In 1992 Kate Rusby was, you fondly imagine, a nervy teenager who couldn't have dreamed of the outstanding career that lay ahead. The notion of a gentle young singer from Yorkshire with a mostly traditional repertoire lighting up a largely moribund Br...
Studio Confessions is the groundbreaking third album from maverick Peven Everett. Before this enduring album hit the streets, Peven had released an amazing 12 critically acclaimed singles including timeless deep house classics like "Watch Them Come" ...
Gallon Drunk's James Johnston is a busy boy. A member of Nick Cave's Bad Seeds since 1994, he's also spent part of this year touring with Faust, while bandmate Ian White has been working with Lydia Lunch. Saxophonist Terry Edwards too has done the ro...
Whereas 1984's Purple Rain had seen Prince merge the on-screen and on-record perfectly, remaining a classic to this day, Parade can't quite claim to be as essential. Again a soundtrack to one of the Purple One's excursions into cinema, it supports th...
Released just four months after Today! in July 1965, The Beach Boys' ninth album was at first deemed by some to be a regression. Its predecessor had, on its second side, revealed the now studio-locked, pot-guzzling Brian Wilson's knack for melancholy...
Doll Creature is Max Eastley and David Toop's first recording since 1994's Buried Dreams and only their third since 1975's New and Rediscovered Musical Instruments. Both are criminally long out of print. Buried Dreams in particular was a brilliantly ...