
|
0:55
|
16 |
Scènes de ballet: Introduction
|
0:59
|
17 |
Scènes de ballet: Danses (Corps de ballet)
|
3:37
|
18 |
Scènes de ballet: Variation (Ballerine)
|
1:07
|
19 |
Scènes de ballet: Pantomime
|
2:20
|
20 |
Scènes de ballet: Pas de deux
|
3:02
|
21 |
Scènes de ballet: Pantomime
|
0:43
|
22 |
Scènes de ballet: Variation (Danseur)
|
1:24
|
23 |
Scènes de ballet: Variation (Ballerine)
|
1:15
|
24 |
Scènes de ballet: Pantomime
|
0:33
|
25 |
Scènes de ballet: Danses (Corps de ballet)
|
1:12
|
26 |
Scènes de ballet: Apothéose
|
2:18
|
|
CD 46
|
1 |
Le Sacre du printemps: Partie I. Introduction
|
3:28
|
2 |
Le Sacre du printemps: Partie I. Les Augures printaniers (Danses des adolescentes)
|
3:15
|
3 |
Le Sacre du printemps: Partie I. Jeu du rapt
|
1:21
|
4 |
Le Sacre du printemps: Partie I. Rondes printanières
|
3:47
|
5 |
Le Sacre du printemps: Partie I. Jeux des cités rivales
|
1:55
|
6 |
Le Sacre du printemps: Partie I. Cortège du Sage
|
0:41
|
7 |
Le Sacre du printemps: Partie I. Adoration de la Terre (Le Sage)
|
0:22
|
8 |
Le Sacre du printemps: Partie I. Danse de la Terre
|
1:16
|
9 |
Le Sacre du printemps: Partie II. Introduction
|
5:28
|
10 |
Le Sacre du printemps: Partie II. Cercles mystérieux des adolescentes
|
3:49
|
11 |
Le Sacre du printemps: Partie II. Glorification de l'élue
|
1:40
|
12 |
Le Sacre du printemps: Partie II. Évocation des ancêtres
|
0:54
|
13 |
Le Sacre du printemps: Partie II. Action rituelle des ancêtres
|
4:14
|
14 |
Le Sacre du printemps: Partie II. Danse sacrale (L'élue)
|
4:53
|
|
CD 47
|
1 |
Symphony in C: I. Moderato alla breve
|
9:31
|
2 |
Symphony in C: II. Larghetto concertante
|
6:15
|
3 |
Symphony in C: III. Allegretto
|
5:06
|
4 |
Symphony in C: IV. Largo - Tempo giusto, alla breve
|
7:37
|
5 |
Symphony in Three Movements: I. Overture. Allegro
|
10:05
|
6 |
Symphony in Three Movements: II. Andante
|
6:13
|
7 |
Symphony in Three Movements: II. Interlude. L'istesso tempo
|
0:24
|
8 |
Symphony in Three Movements: III. Con moto
|
6:06
|
|
CD 48
|
1 |
Les Noces: I. La Tresse
|
5:18
|
2 |
Les Noces: I. Chez le marié
|
5:38
|
3 |
Les Noces: I. Le départ de la mariée
|
2:57
|
4 |
Les Noces: II. Le repas de noces
|
10:05
|
5 |
Mass: Kyrie
|
3:14
|
6 |
Mass: Gloria
|
4:21
|
7 |
Mass: Credo
|
5:28
|
8 |
Mass: Sanctus
|
4:00
|
9 |
Mass: Agnus Dei
|
3:26
|
|
CD 49
|
1 |
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima – Moderato assai, quasi andante – Allegro vivo
|
21:20
|
2 |
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone
|
12:05
|
3 |
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato - Allegro
|
5:39
|
4 |
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco
|
9:44
|
5 |
Francesca da Rimini, op. 32: Andante lugubre – Allegro vivo – Andante cantabile non troppo – Allegro vivo
|
27:39
|
|
CD 50
|
1 |
Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima
|
16:24
|
2 |
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo
