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CD 1
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1 |
Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio
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8:22
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2 |
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
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6:33
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3 |
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace
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4:05
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4 |
Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace
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5:31
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5 |
Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio
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12:08
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6 |
Symphony no. 2 in D major, op. 36: II. Larghetto
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10:19
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7 |
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
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4:25
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8 |
Symphony no. 2 in D major, op. 36: IV. Allegro molto
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6:08
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CD 2
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1 |
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio
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15:36
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2 |
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
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12:41
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3 |
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace
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5:33
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4 |
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto
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10:49
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5 |
Symphony no. 4 in B‐flat major, op. 60: I. Adagio - Allegro vivace
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10:56
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6 |
Symphony no. 4 in B‐flat major, op. 60: II. Adagio
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9:24
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7 |
Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace
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5:17
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8 |
Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo
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6:24
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CD 3
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1 |
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
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6:30
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2 |
Symphony no. 5 in C minor, op. 67: II. Andante con moto
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8:15
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3 |
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
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7:12
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4 |
Symphony no. 5 in C minor, op. 67: IV. Allegro
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9:57
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5 |
Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
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11:13
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6 |
Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach: Andante molto mosso
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12:00
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7 |
Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute: Allegro
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4:48
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8 |
Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm: Allegro
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3:39
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9 |
Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm: Allegretto
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9:16
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CD 4
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1 |
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
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13:09
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2 |
Symphony no. 7 in A major, op. 92: II. Allegretto
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7:45
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3 |
Symphony no. 7 in A major, op. 92: III. Presto
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8:30
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4 |
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
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9:13
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5 |
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
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8:41
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6 |
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
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3:46
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7 |
Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto
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5:28
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8 |
Symphony no. 8 in F major, op. 93: IV. Allegro vivace
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6:17
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CD 5
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1 |
Symphony no. 9 in D minor, op. 125: Allegro ma non troppo, un poco maestoso
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13:05
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2 |
Symphony no. 9 in D minor, op. 125: Molto vivace
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13:07
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3 |
Symphony no. 9 in D minor, op. 125: Adagio molto e cantabile
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12:06
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4 |
Symphony no. 9 in D minor, op. 125: Presto
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5:30
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5 |
Symphony no. 9 in D minor, op. 125: Presto: “O Freunde, nicht diese Töne!” Allegro assai
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15:54
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CD 6
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1 |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio
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14:07
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2 |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio
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7:41
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3 |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro
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6:20
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4 |
Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro - Andante - Tempo I
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11:06
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5 |
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
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16:41
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6 |
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo
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10:17
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7 |
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro
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8:53
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CD 7
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1 |
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio
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16:03
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2 |
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo
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9:47
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3 |
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro
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10:02
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4 |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato
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18:35
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5 |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto -
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5:25
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6 |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace
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10:57