|
16:34
|
3 |
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
|
6:20
|
4 |
Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto
|
13:36
|
5 |
Romeo & Juliet Overture
|
22:40
|
|
CD 51
|
1 |
Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso
|
22:44
|
2 |
Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia
|
8:36
|
3 |
Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace
|
9:59
|
4 |
Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso - Andante
|
17:10
|
|
CD 52
|
1 |
Francesca da Rimini, Op. 32
|
23:41
|
2 |
Romeo and Juliet
|
20:14
|
|
CD 53
|
1 |
Hamlet, op. 67
|
18:46
|
2 |
Marche slave, op. 31
|
9:25
|
3 |
Capriccio italien, op. 45
|
16:00
|
4 |
Ouverture solennelle 1812, op. 49: Largo – Andante – Allegro giusto – Largo – Allegro vivace
|
15:35
|
|
CD 54
|
1 |
Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro
|
16:38
|
2 |
Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio, ma no troppo
|
13:21
|
3 |
Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato
|
13:43
|
4 |
Schelomo: Lento moderato - Andante moderato - Allegro moderato - Andante moderato
|
24:37
|
|
CD 55
|
1 |
Tristan und Isolde: Vorspiel
|
14:13
|
2 |
Tristan und Isolde: Seemann: Westwarts schweift der Blick
|
7:10
|
3 |
Tristan und Isolde: Act I. Scene II.Frisch weht der Wind der Heimat zu
|
4:33
|
4 |
Tristan und Isolde: Act I. Scene II. Hab acht, Tristan!
|
6:08
|
5 |
Tristan und Isolde: Brangane: Weh, ach wehe!
|
2:08
|
6 |
Tristan und Isolde: Act I. Scene III. Wie lachend sie mir
|
20:07
|
7 |
Tristan und Isolde: Act I. Scene IV. Auf! Auf! Ihr Frauen!
|
8:00
|
|
CD 56
|
1 |
Tristan und Isolde: Act I. Scene IV. Herr Tristan nah!
|
10:27
|
2 |
Tristan und Isolde: Act I. Scene V. War Morold dir so wert
|
11:25
|
3 |
Tristan und Isolde: Act I. Scene V. Tristan! - Isolde!
|
8:18
|
4 |
Tristan und Isolde: Vorspiel
|
2:07
|
5 |
Tristan und Isolde: Isolde: Horst du sie noch?
|
15:00
|
6 |
Tristan und Isolde: Tristan: Isolde! Geliebte!
|
18:26
|
|
CD 57
|
1 |
Tristan und Isolde: Act II. Scene II. O sik hernieder, Nactht der Liebe
|
10:14
|
2 |
Tristan und Isolde: Act II. Scene II. Lausch, Geliebter
|
8:49
|
3 |
Tristan und Isolde: Act2 Scene2 Tristan:So sturben wir, um ungetrennt
|
10:02
|
4 |
Tristan und Isolde: Act2 Scene3 Kurwenal: Rette dich, Tristan
|
2:02
|
5 |
Tristan und Isolde: Act II. Scene III. Tatest du's wirklich?
|
13:16
|
6 |
Tristan und Isolde: Act II. Scene III. O, Konig, das kann ich dir nicht sagen
|
23:41
|
7 |
Tristan und Isolde: Act 3 Scene 1
|
8:06
|
8 |
Tristan und Isolde: Act3 Scene1 Hirt: Kurwenal! He! Sag, Kurwenal!
|
10:58
|
|
CD 58
|
1 |
Tristan und Isolde: Act III. Scene I. Wo ich erwacht, weilt ich nicht
|
7:38
|
2 |
Tristan und Isolde: Act III. Scene I. Der einst ich trotzt aus Treu
|
19:11
|
3 |
Tristan und Isolde: Act III. Scene I. Bist du nun tot?
|
19:11
|
4 |
Tristan und Isolde: Act III. Scene I. O Wonne! Freunde!
|
19:11
|
5 |
Tristan und Isolde: Tristan: O diese Sonne
|
3:50
|
6 |
Tristan und Isolde: Act III. Scene II. Ich bin's, ich bin's
|
6:29
|
7 |
Tristan und Isolde: Act III. Scene III. Kurwenal! Hor!
|
8:39
|
8 |
Tristan und Isolde: Isolde: Mild unde leise wie er lachelt
|
8:29
|
|
CD 59
|
1 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio
|
14:38
|
2 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
|
17:47
|
3 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
|
5:38
|
4 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
|
12:21
|
5 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement)
|
13:24
|
6 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement)
|
6:07
|
7 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement)
|
5:25
|
|
CD 60
|
1 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement)
|
9:12
|
2 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..."
|
1:11
|
3 |
Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio – Allegro molto
|
8:51
|
4 |
Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo
|
13:32
|
5 |
Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace
|
7:16
|
6 |
Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco
|
11:33
|
7 |
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement)
|
9:51
|
8 |
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement)
|
3:22
|
9 |
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement)
|
1:40
|
10 |
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement)
|
5:00
|
11 |
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued)
|
1:01
|
|
CD 61
|
1 |
Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
|
12:27
|
2 |
Symphony No. 2 in C major, Op. 61: II. Scherzo: Allegro vivace
|
6:58
|
3 |
Symphony No. 2 in C major, Op. 61: III. Adagio espressivo
|
11:53
|
4 |
Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace
|
8:14
|
5 |
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme)
|
4:22
|
6 |
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..."
|
1:48
|
7 |
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement)
|
8:39
|
8 |
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued)
|
6:51
|
9 |
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement)
|
4:49
|
10 |
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement)
|
7:31
|
11 |
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement)
|
5:15
|
|
CD 62
|
1 |
Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo
|
11:50
|
2 |
Symphony No. 4 in E minor, Op. 98: II. Andante moderato
|
11:53
|
3 |
Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I
|
6:07
|
4 |
Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro
|
11:01
|
5 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme)
|
4:44
|
6 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement)
|
5:15
|
7 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement)
|
3:23
|
8 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement)
|
5:47
|
9 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement)
|
2:41
|
10 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement)
|
9:34
|
11 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement)
|
2:16
|
12 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement)
|
3:18
|
13 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement)
|
2:11
|
|
CD 63
|
1 |
Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo
|
18:43
|
2 |
Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia
|
8:14
|
3 |
Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace
|
9:08
|
4 |
Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante
|
11:26
|
5 |
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement)
|
9:18
|
6 |
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued)
|
1:58
|
7 |
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement)
|
1:56
|
8 |
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement)
|
1:50
|
9 |
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement)
|
3:40
|
10 |
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work"
|
6:01
|
|
CD 64
|
1 |
Fancy Free: Big Stuff (Prologue)
|
2:31
|
2 |
Fancy Free: I. Opening Dance
|
2:50
|
3 |
Fancy Free: II. Scene at the Bar
|
2:55
|
4 |
Fancy Free: IV. Pas de deux
|
3:03
|
5 |
Fancy Free: V. Competition Scene
|
3:00
|
8 |
Fancy Free: VIa. Three Dance Variations: 2. Waltz
|
2:16
|
7 |
Fancy Free: VIb. Three Dance Variations: 3. Danzon
|
2:33
|
8 |
Fancy Free: VIc. Three Dance Variations: 1. Galop / VII. Finale
|
3:15
|
9 |
On the Town: Opening
|
3:11
|
10 |
On the Town: I Get Carried Away
|
3:03
|
11 |
On the Town: Lucky to Be Me
|
2:32
|
12 |
On the Town: Lonely Town
|
3:16
|
13 |
On the Town: I Can Cook Too
|
2:25
|
14 |
On the Town: Ya Got Me
|
2:45
|
15 |
On the Town: Opening (extended version)
|
3:45
|