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CD 8
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1 |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro
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19:30
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2 |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto
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6:43
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3 |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro a non troppo
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9:46
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4 |
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Adagio
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3:26
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5 |
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Finale: Allegro
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15:33
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6 |
Choral Fantasy, op. 80 (alternative improvised introduction no. 1)
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2:32
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7 |
Choral Fantasy, op. 80 (alternative improvised introduction no. 2)
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2:07
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CD 9
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1 |
Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): I. Allegro moderato
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17:20
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2 |
Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): II. Andante con moto
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5:14
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3 |
Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): III. Rondo. Vivace
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10:35
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4 |
Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: I. Adagio molto - Allegro con brio
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12:09
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5 |
Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: II. Larghetto
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11:11
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6 |
Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: III. Scherzo. Allegro
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4:40
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7 |
Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: IV. Allegro molto
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6:29
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CD 10
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1 |
Violin Concerto in D major, op. 61: I. Allegro ma non troppo (cadenza: Ottavio Dantone)
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23:15
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2 |
Violin Concerto in D major, op. 61: II. Larghetto –
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8:15
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3 |
Violin Concerto in D major, op. 61: III. Rondo (cadenza: Ottavio Dantone)
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9:29
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CD 11
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1 |
Missa solemnis, op. 123: 1. Kyrie. Assai sostenuto (Mit Andacht)
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8:51
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2 |
Missa solemnis, op. 123: 2. Gloria. Allegro vivace
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16:29
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3 |
Missa solemnis, op. 123: 3. Creedo. Allegro ma non troppo
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17:28
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4 |
Missa solemnis, op. 123: 4. Sanctus. Adagio (Mit Andacht) - Benedictus. Andante molto cantabile e non troppo mosso
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15:16
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5 |
Missa solemnis, op. 123: 5. Agnus Dei. Adagio
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13:34
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CD 12
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1 |
“Ah! Perfido” - “Per pietà”, op. 65: Scena ed aria per soprano ed orchestra
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12:41
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2 |
Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt": I. Meeresstille. Sostenuto "Tiefe Stille herrscht im Wasser" Sostenuto / II. Glückliche Fahrt. Allegro vivace "Die Nebel zerreißen"
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7:21
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3 |
Mass in C major, op. 86: Kyrie
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5:35
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4 |
Mass in C major, op. 86: Gloria
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8:49
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5 |
Mass in C major, op. 86: Credo
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10:30
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6 |
Mass in C major, op. 86: Sanctus (Benedictus)
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10:47
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7 |
Mass in C major, op. 86: Agnus Dei
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6:21
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CD 13
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1 |
Leonore, Hess 109: Overture “Leonore II”
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13:03
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2 |
Leonore, Hess 109: Act I: “…’Twas in truth”
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1:26
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3 |
Leonore, Hess 109: Act I, no. 1. Aria “O wär’ ich schon mit dir vereint” (Marzelline) (first version from 1804)
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3:22
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4 |
Leonore, Hess 109: Act I. “Beharrlich bleibt auf dem Liebespfad”
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0:28
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5 |
Leonore, Hess 109: Act I, no. 2. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)
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4:52
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6 |
Leonore, Hess 109: Act I. “Der Kerkmeister, Rocco, der Vater”
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0:23
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7 |
Leonore, Hess 109: Act I, no. 3. Trio “Ein Mann ist bald genommen” (Rocco, Marzelline, Jaquino) (extra bar and instrumental refinements from 1806 version)
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3:44
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8 |
Leonore, Hess 109: Act I. “Fidelio kam - und niemand weiss woher”
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0:18
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9 |
Leonore, Hess 109: Act I, no. 4. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jacquino)
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4:00
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10 |
Leonore, Hess 109: Act I. “Gefühl ist gut, doch Geld ist besser”
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0:14
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11 |
Leonore, Hess 109: Act I, no. 5. Aria “Hat man nicht auch Gold beineben” (Rocco)
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2:27
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12 |
Leonore, Hess 109: Act I. “Unantastbar klar birgt Leonores Brust”
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1:06
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13 |
Leonore, Hess 109: Act I, no. 6. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) (2 cuts from 1806 version, 2 cuts along the lines of 1814 version)
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5:58
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14 |
Leonore, Hess 109: Act II, no. 7. Introduction in D major
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1:59
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15 |
Leonore, Hess 109: Act II. “Der Gouverneur ist da”
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0:41
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16 |
Leonore, Hess 109: Act II, no. 8. Aria with Choir “Ha! Welch ein Augenblick!” (Pizarro, choir) (16 new bars from 1814 version included)
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3:06
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17 |
Leonore, Hess 109: Act II. “Postiert eine Trompete auf dem Wachturm!”
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0:08
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18 |
Leonore, Hess 109: Act II, no. 9. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) (1 cut from 1814 version)
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4:34
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19 |
Leonore, Hess 109: Act II. “Und Leonore begegnet Marzelline”
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0:22
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20 |
Leonore, Hess 109: Act II, no. 10. Duet “Um in der Ehe froh zu leben” (Marzelline, Leonore)
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6:05
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21 |
Leonore, Hess 109: Act II. “Die ernsten Steine des dumpfen Gemäuers”
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0:30
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22 |
Leonore, Hess 109: Act II, no. 11. Recitation and Aria “Ach, brich noch nicht, du mattes Herz!” - “Komm, Hoffnung, lass den letzen Stern” (Leonore) (small cut in final coloratura passage)
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7:47
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CD 14
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1 |
Leonore, Hess 109: Act II, no. 12. Finale. Prisoner’s Chorus “O welche Lust, in frier Luft” (2 small cuts from 1806 version)
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7:55
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2 |
Leonore, Hess 109: Act II, no. 12. Finale. Recitation “Entfernt euch jetzt! Nun, könnt ihr eilen?” (Rocco) - “Nun sprecht, wie ging’s?” (Leonore, Rocco) - Duet “Noch heute, noch heute?” (Leonore, Rocco)
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2:41
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3 |
Leonore, Hess 109: Act II, no. 12. Finale. Duet “Wir müssen gleich zu werke schreiten” - Quartet “Ach Vater, eilt!” (Marzelline, Rocco, Leonore, Pizarro)
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3:39
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4 |
Leonore, Hess 109: Act II, no. 12. Finale. Aria “Auf euch nur will ich bauen” (Pizarro, choir) (2 cuts in vocal section)
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2:56
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5 |
Leonore, Hess 109: Act III. “Florestans Not im Dunkel tauber Einsamkeit”
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1:21
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6 |
Leonore, Hess 109: Act III, no. 13. Recitation and Aria “Gott! Welch Dunkel hier!” - “On des Lebens Frühlingstagen” (Florestan) (1806 version with additions from Prague score and sketches)
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10:09
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7 |
Leonore, Hess 109: Act III, no. 14. Melodrama “Wie kalt ist es in diesem unteirdischen Gewölbe!” (Leonore, Rocco) (1814 version with 2 bars cut) - Duet “Nur hurtig fort” (Rocco, Leonore)
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1:41
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8 |
Leonore, Hess 109: Act III. Duet “Nur hurtig fort, nur frisch gegraben” (Rocco, Leonore)
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4:00
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9 |
Leonore, Hess 109: Act III. “Dort, in der Tiefe”
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0:52
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10 |
Leonore, Hess 109: Act III, no. 15. Trio “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore) (1 bar of first section from 1814 version, 32 bars of repeat from 1806 version)
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4:51
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11 |
Leonore, Hess 109: Act III. “Und Rocco eilt”
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0:21
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12 |
Leonore, Hess 109: Act III, no. 16. Quartet “Er sterbe! Doch er soll erst wissen” (Pizarro, Florestan, Leonore, Rocco)
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4:26
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13 |
Leonore, Hess 109: Act III. “Oh Leonore! Alles was dein Mut gewagt - verloren!”
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0:06
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14 |
Leonore, Hess 109: Act III, no. 17. Recitation and Duet “Ich kann mich noch nicht fassen” (Florestan, Leonore) (2 cuts and substitute passage of 13 bars from 1806 version, first 2 bars cut in 1805 version restored)
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7:45
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15 |
Leonore, Hess 109: Act III, no. 18. Finale. “Zur Rache! Zur Rache!” (choir, Leonore, Florestan, Rocco, Fernando, Jaquino, Marzelline) (small cut with added lines for Jacuino and Marzelline from 1806 version)
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4:20
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16 |
Leonore, Hess 109: Act III, no. 18. Finale. “O Gott! O welch ein Augenblick!” (Leonore, Marzelline, Florestan, Jaquino, Fernando, Rocco, choir)
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4:16
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17 |
Leonore, Hess 109: Act III, no. 18. Finale. “So müssen endlich Aufgeklärte”
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0:08
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18 |
Leonore, Hess 109: Act III, no. 18. Finale. “Doch höre erst, du Bösewicht” (Fernando, choir, Leonore, Florestan)
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0:50
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19 |
Leonore, Hess 109: Act III, no. 18. Finale. “Dann herrscht allgemeine Freiheit und Gleichheit der Geister”
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0:04
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20 |
Leonore, Hess 109: Act III, no. 18. Finale. “Nein, nein, nein! Erst ist noch zu gering bestraft!” (choir)
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0:13
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21 |
Leonore, Hess 109: Act III, no. 18. Finale. “Ein höherer geist, vom Himmel gesandt”
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0:11
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22 |
Leonore, Hess 109: Act III, no. 18. Finale. Recitation “Der König wird dein Richter sein!” (Fernando, choir)
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1:10
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23 |
Leonore, Hess 109: Act III, no. 18. Finale. Recitation “Der König wird dein Richter sein!” (Fernando, choir)
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5:25
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24 |
Leonore, Hess 109: Appendix, no. 7a. March (alternative version) in B‐flat major
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1:52
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CD 15
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1 |
Historical influences on Beethoven
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3:09
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2 |
The technical demands made of instrumentalists
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1:50
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3 |
Using period instruments
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3:58
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4 |
Beethoven's tempo markings
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4:55
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5 |
The political dimension of Beethoven's music
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2:35
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6 |
Summing up
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1:54
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7 |
Historischer Einfluss auf Beethoven
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3:07
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8 |
Technische Anforderungen an Instrumentalisten
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2:17
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9 |
Über den Einsatz historischer Instrumente
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4:03
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10 |
Beethovens Tempobezeichnungen
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5:22
|
11 |
Politische Dimension in der Musik Beethovens
|
2:42
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12 |
Zum Schluss
|
1:56
|
13 |
Influence historique sur Beethoven
|
3:35
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14 |
Conditions pour les instrumentistes
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2:10
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15 |
Utilisation d'instruments historiques
|
4:48
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16 |
Les marques de tempo de Beethoven
|
5:27
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17 |
Dimension politique dans la musique de Beethoven
|
3:58
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18 |
Les symphonies de Beethoven
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1:45
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